Doc Forbes is one of the most famous early tattoo artists in Canadian history, having learned the craft from Frederick Baldwin, the first tattoo artist in Canada to use an electric tattoo machine, in the 1920’s.
Doc Forbes trained under numerous brilliant artists including Pat Martynuik from San Francisco. Much of Doc’s work can be found in Lyle Tuttle’s collection, although unfortunately Doc suffered a stroke in the early 70’s which led to severe depression, which in turn led to him destroying a lot of his work.
Doc Forbes tattooed in the classic old school American traditional style, and most notably worked near the navy base in Victoria, and then on Davies Street right in Vancouver from the 1960’s through to the 1970’s. He died in 1977 on Lyle Tuttle’s birthday; October 10th. Though Doc was a pioneer of old school tattooing in Canada, he also performed medical tattoos on burn victims, and cosmetic tattooing on women’s lips and eyebrows.
Doc tattooed everyone, but his main clientele was young men in the Navy who often got classic military and navy designs such as eagles, skulls, roses, ships, and lover’s names.
A brilliant documentary about Doc can be seen here on CBC’s website. Made in 1964, and entitled “The Diary of a Tattooist,” the short documentary and interview features CBC host Harry Mannis visiting Doc in his shop in Victoria. Numerous people are tattooed in the short film including a mother of four, a man in his 80’s, a close friend of Doc’s, and two sailors. Throughout the documentary Doc talks about hygiene and safety in tattooing, how he makes his colours, the technicality of running the machine, who his clientele are, and much more.
For over 100 years, “The Tattooed Lady” was an attraction not to be missed at circuses, carnivals, and freak shows all around the world. While men also performed and showed off their tattooed bodies, women were what people wanted to see. Pick a time in history, or modern day, and sex and danger sells. Thus, tattooed women sold tickets wherever they went, and attracted tourists and locals alike.
Some of the most famous tattooed ladies of the 1800’s and 1900’s also had fabricated back stories to make themselves seem more interesting. What’s more interesting (especially given the times); “woman tattooed by force after capture by ‘savages'”, or “woman gets tattooed by her common-law partner?” This was part of the fabrication and later true story of Nora Hildebrandt.
Nora Hildebrandt is known as the first professional tattooed lady. She was tattooed by her common-law partner, Martin Hildebrandt (some people refer to them as father and daughter but more evidence points to them being romantic partners rather than father and daughter). Martin Hildebrandt is a hard person to pin down due to the amount of traveling he did. But according to numerous reports it looks like he eventually settled in New York in the 1850’s. Nora Hildebrandt began performing at sideshows in 1882, with over 365 tattoos all over her body. This number helped her fake back story of being captured by “Indian savages” and forcibly tattooed one per day for a year (which she later admitted was false and just helped sell tickets). Nora most famously performed with Barnum and Bailey’s circus in the 1890’s as their main tattooed lady.
Artoria (Anne) Gibbons is another well known tattooed lady. She worked for over 30 years in circuses and sideshows in the early 1900’s including Barnum and Bailey’s, the Ringling Brothers, and others. She met Charles “Red” Gibbons, an already well known tattooer, and the two eventually married. After being married for 4-5 years, Red started tattooing Anne, and she became almost like a business card or canvas to showcase his work. She was apparently so beautiful, and the tattoos on her body so well done, that she stole the show wherever she went. In an interview in 1934, Anne said that she was often asked if she was born that way (seriously). From medieval times to the mid 1900’s many people believed in the “mark of impression,” that something the mother had done or seen would leave a physical mark on the baby. Doctors legitimately thought that her mother had watched too many movies while she was pregnant with Anne and that’s why she was covered in images.
A third well known tattooed lady was Betty Broadbent. She was born in the early 1900’s and at the age of 14 went to work for a wealthy family in Atlantic City as a nanny. It was there that she came across the heavily tattooed man, Jack Red Cloud on the famous Atlantic City Boardwalk. He was performing as a Tattooed Man and was happy to talk to her about tattoos and art. Betty started her body suit after being introduced to Jack’s friend, the famous Charlie Wagner. She spent her life savings tot ravel to New York City to and start being tattooed by Wagner. She was also tattooed by another New York artist named Joe Van Hart, and eventually collected pieces from Tony Rhineagear and Red Gibbons. The process took about two years and included 365 individual pieces, varying in theme. They covered her arms, legs, back, and chest. Pieces included historical figures such as Queen Victoria, religious figures such as the Virgin Mary and Baby Jesus. Though one of her most notable pieces is a huge eagle that spreads from shoulder to shoulder. When asked about it she reportedly said “it hurt something awful, but it was worth it.”She joined the circus in 1927, working with the Ringling Brothers and Barnum and Bailey’s. Betty was also one of the few well known Tattooed Ladies who didn’t use a fabricated story about her tattoos.
