Artist of the Month: Joey Ramona

Joey Ramona is a tattooer working out of Under My Thumb Tattoos in Toronto. They do old school tattoos while taking lots of inspiration from Jewish culture.

Gorgeous florals in old school colours
Jewish lady head from Joey’s flash

Joey strives to make a welcoming environment for all who wish to get tattooed, regardless of body type, skin tone, gender, etc. They are a fierce defender of Queer folks and also do their part to call out anti-Semitism, particularly in sub cultures of tattooing and alternative music. You can read an interview that features Joey and other Jewish artists here.

Bad ass Jewish heroine, Judith
Jewish lady head and flowers from Joey’s flash

When you check out Joey’s instagram (linked above) you can expect to see lots of flowers, (Jewish) lady heads, and Hebrew script intermingled with classic old school tattoo designs.

Spider lady and flowers
Ketubah-inspired flowers

Now (August 2020) Joey also makes face masks with other local Toronto artists, and has flash, shirts, tote bags, and more available on their Etsy.

Sofa and radio with a cassette around the corner
Healed cow girl, flowers, and dice

Be sure to check them out if you live in Toronto or are passing through!

“kindness” in Hebrew
hand drawn flowers

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Tattoo History 11: Tattooed Ladies

Pictures courtesy of Vintage Tattoo Photo Archive.

For over 100 years, “The Tattooed Lady” was an attraction not to be missed at circuses, carnivals, and freak shows all around the world. While men also performed and showed off their tattooed bodies, women were what people wanted to see. Pick a time in history, or modern day, and sex and danger sells. Thus, tattooed women sold tickets wherever they went, and attracted tourists and locals alike.

Some of the most famous tattooed ladies of the 1800’s and 1900’s also had fabricated back stories to make themselves seem more interesting. What’s more interesting (especially given the times); “woman tattooed by force after capture by ‘savages'”, or “woman gets tattooed by her common-law partner?” This was part of the fabrication and later true story of Nora Hildebrandt.

Betty Broadbent April 4th 1938, Australia

Nora Hildebrandt is known as the first professional tattooed lady. She was tattooed by her common-law partner, Martin Hildebrandt (some people refer to them as father and daughter but more evidence points to them being romantic partners rather than father and daughter). Martin Hildebrandt is a hard person to pin down due to the amount of traveling he did. But according to numerous reports it looks like he eventually settled in New York in the 1850’s. Nora Hildebrandt began performing at sideshows in 1882, with over 365 tattoos all over her body. This number helped her fake back story of being captured by “Indian savages” and forcibly tattooed one per day for a year (which she later admitted was false and just helped sell tickets). Nora most famously performed with Barnum and Bailey’s circus in the 1890’s as their main tattooed lady.

Nora Hildebrandt 1880’s

Artoria (Anne) Gibbons is another well known tattooed lady. She worked for over 30 years in circuses and sideshows in the early 1900’s including Barnum and Bailey’s, the Ringling Brothers, and others. She met Charles “Red” Gibbons, an already well known tattooer, and the two eventually married. After being married for 4-5 years, Red started tattooing Anne, and she became almost like a business card or canvas to showcase his work. She was apparently so beautiful, and the tattoos on her body so well done, that she stole the show wherever she went. In an interview in 1934, Anne said that she was often asked if she was born that way (seriously). From medieval times to the mid 1900’s many people believed in the “mark of impression,” that something the mother had done or seen would leave a physical mark on the baby. Doctors legitimately thought that her mother had watched too many movies while she was pregnant with Anne and that’s why she was covered in images.

Artoria Gibbons and her famous last supper tattoo in 1920

A third well known tattooed lady was Betty Broadbent. She was born in the early 1900’s and at the age of 14 went to work for a wealthy family in Atlantic City as a nanny. It was there that she came across the heavily tattooed man, Jack Red Cloud on the famous Atlantic City Boardwalk. He was performing as a Tattooed Man and was happy to talk to her about tattoos and art. Betty started her body suit after being introduced to Jack’s friend, the famous Charlie Wagner. She spent her life savings tot ravel to New York City to and start being tattooed by Wagner. She was also tattooed by another New York artist named Joe Van Hart, and eventually collected pieces from Tony Rhineagear and Red Gibbons. The process took about two years and included 365 individual pieces, varying in theme. They covered her arms, legs, back, and chest. Pieces included historical figures such as Queen Victoria, religious figures such as the Virgin Mary and Baby Jesus. Though one of her most notable pieces is a huge eagle that spreads from shoulder to shoulder. When asked about it she reportedly said “it hurt something awful, but it was worth it.”She joined the circus in 1927, working with the Ringling Brothers and Barnum and Bailey’s. Betty was also one of the few well known Tattooed Ladies who didn’t use a fabricated story about her tattoos.

