David O’Connor is a traditional tattoo artist working out of Trophy Tattoo in Hamilton, Ontario. The shop caters specifically to those looking for American traditional tattoos, and all of the artists who work there do fantastic work.
Davids Instagram is full of classic flash and finished pieces that would have been seen on the walls of tattoo shops throughout the 1900’s and on the bodies of sailors.
When booking a tattoo with David you can choose from pre-drawn flash or bring your own idea to the table. David and the rest of the shop also take walk-ins.
The majority of his work is done in colour, with the traditional colours of black, red, and green, but if you’re looking for some black traditional work he’s got you covered as well.
Whether you’re looking for a small walk-in piece or a full back, David does it all, with style. If you’re in Hamilton or just passing through he is a must see artist for all your traditional needs.
Who doesn’t enjoy a nice cold beer at the end of a hard week or day, being able to sit out on a patio with friends or in a nice homey pub? Some people like beer so much that they’ve even chosen to immortalize their favourite drink on their skin as a tattoo!
Many people go for a realistic depiction of their drink of choice, but neo-traditional, American traditional, new school, and black and grey are also popular.
Now for some cool facts; Did you know that beer is actually the oldest recorded recipe in the world? Ancient Egyptians first recorded their recipes on scrolls that date back to around 5000 BCE, and was brewed with ingredients such as dates, pomegranate, and other local fruits and herbs. This early form of beer was used mainly in religious ceremonies, and was controlled directly by the Pharaoh of the time.
While beer recipes were written down around 5000 BCE, it is believed that the ancient Mesopotamians were also brewing beer, around 10,000 BCE based on the malted barley and bowls with a beer-like residue that have been found by archaeologists. This beer eventually made its way over to Europe from the Middle East, and became an important part of life for nearly everyone. Northern Europe in particular brewed a lot of beer, in large part due to the crops like barley that they were able to grow. Beer even became a popular alternative to water because it was often cleaner to drink (lots of water at that time was pretty badly contaminated by human and animal waste).
Beer that is more similar to what you and I drink today was made in the early Middle Ages, combining hops and other herbs and spices to the barley that had already been used for a few hundred years. Around the year 1150, monks from Germany started using wild hops in beer and it caught on quick. It also acted as a natural preservative, allowing beer to last longer before needing to be drunk. While Pharaohs were the main brewers in Egypt thousands of years ago, monks were the main brewers in the Middle Ages, with almost all monasteries having an onsite brewery. Even today a number of Belgian monasteries still produce beer and rank as some of the best in the world.
Tattoos have long been an important part of Myanmar (Burmese) culture. Legend has it that tattoos were first introduced to what was then called Burma around 200 BCE by ethnic minorities that migrated to the area from southwest China.
Tattooing was/is a very important part of belonging to Myanmar, and everyone from the kings to commoners would get work done, and continue to do so even today. Early on tattoos were a way of showing off masculine strength as well as feminine beauty, on top of cultural identity and aesthetic appeal. Lots of tattooed people also believed (like many ancient cultures) that tattoos would serve as a protection from evil and that they (tattoos) could protect the wearer from harm. Being largely a Buddhist country (90% of the population is Buddhist), Buddhist tattoos have also been important in the area. Tattoos related to Buddhism would often be created at temples by monks, thus ensuring that the wearer would be protected from harm.
Early on in Myanmar’s history it was mainly the Shan, A Ta’I ethnic group that were getting tattooed the most frequently. The Shan States still dominate Northeast Myanmar today. Men would mainly get their waists down towards their knees tattooed as a sign of virility. Early on it’s believed that both men and women were tattooed frequently, but by the mid 1600’s only women were mainly receiving facial tattoos, particularly women of the Chin State in Western Myanmar. The women of the M’uun tribe are easily recognizable with the looping “P” or “D” shaped tattoos on their faces, along with the “Y” on their foreheads. The M’kaan women have lines on both their foreheads and chins. There are six tribes in total in the area where facial tattoos were popular for women, though sadly in the 1960’s this practice was outlawed and when these women pass away a piece of history will die with them.
