There is unfortunately still quite a bit of subtle (and not-so-subtle) racism in the tattoo industry. It’s often believed that customers with darker skin are harder to tattoo, but that’s certainly not the case. Especially as body modification is such an important part of all cultures and histories, not just white ones.
Black ink is also not the only ink that has to be used on dark skin, contrary to what many believe. Darker skin can still feature bright and colourful pieces. you just have to know what you’re doing with that tattoo machine.
More tattoo artists should push themselves to learn how to tattoo different skin types, including darker skin, as the subculture of tattooing isn’t so “sub” anymore. It can be disheartening for black or tanned customers walking into a tattoo shop when all they see is flash painted on white paper, and portfolios filled with white skin, or only very dark tattoos on darker skin.
(June 2020) With the world finally rallying beside our black brothers and sisters it’s more important than ever to support black businesses, including tattoo artists.
Feel free to leave more links to black tattoo artists below!
Over the last few years there have been numerous studies looking at tattoos and their effect on the immune system.
And for all you fellow tattoo collectors I have good news. Tattoos do in fact have a positive impact on your immune system!
Are they going to keep COVID-19 away from you? Unfortunately, no, but people who have more than one tattoo generally have a stronger and healthier immune system than those who do not.
In one test, a group of 29 people were tested before and after visiting a tattoo shop in Alabama. The researchers tested levels of cortisol, which is one of the body’s indicators of stress levels, as well as Immunoglobin A, which is in simple terms is an antibody that helps our bodies fight infections . This study showed that those going in with no tattoos yet showed a greater strain on their immune system with a dip in their Immunoglobin A levels, while those going in for their second, third, or even tenth or more tattoo, actually experienced a large boost in their Immunoglobin A levels immediately following the tattoo. The full test can be read here “Tattoos to Toughen Up.”
Another test done in American Samoa by the same researcher took 25 saliva samples at the start and end of tattoo sessions on both tourists and locals getting tattooed. They also measured the tattoo recipients height, weight, and fat density to account for general health. Again, both cortisol and Immonoglobin A were extracted and tested, as well as an inflammatory marker C-reactive protein. A similar finding was concluded here, with Immonoglobin A staying remaining higher in the bloodstream even after tattoos had healed. As well, people with more and larger tattoos tested higher Immonoglobin A levels than those with less or no tattoos prior to the start of getting tattooed. This effect also appears to be dependent on getting multiple tattoos and not just having some time pass after getting tattooed once.
Of course having lots of tattoos won’t guarantee your health, but based on testing it can be beneficial for general immune health, and in particular skin injuries and health.
Who doesn’t love a good ghost story this time of year?
People have always had a fascination with death and dying, and with that fascination comes story telling. Some of my favourite books are ghost stories (or related). Here’s a short list of some of my favourites, and some great tattoos to go with them!
Hell House, by Richard Matheson.
The Haunting of Hill House, by Shirley Jackson.
The Taxidermists Daughter, by Kate Mosse.
The Woman in Black, by Susan Hill.
Scary Stories to Tell in the Dark, by Alvin Schwartz.
The Amityville Horror, by Jay Anson.
As a tattoo, many people prefer blackwork or black and grey, to maximize the dark feelings that generally come with ghosts. American traditional and realism can also be popular choices for a spooky ghost. Of course not all ghosts are scary, and American traditional ghosts tend not to be. Many American trad ghosts are based on casper the friendly ghost.
Osang and Sojung are a South Korean couple who tattoo at Hysteric Garden, Seoul, and also do guest spots around the world, including America, Canada, Australia, Europe, and Taiwan.
Both artists specialize in black work that is heavy on detailed lines, and macabre subject matter. As Halloween is right around the corner, they are a perfect pair to get a couple of tattoos from!
You can bring in your own ideas or get an original piece from either of them.
The couple do lots of specifically occult pieces such as demons, devils, black goats, witches, etc. They are also happy to tattoo more traditional Korean designs such as tigers and ravens if that’s more your style.
