Over the last few years there have been numerous studies looking at tattoos and their effect on the immune system.
And for all you fellow tattoo collectors I have good news. Tattoos do in fact have a positive impact on your immune system!
Are they going to keep COVID-19 away from you? Unfortunately, no, but people who have more than one tattoo generally have a stronger and healthier immune system than those who do not.
In one test, a group of 29 people were tested before and after visiting a tattoo shop in Alabama. The researchers tested levels of cortisol, which is one of the body’s indicators of stress levels, as well as Immunoglobin A, which is in simple terms is an antibody that helps our bodies fight infections . This study showed that those going in with no tattoos yet showed a greater strain on their immune system with a dip in their Immunoglobin A levels, while those going in for their second, third, or even tenth or more tattoo, actually experienced a large boost in their Immunoglobin A levels immediately following the tattoo. The full test can be read here “Tattoos to Toughen Up.”
Another test done in American Samoa by the same researcher took 25 saliva samples at the start and end of tattoo sessions on both tourists and locals getting tattooed. They also measured the tattoo recipients height, weight, and fat density to account for general health. Again, both cortisol and Immonoglobin A were extracted and tested, as well as an inflammatory marker C-reactive protein. A similar finding was concluded here, with Immonoglobin A staying remaining higher in the bloodstream even after tattoos had healed. As well, people with more and larger tattoos tested higher Immonoglobin A levels than those with less or no tattoos prior to the start of getting tattooed. This effect also appears to be dependent on getting multiple tattoos and not just having some time pass after getting tattooed once.
Of course having lots of tattoos won’t guarantee your health, but based on testing it can be beneficial for general immune health, and in particular skin injuries and health.
Peaky Blinders is the incredibly popular British tv show following a gang called “The Peaky Blinders” in mainly Birmingham, immediately following the First World War.
Every episode is written by Steven Knight, and is loosely based on both historical gangs in England, and a story the writers father used to tell him about his grandfather having him deliver notes to his uncles, the Sheldons, who became the shows “Shelbys.”
The history of the “real” peaky blinders differs from place to place, with some sources saying they died out by the 1890s. While they weren’t the ruling gang in Birmingham by the end of World War I, it looks like they probably still existed, even though the bigger “Birmingham Boys” became the top dogs by 1910. Peaky Blinders also eventually became a term to describe all gangs coming out of the Birmingham area. In both the show and real life, the gang is made up of mainly young unemployed men, looking to gain power and money through robbery, violence, and controlling both legal and illegal gambling. In the show many of the men also fought in World War I.
The name Peaky Blinders comes from the clothes worn by both the real and fictional gangsters. Their signature style includes tailored jackets, overcoats, waistcoats, silk scarves, bell-bottom trousers, and “peaked” caps. In the show, the gang is famous for sewing razorblades into their caps as their signature weapon, but realistically these blades wouldn’t have been affordable at the time and weren’t used until around 1890, when the Peaky Blinders started to lose power.
Many people are drawn to the show for its style, and that translates into the tattoos we see being made. Most Peaky Blinders tattoos are done in a classic traditional style, keeping it bold and classy, just like the show. Other styles include neo traditional, black work, and realism. Most of the tattoos I found are of Tommy, but the other Shelby brothers also make fine pieces.
Max Rathbone is the owner of Second City Tattoo Club in Birmingham UK.
Max has his own style, mixing Japanese and other Asian motifs with Neo-traditional colours and styling.
If you’re looking for some sweet flower pieces, Max is your guy. He of course tattoos other designs and pieces, but he’s well known for his flowers, particularly peonies and cherry blossoms, pairing them with snakes, skulls, dragons, etc.
The majority of Max’s work is colour, but he also does amazing black and grey and blackwork.
While he does do some smaller scale pieces, the majority of his work is quite large. Things like back pieces, sleeves, and torsos.
When doing smaller scale work, Max doesn’t shy away from the “job stoppers”. Taking a look at his Instagram you’ll find neck pieces and hands galore!
Who doesn’t love a good ghost story this time of year?
People have always had a fascination with death and dying, and with that fascination comes story telling. Some of my favourite books are ghost stories (or related). Here’s a short list of some of my favourites, and some great tattoos to go with them!