Below are a few charts that show what kind of person was getting what kind of tattoo, and where on the body, with regards to military action.
Other common motifs for tattooing in Myanmar include cats of various sizes from house cats to tigers, dragons, geometric patterns, and figures from Myanmar’s and Buddhism’s history and culture.
Information from “Tattoo Art in Myanmar Culture: Special Reference with State Bondsmen of Cavalry Corps 2016” written by Moe Moe Oo from the Ministry of Education, Myanmar, and
Tattoo Art in Burmese Cultures: History, Technique, Design, and Symbolic Functions of Tattooing in Burma/Myanmar
9/1/11 to 11/20/11 Northern Illinois University School of Art DeKalb IL
Moon Cheon is a tattoo artist working out of Kodzunak in Seoul, South Korea. Cheon, tattoos traditional Korean motifs in various styles.
Most of Cheon’s work is done freehand in a more loose style that closely resembles an ancient Chinese style of painting called “Xieyi” or “写意.” This is mostly used for landscape paintings, and Cheon follows this style by applying this technique to land and waterscape tattoos, often including free flowing rivers and flowers.
Cheon also does delicate black and grey tattoos of Korean and East Asian animals, mythical creatures, and Gods and Goddesses.
While much of his work is delicate and beautiful, he also doesn’t shy away from blood, gore, and violence, in the form of severed heads, and Japanese ghosts and demons (yōkai and yūrei).
If you live near Seoul or are passing through, Moon Cheon is a must-see artist.
Kewpie dolls have been seen on old school flash sheets since the early 1900’s, and have gone through fazes of popularity. The original creator of these cuties was Rose O’Neill, an American poet and artist who was famous for being the best-known and highest paid female commercial illustrator in the US at the time. The original designs were made for Ladies Home Journal in 1909 as cupid dolls, with “Kewpie” being a fun variation of the word “Cupid.” They were then put into comic strips also written and Illustrated by Rose O’Neill, and were also used in multiple advertisements such as Jell-O and Kellogg’s corn flakes, among others.
Some notable tattoo artists that first started putting Kewpies in tattoo flash were Percy Waters, Milton Zeis, and Bill Moore. They were very popular designs in the early 1900’s, but faded in popularity in the 1950’s.
It was tattooer Mike “Rollo” Malone that brought Kewpie tattoos back into popularity, drawing many variations of the Kewpie to suit all sorts of tattoo collectors.
Kewpies were also made into the famous dolls we know now, also originally designed by Rose O’Neill. Some notable features of Kewpies as dolls, drawings, and tattoos include a (usually) nude Cupid-like child with a chubby belly, a kind of topknot hairdo, and originally, a red heart and blue wings painted on the chest and back. Rosie cheeks and a mischievous smile were/are also key elements. These dolls were made of many materials including hard plastic, vinyl, cloth, and more. The original dolls are still recognizable with Rose O’Neills name on the bottom of their feet, and are often worth quite a lot.
While most Kewpies were nude, in the 1920’s they started being made with clothing and uniforms such as firemen, cowboys, soldiers, musicians, and more. Today, as tattoos these impish characters are usually still done in an old school American traditional style, and feature most of the same original features previously listed. Many artists get creative and turn famous celebrities or characters into Kewpies, or make them a bit darker by giving them weapons or even making them into horror icons.
Hong Kong, a fascinating city with an equally fascinating history and culture. Tattoos are becoming more and more popular as they enter into the mainstream, making it hard to walk around the downtown area without spotting a tattoo either on a tourist or a local. But for a long time tattoos were seen as something only for criminals, mainly the triads (the Chinese mafia that also operates in Hong Kong and Taiwan among other places).