If you want a one of a kind, detail oriented black work piece, look no further.
Keep an eye out on their Instagrams for their travelling guest spots, or pop in while you’re in South Korea. @osangbrutal @goatblackeyed you can find their emails for bookings on their individual Instagram accounts
Hong Kong is probably the most interesting city I’ve ever been to. It’s by far the most multicultural, and it’s full of rich and interesting history.
Hong Kong also has a fantastic art scene with artists from around the world finding their style and inspiration in and among Hong Kong’s towering skyscrapers and narrow, winding streets filled with irreplaceable noodle shops, the all-important umbrella repair store, and a thriving tattoo scene.
Arguably some of the best artists in the world reside in Hong Kong, at some of the best and most interesting tattoo shops I have been to yet. This past month I received three different tattoos from two different artists at two different shops in Hong Kong.
If you’re getting a tattoo in Hong Kong there’s a good chance you don’t live there and are either just passing through or visiting for a short time. I currently live in mainland China and though it’s only a short train ride into Hong Kong, it is a hassle, and it’s not called the world’s most expensive city for nothing. These two factors combined mean I have only spent around a total of eight days or so in the city, even though I’m so close.
If you are a visitor to the city like myself, then you’ll want to find your artist and get ahold of them well before your visit. I mainly use Instagram to find artists I want to go to, and a quick search on the old gram of “hktattoo” will yield seemingly endless results.
Alternatively you can google tattoo artists or shops in Hong Kong and you’ll have similar results. There are a number of artists and shops that will appear first in your searches such as Star Crossed, The Company, Freedom Tattoo, MoFo Tattoo, and Blackout, to name a few. For my own tattoos I chose Star Crossed and The Company.
If you prefer to find your shop one of the old school ways you can also wander through the streets and find ones to walk into, but there’s no guarantee artists will be available as Hong Kong is a bustling place. If you want to find yours by walking then your best bet is taking the metro into Kowloon or Central and starting from there.
Once you find your shop and artist send them an Instagram message or email if they prefer and find out if you need a consultation or if you can start talking designs and prices straight away. If you are coming from outside of Hong Kong there is a good chance you’ll have to pay your deposit through PayPal, and this is common practice. I did so for my tattoo on Japan and Hong Kong, both.
Tattoo day has come finally and you’re excited, and possibly nervous if it’s your first tattoo. If you are getting your first tattoo and it’s in Hong Kong I have a few tips for you. 1. If you are like myself and not used to blistering heat then you’re going to want to drink a fair amount of water before your tattoo, and bring a cold drink with you as even with AC some places in Hong Kong can be pretty hot. 2. Sanitation in parts of Asia, including Hong Kong, are a little different compared to Western cities, so you’ll want to make sure the shop has hygienic practices, and afterwards you’ll want to do a good job washing your tattoo with soap and hot water. 3. This one is again to do with the heat. If you’re a sweater then you’ll really want to make sure you clean your tattoo twice a day to make sure it’s not getting caked in sweat while it’s trying to heal.
At Star Crossed Tattoo I was tattooed by their resident apprentice and local Hong Konger, Cathy (as of July 2019). Cathy tattoos in an American traditional style with an HK twist. I got some script and a good luck piece from Sailor Jerry’s Hong Kong flash that Cathy updated a bit and made her own. If you’re going to get a Chinese character tattoo, make sure you can read it, or get it from an artist who fluently reads and writes the language (that goes for getting a tattoo in any language you don’t actually speak). And this goes both ways, I have also seen people in China with English words tattooed on them that make absolutely no sense. Don’t be that person. The script I got reads jiāyóu, which literally means “add oil”, but is used to say “you got this” or, “keep fighting”. Cathy’s work is often inspired by punk music, and she has many punk rock pin-up ladies you can choose from to get tattooed on you. She mixes old school motifs with a bit of a Neo-traditional colour scheme. Meaning my Sailor Jerry piece has some popping blue and green in there in addition to the black, red, and yellow. Cathy is extremely friendly and Star Crossed has an open and inviting atmosphere. I highly recommend checking it out.
