Nick Oaks is a tattooer working out of Bait & Schlang Tattoo in Montreal. His work is as classic as it gets. Filled with big bold dragons, lady heads, roses and skulls.
He takes inspiration from greats such as Sailor Jerry, Tony Polito, E.C. Kidd, and more.
Whether you’re looking for black traditional or bright and colourful, Nick can take care of it for you.
His Instagram is full of both small one off designs, and large scale work such as back pieces.
Nick has lots of flash to choose from, and lots of paintings for sale as well.If you’re in Montreal, or going to be, click the link above and check out his Instagram where he has his contact information.
Referred to as the “king of tattooists” by himself and others, George Burchett- (Davis) was one of the most famous tattoo artists of his age, particularly in the UK. Notably tattooing in London, marking both the social elite and the hard working class, and even members of the Royal family.
In Burchett’s “Memoirs of a Tattooist” he states that “I have tattooed the subjects of six sovereigns, starting with portraits of Queen Victoria. The tradition has been maintained and still seemed to be strong when I prepared the designs for the coronation of 1953.” He also reminisces about tattooing The Duke of Saxe-Coburg-Gotha, one of Queen Victoria’s favorite nephews, Prince Christian Victor, a grandson of Queen Victoria, and King GeorgeV. Along with English royalty he also tattooed King Alfonso XIII of Spain, and King Frederick IX of Denmark.
Burchett was born in Brighton in 1872, and had a very early introduction to tattooing. He practiced tattooing on his five year old brother, Charles, who apparently traded candy for some scratched designs in his skin. George also tattooed his classmates until he was expelled for doing so at the age of twelve.
After being expelled, George joined the Royal Navy and sailed as a deckhand all over the British Empire, including stops in the West Indies, the Mediterranean, Africa, India, and East Asia. This was also where he fell farther in love with tattooing, as he was able to see marvellous styles and designs from all over the world. He was able to develop his own skill and style by tattooing other sailors.
Life at sea proved to not be for George, so he left the navy while on leave in Israel, and set up his first shop in Jerusalem. This only lasted a short time as he feared being caught by authorities for deserting the navy. This led to him boarding a Spanish merchant ship. He was able to avoid persecution for twelve years, but missed England. It was at this point that he dropped the “Davis” in his last name to make it harder to catch him, and set up shop in London, but this time as a cobbler. Though he did continue to tattoo on the side whenever the opportunity arose. During this time he was fortunate enough to meet two other legendary artists, Tom Riley and Sutherland MacDonald. MacDonald took George under his wing and taught him more about techniques and designs of tattooing.
During his time as a cobbler/tattooer he grew more and more popular with the working class as a top tattoo artist, working mainly on sailors, dock workers, and transients that happened through London from all around the world. In 1900 George was able to start tattooing full time and give up cobbling. He opened a proper shop on Mile End Road where he could easily catch soldiers on their way to the front lines in World War One.
As his shop grew in clientele, so did his reputation, leading him to tattoo more wealthy Londoners, and even royals. Though Riley and MacDonald tattooed more royals than he.
Another of his more famous clients was “The Great Omi,” (Horace Ridler) who was a well known circus performer. George was paid several thousand dollars to tattoo a full body suit that turned The Great Omi into a human zebra.
George is also one of (if not the) first artists to use tattooing as a cosmetic procedure, tattooing women lips and eyebrows (though he also tattooed many flowers and lovers initials on his female clientele).
George Burchett was undeniable a classic American traditional artist, though like many historical and modern tattooers, drew influence from African and Asian art that he had the good fortune to see during his travels at sea.
He tried to retire at the age of 70 in 1942, but because of World War Two, tattoos were at an all time high demand, essentially forcing him and his two sons to tattoo the immense amount of soldiers and sailors walking through the door.
Because he never retired, George worked until Good Friday of 1953 when he died suddenly at the age of 81. His work is still highly influential today with people still getting his designs, or variations of them, tattooed in large numbers.
The Sun Dancer tattoo is an easily recognizable American traditional design, first painted by Bert Grimm, a pioneer of American traditional tattooing who worked from around 1916-1970. An important part of Indigenous history and culture, the Sun Dance is a spiritual ceremony that was and is still very important to different groups, primarily to those of the plains cultures in America and Canada.
The ceremony is a gruelling but important one, primarily (though not entirely) performed by males. The dancer fasts, going without both food and drink for days at a time, while dancing around a sacred fire and traditional pole meant to represent the sun. Others drum and sing prayers while the dancer dances until exhausted.