While tattoos of course existed in the area long before the 1940’s, the first official tattoo shop wasn’t opened until 1946 by the famous James Ho (father of Jimmy Ho). James Ho was a Shanghainese marine engineer in the navy in 1940 and was sailing on a ship in the Indian Ocean when it was hit by a Japanese torpedo. James was lucky and survived by clinging to wreckage and was picked up by an American warship and brought to Calcutta where he first came in contact with tattoos; hand poked tattoos to be specific. James brought his new passion home to Shanghai where he made a machine from bike chains and other spare parts. He fled Shanghai towards the end of WW11 because of political conflict and went to Hong Kong, where he opened the first shop; Rose Tattoo Studio. James had seen mainly old school tattoos on sailors, so that’s what he brought back both to Shanghai and Hong Kong, and why old school Hong Kong tattoos follow similar tropes of hearts, flags, pin-ups and more, all with thick bold lines and vibrant colours. The shop did very well, mainly working on those in the Navy during the Korean and Vietnam wars. Along with these American designs, tattooers in Asia were adding imagery such as dragons, koi, and tigers, among other culturally significant iconography.
To keep up with the high demand, James took on four apprentices; Ricky Lo, Pinky Yun, Benny Tsoi, and Swallow, and later eventually his own son, Jimmy. Jimmy started officially working for his father at the age of 14 after already tattooing clients after hours from around the age of 12. His mother didn’t want him working there but he insisted, and when he showed his father James the earnings, he was finally gifted two tattoo machines of his own. Pinky eventually moved to the US in the 70’s and became very popular after first working with Ricky at “Ricky and Pinky Tattoo”, Benny has a shop still in Hong Kong run by an apprentice (his daughter also tattoos and runs her own shop), and Jimmy’s shop is also still being run by an apprentice in Hong Kong.
When business declined for all tattooers in Hong Kong after the Korean and Vietnam wars, tattooers were working more and more with triads. Only a “大佬” or, “boss” could get tattooed then, and some of the main designs included dragons on the arms or back, or eagles on the chest. Now triads are tattooed less and less, similar to the yakuza in Japan. But when they do opt to get tattoos they are more likely to get them in mainland China where they are significantly cheaper.
Apart from gangsters, the most common people getting tattooed from the 70’s-90’s were construction workers and truck drivers. These developed their own kind of style which consisted of only an outline without any shading, often because they would run out of money. As long as you could tell what the design was supposed to be, it was good enough.
Hong Kong style is also compared to Japanese, particularly for full bodied work with backgrounds such as waves and clouds. This is largely due to Japanese tattooers visiting Hong Kong, and vice versa. For example, James’ son, Jimmy Ho was visited numerous times by Horiyoshi in the 1990’s. Jimmy then borrowed Japanese ideas of tattooing but made them his own.
Today, artists such as Marcus Yuen and Samantha Fung, both working out of 59 tattoo alongside other great artists, and Dave Ryo Lau working out of The Company Tattoo, are all keeping Hong Kong style tattoos alive by continuing to tattoo in the unique style. Marcus in particular works hard to keep Hong Kong style tattoos alive by also sharing information about the old legends, and many historic pictures on his Instagram account.
For over 100 years, “The Tattooed Lady” was an attraction not to be missed at circuses, carnivals, and freak shows all around the world. While men also performed and showed off their tattooed bodies, women were what people wanted to see. Pick a time in history, or modern day, and sex and danger sells. Thus, tattooed women sold tickets wherever they went, and attracted tourists and locals alike.
Some of the most famous tattooed ladies of the 1800’s and 1900’s also had fabricated back stories to make themselves seem more interesting. What’s more interesting (especially given the times); “woman tattooed by force after capture by ‘savages'”, or “woman gets tattooed by her common-law partner?” This was part of the fabrication and later true story of Nora Hildebrandt.
Nora Hildebrandt is known as the first professional tattooed lady. She was tattooed by her common-law partner, Martin Hildebrandt (some people refer to them as father and daughter but more evidence points to them being romantic partners rather than father and daughter). Martin Hildebrandt is a hard person to pin down due to the amount of traveling he did. But according to numerous reports it looks like he eventually settled in New York in the 1850’s. Nora Hildebrandt began performing at sideshows in 1882, with over 365 tattoos all over her body. This number helped her fake back story of being captured by “Indian savages” and forcibly tattooed one per day for a year (which she later admitted was false and just helped sell tickets). Nora most famously performed with Barnum and Bailey’s circus in the 1890’s as their main tattooed lady.