The next shop I visited was The Company. I was tattooed by black work artist James Lau, another Hong Konger, born and raised. James tattoos in a heavy black work style, using thick, bold lines and dark shading to create stunning original pieces. James is known for tattooing finger and palm pieces that really last. James is also a very friendly guy, joking and inviting as soon as the door of the shop opens. The Company has a similar open-floor plan to Star Crossed, so the whole place is very free and open feeling. The Company is also a must visit shop in Hong Kong.
Plague doctors are commonly associated with the 14th Century epidemic, though there is no historical evidence to suggest that the grotesque healers had yet come into play.
The believed inventor of the plague doctor uniform is Charles de l’Orme, the chief physician to Louis VIII. He created it in 1619, and it was used for over 100 years. The terrifying suit was made to look like a bird, with a long leather beak, thick goggles, a black leather coat over top a lighter leather shirt, black goat skin boots, leather gloves, and a black top hat also made of leather to indicate that the wearer was a doctor.
Plague doctors would stuff the end of the beak with herbs and spices such as mint, cloves, garlic, and myrrh to battle the noxious smells coming from the plague victims. Sometimes these herbs were set aflame so that the smoke would also protect the doctor. The smoke would then trickle out of the beak, making the doctor appear even more demonic and reaper-like.
Along with the uniform, many plague doctors would carry a long staff used for examining patients, as well as beating back some of the more aggressive ones. Some patients also believed they had been given the plague by God as some sort of punishment, and thus would occasionally ask the doctor to beat them with their canes as a form of repentance.
This suit was created because it was believed that the bubonic plague was spread through “foul air”, though in fact we now know that the plague was really spread through sharing bodily fluids, as well as pests such as rats and fleas.
The suit would have helped to protect the wearer from the plague to some degree, but not enough to stop the doctors from contracting the deadly sickness. This was in part due to air holes at the end of the beak, where bodily fluids such as blood and pus would enter when the doctor would perform bloodletting and lancing on the unfortunate victims (bursting the large pus-filled cysts).
Because the majority of these doctors were inexperienced or even completely unqualified, the treatments were often cruel and unusual, performed with no scientific or medical reasoning. Treatments included the fore mentioned bloodletting and lancing, covering the open and festering cysts with human excrement, and even pouring hot mercury on the cysts and then putting the patient into a large oven to burn the cysts off. These methods often just accelerated an already painful death.
As a tattoo, plague doctors are often done in a heavy black work style (due to the nature of the uniform). They are also popular in realism, American traditional, neo traditional, and black and grey.
Lyle Tuttle was known as the father of modern tattooing, working in the industry from the late 1940’s until his death ( March 2019).
He got his first tattoo at the young age of 14 for the cheap price of $3.50 and was hooked immediately.
Lyle’s most well known tattoos on himself were done by the famous Bert Grimm back in 1957 and 1958 at the very shop he would then work at for a number of years, known affectionately as “The Pike”.
After working for Bert Grimm, and a couple of smaller shops, Lyle opened his own shop in San Fransisco in 1960. He worked at the shop for 29 years before an earthquake damaged it. After tattooing for years he officially retired in the 90’s, but did small pieces for friends and dedicated fans. He also taught courses on building proper tattoo machines and tattoo etiquette and hygiene.
Lyle was one of the most outspoken male tattoo artists who were pro tattooing women, and women becoming tattoo artists. When asked about what helped tattooing gain such rapid popularity he said “Women’s liberation! One hundred percent women’s liberation! That put tattooing back on the map. With women getting a new found freedom, they could get tattooed if they so desired. It increased and opened the market by 50% of the population — half of the human race! For three years, I tattooed almost nothing but women. Most women got tattooed for the entertainment value…circus side show attractions and so forth. Self-made freaks, that sort of stuff. The women made tattooing a softer and kinder art form.”
Lyle was also a huge advocate for the normalization of tattooing and is famous for saying “Tattoos aren’t meant for everybody, and they’re too goddamn good for some people.”