As part of the ceremony, piercing and suspension is also common. This involves a leader piercing rods into the chest or back of the dancer, while they drag a bison head until the skin rips. Other variations involve horses pulling at the rods, or the dancer being suspended from the pole by the rods in their skin. This inspired modern suspension.
Often times the dancer would become delirious and hallucinate both from the physical and mental exertion, topped with dehydration and extreme hunger. Unfortunately the ceremony was banned in Canada in 1885 under the Indian Act, but the ban was dropped in 1951, though Indigenous people continue(d) to be treated unfairly. Today the Sun Dance is still performed by some communities.
One of the first examples of this ceremony being painted is Bert Grimm’s Sun Dancer flash and tattoo. The original painting depicts a girl dancing with her left knee raised, right hand holding a spear, with a shield depicting a bald eagle in her left hand. A red sun and traditional roses make up the background.
As the design was first made by a pioneer of American traditional tattooing, it is mainly tattooed today in the same style. Though people do take artistic liberties, sometimes including animals or other flowers, and even changing the subject of the tattoo. It is often done as a back tattoo, but can also be seen on arms and legs, usually as still large pieces, though through adaptation artists have created smaller pieces as well.
Over the last few years there have been numerous studies looking at tattoos and their effect on the immune system.
And for all you fellow tattoo collectors I have good news. Tattoos do in fact have a positive impact on your immune system!
Are they going to keep COVID-19 away from you? Unfortunately, no, but people who have more than one tattoo generally have a stronger and healthier immune system than those who do not.
In one test, a group of 29 people were tested before and after visiting a tattoo shop in Alabama. The researchers tested levels of cortisol, which is one of the body’s indicators of stress levels, as well as Immunoglobin A, which is in simple terms is an antibody that helps our bodies fight infections . This study showed that those going in with no tattoos yet showed a greater strain on their immune system with a dip in their Immunoglobin A levels, while those going in for their second, third, or even tenth or more tattoo, actually experienced a large boost in their Immunoglobin A levels immediately following the tattoo. The full test can be read here “Tattoos to Toughen Up.”
Another test done in American Samoa by the same researcher took 25 saliva samples at the start and end of tattoo sessions on both tourists and locals getting tattooed. They also measured the tattoo recipients height, weight, and fat density to account for general health. Again, both cortisol and Immonoglobin A were extracted and tested, as well as an inflammatory marker C-reactive protein. A similar finding was concluded here, with Immonoglobin A staying remaining higher in the bloodstream even after tattoos had healed. As well, people with more and larger tattoos tested higher Immonoglobin A levels than those with less or no tattoos prior to the start of getting tattooed. This effect also appears to be dependent on getting multiple tattoos and not just having some time pass after getting tattooed once.
Of course having lots of tattoos won’t guarantee your health, but based on testing it can be beneficial for general immune health, and in particular skin injuries and health.
Mathew is a tattooer at Rebel Waltz Tattoos in Winnipeg, Manitoba. Mathew does crisp American traditional tattoos the way they were meant to be made. Bold as hell!
If you take a look through Mathew’s work, either online or in person, you’ll see he really does the classics. His Instagram is full of eagles, pinups, sailors and pirates, skulls, snakes, and more.
If you’re looking for a bit of a Japanese twist to an American style, Mathew is also your guy. He’s done both dragon heads and full bodied dragons, and Japanese flowers.
Mathew mentored under Don Ritson, the owner of Rebel Waltz, and you can certainly see Don’s influence in Mathews work. Both artists stick to a very traditional colour palette of mainly black, red, some green, and small amounts of yellow to make pieces pop.
Check out his work on Instagram @mathew.machado where you’ll find his email for making appointments. You can also watch Rebel Waltz’ Instagram to see when Mathew and the other artists there are doing walk-ins.
The Hand of Glory was a particularly grotesque tool used by criminals, particularly thieves, to aid in robberies. The legend dates back to the 15th century, and there are numerous accounts of people using them throughout history.
The name reportedly comes from the French, “main de glorie”, which in turn got its name from the magical mandrake root.
According to legend, mandrakes grow under gallows from the seed of a hanged man, and they were believed to shine like lamps at night, also in roughly the shape of a hand.