Artoria (Anne) Gibbons is another well known tattooed lady. She worked for over 30 years in circuses and sideshows in the early 1900’s including Barnum and Bailey’s, the Ringling Brothers, and others. She met Charles “Red” Gibbons, an already well known tattooer, and the two eventually married. After being married for 4-5 years, Red started tattooing Anne, and she became almost like a business card or canvas to showcase his work. She was apparently so beautiful, and the tattoos on her body so well done, that she stole the show wherever she went. In an interview in 1934, Anne said that she was often asked if she was born that way (seriously). From medieval times to the mid 1900’s many people believed in the “mark of impression,” that something the mother had done or seen would leave a physical mark on the baby. Doctors legitimately thought that her mother had watched too many movies while she was pregnant with Anne and that’s why she was covered in images.
A third well known tattooed lady was Betty Broadbent. She was born in the early 1900’s and at the age of 14 went to work for a wealthy family in Atlantic City as a nanny. It was there that she came across the heavily tattooed man, Jack Red Cloud on the famous Atlantic City Boardwalk. He was performing as a Tattooed Man and was happy to talk to her about tattoos and art. Betty started her body suit after being introduced to Jack’s friend, the famous Charlie Wagner. She spent her life savings tot ravel to New York City to and start being tattooed by Wagner. She was also tattooed by another New York artist named Joe Van Hart, and eventually collected pieces from Tony Rhineagear and Red Gibbons. The process took about two years and included 365 individual pieces, varying in theme. They covered her arms, legs, back, and chest. Pieces included historical figures such as Queen Victoria, religious figures such as the Virgin Mary and Baby Jesus. Though one of her most notable pieces is a huge eagle that spreads from shoulder to shoulder. When asked about it she reportedly said “it hurt something awful, but it was worth it.”She joined the circus in 1927, working with the Ringling Brothers and Barnum and Bailey’s. Betty was also one of the few well known Tattooed Ladies who didn’t use a fabricated story about her tattoos.
The last Tattooed Lady I looked at is Maud Wagner. Along with being a Tattooed Lady, Maud also performed aerial acrobatics and was an accomplished contortionist who travelled with multiple circuses. She was born in 1877 in Kansas. Maud met her husband, Gus Wagner at the Louisiana World’s fair in 1904, and learned how to do hand-poked tattoos from him. She would become America’s first known female tattooer, along with her work as a performer in the circus industry. The couple had a daughter, Lotteva, who learned the family trade at the age of 9 and continued tattooing throughout her life. Maud’s tattoos included patriotic art, and animals mainly.
It is often assumed that men dominated the tattoo world, but through research it’s clear to see that women have been just as important in shaping tattoo culture. Tattooed Ladies brought tattoos to the forefront of underground society, and helped make them “more acceptable.” Tattooed Ladies were able to make a name and living for themselves for over 100 years, from the late 1800’s to mid 1990’s through circuses and carnivals, and now are able to through websites and magazines.
Today ( June 21st 2020) is National Indigenous People’s Day. Indigenous people have a rich history of body modification, including tattooing, which is still being practiced today.
Before colonialism ravaged North America, tattooing and other traditional body modifications such as piercings were practiced widely by different people throughout what is now Canada and The United States.
These tattoos were meant to represent family, clan crests, social rank within a clan, their relationship to a specific territory, and even hunting and fishing rights.
Tattooing and piercing are just two ceremonial practices that were forbidden by colonists in an attempt to stamp out Indigenous culture, and today, many artists are bringing it back.
North American Indigenous designs are similar to those of the Maori people of New Zealand. Geometric patterns using black ink, produced generally by tapping or threading the ink into the skin using a natural rod or thread, also called “hand poked” or “skin stitched” tattoos.
Placement is also similar between the cultures, often placing important tattoos on faces and hands, among other body parts.
Indigenous tattoos traditionally take inspiration from nature, such as animals, plants, and the elements. But of course Indigenous tattooers can and do work in other styles.