Another of my favourite quotes of his reads thus, “Tattoos are travel marks, stickers on your luggage. Tattoos are special, you have to go off and earn them. You can go into a jewelry store and buy a big diamond and slip it on your finger and walk out. It’s not like that when you go into a tattoo shop and pick a big tattoo and pay for it. Now you got to sit down and take it.”
This is something I strongly believe in. When people ask me why I get them if they hurt so much, I say it’s part of the experience. And if someone says “just use a numbing cream”, I say you have to earn that tattoo. If you can’t take it, don’t get one.
Lyle will be greatly missed by his friends, family, and those in the tattoo community. Do yourself a favour and get yourself a piece from his flash in the near future to keep his work alive.
So you’re travelling to China, or maybe living there short term like myself, and you want to get a tattoo. This might be a more different experience than you’re used to in Western countries, and it’s good to do your research.
I’m living in Shenzhen, but travelled to Shanghai for a week, where I was tattooed by Kai at Sick Rose Tattoo.
Before getting to Shanghai, I found Sick Rose on Instagram so I could check their quality of work, and I was very happy with what I saw. All of the artists there are professional and do quality work! The shop mainly deals with old school style pieces. Strong bold lines and bright colours that will last a lifetime.
I messaged the shop before arriving and talked to Kai to make sure I could do a walk in. Sometimes you may want to actually schedule an appointment if you have a specific day in mind, but if like me you need to keep your schedule open, then make sure the shop takes walk ins.
If you don’t speak Chinese then it’s also important that the artist you go to can speak some English. Everyone at Sick Rose speaks English and they are all very friendly. Kai was very professional and a soft spoken guy.
I had my ribs tattooed, which took around three hours, and he made it as good an experience as possible, considering the painful placement. I also had one of the shop cats sleeping on me for most of my experience, which was a good distraction. Back in the West cats wouldn’t be allowed into shops, but here in China you come to expect the unexpected. The shop did follow all other health protocols, such as using new needles and ink, and wearing gloves the whole time. This is important to check as I know many shops in China don’t follow Western health standards as closely. Since Sick Rose followed everything else by the book I was able to overlook the shop cats since I had followed them for so long and seen the healed results, with no issues. On day four now and my own piece is healing nicely.
I highly recommend Sick Rose and Kai if you are in Shanghai! Always be sure to thoroughly research a shop before going, especially when visiting another country. Happy tattoo collecting!
There are 135 different ethnic groups in Myanmar. One of them is called Chin, after the Chin state that they live in. Each of these groups has rich cultural traditions. The Chin people are known for their remarkable face tattoos. The women of Chin state have been getting face tattoos since the eleventh century according to legend.
The tradition of tattooing the faces of girls started when a Burmese king visited the area. Becoming enthralled with the young women he kidnapped one young girl to be his bride. The elders then decided to tattoo their young girls faces to dissuade other men from stealing them. It is also said to make them more beautiful, and to be able to tell them apart from the women in other tribes. The third legend of the beginning of face tattooing is that local pastors told them only those with face tattoos would get into heaven. This being after the area was colonized by British missionaries.
There are different tattoo patterns for different groups within the Chin state. For example, the M’uun women have more sloping, curved shapes, the Yin Du have long vertical lines that cross the entire face, and the Uppriu have their entire face tattooed full of dots.
As with most of these ancient tattoo traditions, it is extremely painful to get them done. The tattoos are made using leaves, grass, and soot. The leaves are used to make colour, the soot is sued as a disinfectant and binding agent, and the grass shoots are later used to wrap the tattoo, giving a natural bandage. The tattoo is given using long, sharp cane thorns. The face would stay swollen for 5-7 days, but it was all worth it for the beauty and tradition!
The government banned getting these tattoos in the 60’s, but some women still practise this ancient tradition since they are so far from the capital.
The women who still have their face tattoos love them and see them as a beautiful addition to their bodies. The younger generations don’t seem to like how they look for the most part, but the older women stick together and still admire each others art.