Betty Broadbent, April 4th in38, Australia

The last Tattooed Lady I looked at is Maud Wagner. Along with being a Tattooed Lady, Maud also performed aerial acrobatics and was an accomplished contortionist who travelled with multiple circuses. She was born in 1877 in Kansas. Maud met her husband, Gus Wagner at the Louisiana World’s fair in 1904, and learned how to do hand-poked tattoos from him. She would become America’s first known female tattooer, along with her work as a performer in the circus industry. The couple had a daughter, Lotteva, who learned the family trade at the age of 9 and continued tattooing throughout her life. Maud’s tattoos included patriotic art, and animals mainly.

Maud Wagner 1907

It is often assumed that men dominated the tattoo world, but through research it’s clear to see that women have been just as important in shaping tattoo culture. Tattooed Ladies brought tattoos to the forefront of underground society, and helped make them “more acceptable.” Tattooed Ladies were able to make a name and living for themselves for over 100 years, from the late 1800’s to mid 1990’s through circuses and carnivals, and now are able to through websites and magazines.

Who is your favourite historical tattooed lady?

https://www.cloakanddaggerlondon.co.uk/history-tattooed-attraction-betty-broadbent/

https://www.thevintagenews.com/2017/05/05/maud-wagner-known-as-the-inked-woman-was-the-first-female-tattoo-artist-in-america/

https://www.tattooarchive.com/history/gibbons_artoria.php

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Artist of the Month: Duncan X

Duncan X is a old school artist whose inspiration comes from early photographs of old school tattoos. These photographs are of course all in black and white, so the tattoos appear black even if they were colourful. This led to Duncan tattooing in only black.

Bold anchor and rope.
Lock and chain.

He is one of the most popular artists in London, and he works out of Old Habits Tattoo shop.

Filler rib piece.
Lines and lines on a portrait tattoo.

Duncan was born and raised in London in the 60’s and was introduced to tattoos through the punk scene. Artist Dennis Cockell taught him tattooing and helped him shape his unique style.

Black work castle.
Full sleeve done by Duncan X.

While Duncan uses mainly old school motifs for his source of inspiration, his style resembles medieval wood carvings and is distinctly working class.

Foxes on feet.
An evil and beautiful looking crow.

To learn more about Duncan and see his own tattoos watch David Penn’s short film here.

Another back done by Duncan X.
Torso in progress.

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Artist of the Month: Nick Oaks

Nick Oaks is a tattooer working out of Bait & Schlang Tattoo in Montreal. His work is as classic as it gets. Filled with big bold dragons, lady heads, roses and skulls.

Classic Sailor Jerry monkey.
Bright and bold back piece featuring a dragon and classic lady.

He takes inspiration from greats such as Sailor Jerry, Tony Polito, E.C. Kidd, and more.

Tony Polito cowboy skull.
Black traditional E.C. Kidd dragon.

Whether you’re looking for black traditional or bright and colourful, Nick can take care of it for you.

Bright geisha head.
Pharaoh’s horses on the stomach.

His Instagram is full of both small one off designs, and large scale work such as back pieces.

Classic lady head.
Panther and snake in battle.

Nick has lots of flash to choose from, and lots of paintings for sale as well.If you’re in Montreal, or going to be, click the link above and check out his Instagram where he has his contact information.

A beautiful tiger, ready for a scrap.
Healed lady head and tiger on the ribs.

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Tattoo History 10: George Burchett

Referred to as the “king of tattooists” by himself and others, George Burchett- (Davis) was one of the most famous tattoo artists of his age, particularly in the UK. Notably tattooing in London, marking both the social elite and the hard working class, and even members of the Royal family.

George working on a forearm piece. (photo colourized)
Burchett Devil by Quinn Jordan Campbell.

In Burchett’s “Memoirs of a Tattooist” he states that “I have tattooed the subjects of six sovereigns, starting with portraits of Queen Victoria. The tradition has been maintained and still seemed to be strong when I prepared the designs for the coronation of 1953.” He also reminisces about tattooing The Duke of Saxe-Coburg-Gotha, one of Queen Victoria’s favorite nephews, Prince Christian Victor, a grandson of Queen Victoria, and King GeorgeV. Along with English royalty he also tattooed King Alfonso XIII of Spain, and King Frederick IX of Denmark.

Burchett was born in Brighton in 1872, and had a very early introduction to tattooing. He practiced tattooing on his five year old brother, Charles, who apparently traded candy for some scratched designs in his skin. George also tattooed his classmates until he was expelled for doing so at the age of twelve.

Burchett doing a full back. Found thanks to vintage tattoo archive, linked at the end of article.
Burchett tiger head done by Mike C Davies.