The last Tattooed Lady I looked at is Maud Wagner. Along with being a Tattooed Lady, Maud also performed aerial acrobatics and was an accomplished contortionist who travelled with multiple circuses. She was born in 1877 in Kansas. Maud met her husband, Gus Wagner at the Louisiana World’s fair in 1904, and learned how to do hand-poked tattoos from him. She would become America’s first known female tattooer, along with her work as a performer in the circus industry. The couple had a daughter, Lotteva, who learned the family trade at the age of 9 and continued tattooing throughout her life. Maud’s tattoos included patriotic art, and animals mainly.
It is often assumed that men dominated the tattoo world, but through research it’s clear to see that women have been just as important in shaping tattoo culture. Tattooed Ladies brought tattoos to the forefront of underground society, and helped make them “more acceptable.” Tattooed Ladies were able to make a name and living for themselves for over 100 years, from the late 1800’s to mid 1990’s through circuses and carnivals, and now are able to through websites and magazines.
Referred to as the “king of tattooists” by himself and others, George Burchett- (Davis) was one of the most famous tattoo artists of his age, particularly in the UK. Notably tattooing in London, marking both the social elite and the hard working class, and even members of the Royal family.
In Burchett’s “Memoirs of a Tattooist” he states that “I have tattooed the subjects of six sovereigns, starting with portraits of Queen Victoria. The tradition has been maintained and still seemed to be strong when I prepared the designs for the coronation of 1953.” He also reminisces about tattooing The Duke of Saxe-Coburg-Gotha, one of Queen Victoria’s favorite nephews, Prince Christian Victor, a grandson of Queen Victoria, and King GeorgeV. Along with English royalty he also tattooed King Alfonso XIII of Spain, and King Frederick IX of Denmark.
Burchett was born in Brighton in 1872, and had a very early introduction to tattooing. He practiced tattooing on his five year old brother, Charles, who apparently traded candy for some scratched designs in his skin. George also tattooed his classmates until he was expelled for doing so at the age of twelve.
After being expelled, George joined the Royal Navy and sailed as a deckhand all over the British Empire, including stops in the West Indies, the Mediterranean, Africa, India, and East Asia. This was also where he fell farther in love with tattooing, as he was able to see marvellous styles and designs from all over the world. He was able to develop his own skill and style by tattooing other sailors.
Life at sea proved to not be for George, so he left the navy while on leave in Israel, and set up his first shop in Jerusalem. This only lasted a short time as he feared being caught by authorities for deserting the navy. This led to him boarding a Spanish merchant ship. He was able to avoid persecution for twelve years, but missed England. It was at this point that he dropped the “Davis” in his last name to make it harder to catch him, and set up shop in London, but this time as a cobbler. Though he did continue to tattoo on the side whenever the opportunity arose. During this time he was fortunate enough to meet two other legendary artists, Tom Riley and Sutherland MacDonald. MacDonald took George under his wing and taught him more about techniques and designs of tattooing.
During his time as a cobbler/tattooer he grew more and more popular with the working class as a top tattoo artist, working mainly on sailors, dock workers, and transients that happened through London from all around the world. In 1900 George was able to start tattooing full time and give up cobbling. He opened a proper shop on Mile End Road where he could easily catch soldiers on their way to the front lines in World War One.
As his shop grew in clientele, so did his reputation, leading him to tattoo more wealthy Londoners, and even royals. Though Riley and MacDonald tattooed more royals than he.
Another of his more famous clients was “The Great Omi,” (Horace Ridler) who was a well known circus performer. George was paid several thousand dollars to tattoo a full body suit that turned The Great Omi into a human zebra.
George is also one of (if not the) first artists to use tattooing as a cosmetic procedure, tattooing women lips and eyebrows (though he also tattooed many flowers and lovers initials on his female clientele).
George Burchett was undeniable a classic American traditional artist, though like many historical and modern tattooers, drew influence from African and Asian art that he had the good fortune to see during his travels at sea.
He tried to retire at the age of 70 in 1942, but because of World War Two, tattoos were at an all time high demand, essentially forcing him and his two sons to tattoo the immense amount of soldiers and sailors walking through the door.
Because he never retired, George worked until Good Friday of 1953 when he died suddenly at the age of 81. His work is still highly influential today with people still getting his designs, or variations of them, tattooed in large numbers.