Hell House, by Richard Matheson.
The Haunting of Hill House, by Shirley Jackson.
The Taxidermists Daughter, by Kate Mosse.
The Woman in Black, by Susan Hill.
Scary Stories to Tell in the Dark, by Alvin Schwartz.
The Amityville Horror, by Jay Anson.
As a tattoo, many people prefer blackwork or black and grey, to maximize the dark feelings that generally come with ghosts. American traditional and realism can also be popular choices for a spooky ghost. Of course not all ghosts are scary, and American traditional ghosts tend not to be. Many American trad ghosts are based on casper the friendly ghost.
The Hand of Glory was a particularly grotesque tool used by criminals, particularly thieves, to aid in robberies. The legend dates back to the 15th century, and there are numerous accounts of people using them throughout history.
The name reportedly comes from the French, “main de glorie”, which in turn got its name from the magical mandrake root.
According to legend, mandrakes grow under gallows from the seed of a hanged man, and they were believed to shine like lamps at night, also in roughly the shape of a hand.
The process of making a hand of glory is quite particular, and adds to the macabre nature of the thing. Sabine Baring-Gould wrote in his book, Curious Myths of the Middle Ages: “The Hand of Glory .. is the hand of a man who has been hung, and it is prepared in the following manner: Wrap the hand in a piece of winding-sheet, drawing it tight, so as to squeeze out the little blood which may remain; then place it in an earthenware vessel with saltpeter, salt, and long pepper, all carefully and thoroughly powdered. Let it remain a fortnight in this pickle till it is well dried, then expose it to the sun in the dog-days, till it is completely parched, or, if the sun be not powerful enough, dry it in an oven heated with vervain and fern. Next make a candle with the fat of a hung man, virgin-wax, and Lapland sesame.” (1873)
The people who used hands of glory had different beliefs. Some believed it could give light only to them, leaving others in darkness, some believed it could make them invisible, many thought it could burn forever and could only be put out if the user so desired, others believed and hoped it could render any nearby person motionless or put occupants of a residence to sleep. All tales of the hand of glory seem to show the belief that the hand could open any nearby lock, making it an even more useful tool for those wishing to take something that does not belong to them.
Open, lock, To the Dead Man’s knock! Fly, bolt, and bar, and band! Nor move, nor swerve, Joint, muscle, or nerve, At the spell of the Dead Man’s hand! Sleep, all who sleep! — Wake, all who wake! But be as the dead for the Dead Man’s sake!
Now lock, nor bolt, nor bar avails, Nor stout oak panel thick-studded with nails. Heavy and harsh the hinges creak, Though they had been oil’d in the course of the week. The door opens wide as wide may be, And there they stand, That murderous band, Lit by the light of the Glorious Hand, By one! — by two! — by three! By Thomas Ingoldsby
And of course fans of Harry Potter will be familiar with the Hand of Glory from Mr. Borgin and Burkes’ store when young Mr. Malfoy takes a fancy to it. “Ah, the Hand of Glory!” said Mr. Borgin, abandoning Mr. Malfoy’s list and scurrying over to Draco. “Insert a candle and it gives light only to the holder! Best friend of thieves and plunderers! Your son has fine taste, sir.”
Which gruesome hand is your favourite and why? Let me know in the comments and remember to check out any of the artists if you liked their work.
Osang and Sojung are a South Korean couple who tattoo at Hysteric Garden, Seoul, and also do guest spots around the world, including America, Canada, Australia, Europe, and Taiwan.
Both artists specialize in black work that is heavy on detailed lines, and macabre subject matter. As Halloween is right around the corner, they are a perfect pair to get a couple of tattoos from!
You can bring in your own ideas or get an original piece from either of them.
The couple do lots of specifically occult pieces such as demons, devils, black goats, witches, etc. They are also happy to tattoo more traditional Korean designs such as tigers and ravens if that’s more your style.
If you want a one of a kind, detail oriented black work piece, look no further.
Keep an eye out on their Instagrams for their travelling guest spots, or pop in while you’re in South Korea. @osangbrutal @goatblackeyed you can find their emails for bookings on their individual Instagram accounts