After being expelled, George joined the Royal Navy and sailed as a deckhand all over the British Empire, including stops in the West Indies, the Mediterranean, Africa, India, and East Asia. This was also where he fell farther in love with tattooing, as he was able to see marvellous styles and designs from all over the world. He was able to develop his own skill and style by tattooing other sailors.

Life at sea proved to not be for George, so he left the navy while on leave in Israel, and set up his first shop in Jerusalem. This only lasted a short time as he feared being caught by authorities for deserting the navy. This led to him boarding a Spanish merchant ship. He was able to avoid persecution for twelve years, but missed England. It was at this point that he dropped the “Davis” in his last name to make it harder to catch him, and set up shop in London, but this time as a cobbler. Though he did continue to tattoo on the side whenever the opportunity arose. During this time he was fortunate enough to meet two other legendary artists, Tom Riley and Sutherland MacDonald. MacDonald took George under his wing and taught him more about techniques and designs of tattooing.

Burchett black trad design by Coque Sin Amo.
George’s shop. Found on vintage tattoo archive.

During his time as a cobbler/tattooer he grew more and more popular with the working class as a top tattoo artist, working mainly on sailors, dock workers, and transients that happened through London from all around the world. In 1900 George was able to start tattooing full time and give up cobbling. He opened a proper shop on Mile End Road where he could easily catch soldiers on their way to the front lines in World War One.

As his shop grew in clientele, so did his reputation, leading him to tattoo more wealthy Londoners, and even royals. Though Riley and MacDonald tattooed more royals than he.

King Frederick IX of Denmark, dragon on the chest tattooed by Burchett in London.
George tattooing “The Great Omi.”

Another of his more famous clients was “The Great Omi,” (Horace Ridler) who was a well known circus performer. George was paid several thousand dollars to tattoo a full body suit that turned The Great Omi into a human zebra.

George is also one of (if not the) first artists to use tattooing as a cosmetic procedure, tattooing women lips and eyebrows (though he also tattooed many flowers and lovers initials on his female clientele).

George tattooing a woman’s eyebrows.
Colourized photo of Burchett tattooing a woman’s leg.

George Burchett was undeniable a classic American traditional artist, though like many historical and modern tattooers, drew influence from African and Asian art that he had the good fortune to see during his travels at sea.

He tried to retire at the age of 70 in 1942, but because of World War Two, tattoos were at an all time high demand, essentially forcing him and his two sons to tattoo the immense amount of soldiers and sailors walking through the door.

Another shot of “The Great Omi.”
Burchett battle piece done by Nick Roses.

Because he never retired, George worked until Good Friday of 1953 when he died suddenly at the age of 81. His work is still highly influential today with people still getting his designs, or variations of them, tattooed in large numbers.

To read more on Burchett’s life and legacy check out the links below: https://www.tattoolife.com/tattoo-portraits-george-burchett-king-tattooists/

https://www.tattooarchive.com/history/burchett_george_charles.php

As well as the books “King of Tattooists: The Life and Work of George Burchett” and “Memoirs of a Tattooist

Check out https://www.instagram.com/vintagetattoophotoarchive/ for more vintage tattoo photos

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Sun Dancer Tattoos:

The Sun Dancer tattoo is an easily recognizable American traditional design, first painted by Bert Grimm, a pioneer of American traditional tattooing who worked from around 1916-1970. An important part of Indigenous history and culture, the Sun Dance is a spiritual ceremony that was and is still very important to different groups, primarily to those of the plains cultures in America and Canada.

Sun Dancer with eagle and heads by Fabio Onorini.
Blackwork back done by Clemens Hahn.

The ceremony is a gruelling but important one, primarily (though not entirely) performed by males. The dancer fasts, going without both food and drink for days at a time, while dancing around a sacred fire and traditional pole meant to represent the sun. Others drum and sing prayers while the dancer dances until exhausted.

Sun Dancer true to Bert Grimm by Kim-Anh.
Backpiece true to Bert Grimm by Gustavo Silvano.

As part of the ceremony, piercing and suspension is also common. This involves a leader piercing rods into the chest or back of the dancer, while they drag a bison head until the skin rips. Other variations involve horses pulling at the rods, or the dancer being suspended from the pole by the rods in their skin. This inspired modern suspension.

Blackwork interpretation by Flurick Ruslan.
Cute foot Sun Dancer by Heath Arnolde.

Often times the dancer would become delirious and hallucinate both from the physical and mental exertion, topped with dehydration and extreme hunger. Unfortunately the ceremony was banned in Canada in 1885 under the Indian Act, but the ban was dropped in 1951, though Indigenous people continue(d) to be treated unfairly. Today the Sun Dance is still performed by some communities.

Sun Dancer with dragon in this piece by Florian Santus.
Big thigh Sun Dancer done by Nick Griffiths.

One of the first examples of this ceremony being painted is Bert Grimm’s Sun Dancer flash and tattoo. The original painting depicts a girl dancing with her left knee raised, right hand holding a spear, with a shield depicting a bald eagle in her left hand. A red sun and traditional roses make up the background.

Sun Dancer and dragon by Rich Hadley.
Skeletal Sun Dancer by Roger Oliveira.

As the design was first made by a pioneer of American traditional tattooing, it is mainly tattooed today in the same style. Though people do take artistic liberties, sometimes including animals or other flowers, and even changing the subject of the tattoo. It is often done as a back tattoo, but can also be seen on arms and legs, usually as still large pieces, though through adaptation artists have created smaller pieces as well.

Punk interpretation in a painting by Miguel Neils.
A more neo traditional animal version of the Sun Dance by Robson Nagata.

To read more about the Sun Dance please check out https://www.thecanadianencyclopedia.ca/en/article/sun-dance

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Artist of the Month: Bert Krak

Bert Krak is a tattoo artist working out of Smith Street Tattoo in New York City.

Full back done on model Cat Mcneil.
An Ed Hardy inspired full front piece.

Bert is a highly sought after tattooer for collectors of classic American traditional tattoos.

Panther and stars by Bert. Butterfly and dice by Chad Koeplinger.
Full dragon back piece.

In addition to tattooing, Bert also makes finely crafted tattoo machines.

Back of the head banger.

He has been collecting antique tattoo flash since he started tattooing, and uses these pieces of history to influence his own designs.

Healed chest and fresh butterfly.
Classic battle Royale back piece.

While sticking close to traditional iconography, Bert still has a distinct style in terms of colour palette and heavy lines.

Tiger head on the hand.
Matching peacock calf pieces.

If you’re passing through New York, or live nearby, be sure to set up an appointment with him. You can check out his work at his Instagram here.

Healed eagle, wolf, and panther. With a fresh Polito cowboy.

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Artist of the month: Josh Sutterby

Banjo frog playing a tune.
Geisha and umbrella.

Josh is an artist specializing in American traditional style tattoos, working out of Love Tattoo Parlour in Melbourne Australia.

Classic dragon
Spiderweb belly button filler.

Josh bases his designs on classic old school art, with a focus on American traditional work. He also creates tattoos with a Japanese influence, done in American traditional style.

Battle Royale back piece.
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Based on Japanese classic, KintarĊ wrestling the carp.

Currently (April 2020) Josh (and the rest of the world) is not tattooing, but you can commission paintings by him by sending a DM on Instagram

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American traditional flowers done up in a vase.
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A classic chest ship.

If you’re a fan of old school classics and want your own piece from Josh, whether you live in the Melbourne area or are stopping in on a trip, make sure to set up an appointment with Josh.

A sad hobo clown.
Sweet heart love tattoo.

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Boost Your Immune System With Tattoos

Full back done by Joel Soon at Sanctum Tattoo.

Over the last few years there have been numerous studies looking at tattoos and their effect on the immune system.

And for all you fellow tattoo collectors I have good news. Tattoos do in fact have a positive impact on your immune system!

Are they going to keep COVID-19 away from you? Unfortunately, no, but people who have more than one tattoo generally have a stronger and healthier immune system than those who do not.

Full back done by Don Ritson at Rebel Waltz Tattoo.

In one test, a group of 29 people were tested before and after visiting a tattoo shop in Alabama. The researchers tested levels of cortisol, which is one of the body’s indicators of stress levels, as well as Immunoglobin A, which is in simple terms is an antibody that helps our bodies fight infections . This study showed that those going in with no tattoos yet showed a greater strain on their immune system with a dip in their Immunoglobin A levels, while those going in for their second, third, or even tenth or more tattoo, actually experienced a large boost in their Immunoglobin A levels immediately following the tattoo. The full test can be read here “Tattoos to Toughen Up.”

Big Hannya mask done by Hide Ichibay at Three Tides Tattoo.

Another test done in American Samoa by the same researcher took 25 saliva samples at the start and end of tattoo sessions on both tourists and locals getting tattooed. They also measured the tattoo recipients height, weight, and fat density to account for general health. Again, both cortisol and Immonoglobin A were extracted and tested, as well as an inflammatory marker C-reactive protein. A similar finding was concluded here, with Immonoglobin A staying remaining higher in the bloodstream even after tattoos had healed. As well, people with more and larger tattoos tested higher Immonoglobin A levels than those with less or no tattoos prior to the start of getting tattooed. This effect also appears to be dependent on getting multiple tattoos and not just having some time pass after getting tattooed once.

Full front torso done by Rich Hardy.

Of course having lots of tattoos won’t guarantee your health, but based on testing it can be beneficial for general immune health, and in particular skin injuries and health.

Both studies were done by Dr. Christopher Lynn.

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