The process of making a hand of glory is quite particular, and adds to the macabre nature of the thing. Sabine Baring-Gould wrote in his book, Curious Myths of the Middle Ages: “The Hand of Glory .. is the hand of a man who has been hung, and it is prepared in the following manner: Wrap the hand in a piece of winding-sheet, drawing it tight, so as to squeeze out the little blood which may remain; then place it in an earthenware vessel with saltpeter, salt, and long pepper, all carefully and thoroughly powdered. Let it remain a fortnight in this pickle till it is well dried, then expose it to the sun in the dog-days, till it is completely parched, or, if the sun be not powerful enough, dry it in an oven heated with vervain and fern. Next make a candle with the fat of a hung man, virgin-wax, and Lapland sesame.” (1873)
The people who used hands of glory had different beliefs. Some believed it could give light only to them, leaving others in darkness, some believed it could make them invisible, many thought it could burn forever and could only be put out if the user so desired, others believed and hoped it could render any nearby person motionless or put occupants of a residence to sleep. All tales of the hand of glory seem to show the belief that the hand could open any nearby lock, making it an even more useful tool for those wishing to take something that does not belong to them.
Open, lock, To the Dead Man’s knock! Fly, bolt, and bar, and band! Nor move, nor swerve, Joint, muscle, or nerve, At the spell of the Dead Man’s hand! Sleep, all who sleep! — Wake, all who wake! But be as the dead for the Dead Man’s sake!
Now lock, nor bolt, nor bar avails, Nor stout oak panel thick-studded with nails. Heavy and harsh the hinges creak, Though they had been oil’d in the course of the week. The door opens wide as wide may be, And there they stand, That murderous band, Lit by the light of the Glorious Hand, By one! — by two! — by three! By Thomas Ingoldsby
And of course fans of Harry Potter will be familiar with the Hand of Glory from Mr. Borgin and Burkes’ store when young Mr. Malfoy takes a fancy to it. “Ah, the Hand of Glory!” said Mr. Borgin, abandoning Mr. Malfoy’s list and scurrying over to Draco. “Insert a candle and it gives light only to the holder! Best friend of thieves and plunderers! Your son has fine taste, sir.”
Which gruesome hand is your favourite and why? Let me know in the comments and remember to check out any of the artists if you liked their work.
Hong Kong is probably the most interesting city I’ve ever been to. It’s by far the most multicultural, and it’s full of rich and interesting history.
Hong Kong also has a fantastic art scene with artists from around the world finding their style and inspiration in and among Hong Kong’s towering skyscrapers and narrow, winding streets filled with irreplaceable noodle shops, the all-important umbrella repair store, and a thriving tattoo scene.
Arguably some of the best artists in the world reside in Hong Kong, at some of the best and most interesting tattoo shops I have been to yet. This past month I received three different tattoos from two different artists at two different shops in Hong Kong.
If you’re getting a tattoo in Hong Kong there’s a good chance you don’t live there and are either just passing through or visiting for a short time. I currently live in mainland China and though it’s only a short train ride into Hong Kong, it is a hassle, and it’s not called the world’s most expensive city for nothing. These two factors combined mean I have only spent around a total of eight days or so in the city, even though I’m so close.
If you are a visitor to the city like myself, then you’ll want to find your artist and get ahold of them well before your visit. I mainly use Instagram to find artists I want to go to, and a quick search on the old gram of “hktattoo” will yield seemingly endless results.
Alternatively you can google tattoo artists or shops in Hong Kong and you’ll have similar results. There are a number of artists and shops that will appear first in your searches such as Star Crossed, The Company, Freedom Tattoo, MoFo Tattoo, and Blackout, to name a few. For my own tattoos I chose Star Crossed and The Company.
If you prefer to find your shop one of the old school ways you can also wander through the streets and find ones to walk into, but there’s no guarantee artists will be available as Hong Kong is a bustling place. If you want to find yours by walking then your best bet is taking the metro into Kowloon or Central and starting from there.
Once you find your shop and artist send them an Instagram message or email if they prefer and find out if you need a consultation or if you can start talking designs and prices straight away. If you are coming from outside of Hong Kong there is a good chance you’ll have to pay your deposit through PayPal, and this is common practice. I did so for my tattoo on Japan and Hong Kong, both.
Tattoo day has come finally and you’re excited, and possibly nervous if it’s your first tattoo. If you are getting your first tattoo and it’s in Hong Kong I have a few tips for you. 1. If you are like myself and not used to blistering heat then you’re going to want to drink a fair amount of water before your tattoo, and bring a cold drink with you as even with AC some places in Hong Kong can be pretty hot. 2. Sanitation in parts of Asia, including Hong Kong, are a little different compared to Western cities, so you’ll want to make sure the shop has hygienic practices, and afterwards you’ll want to do a good job washing your tattoo with soap and hot water. 3. This one is again to do with the heat. If you’re a sweater then you’ll really want to make sure you clean your tattoo twice a day to make sure it’s not getting caked in sweat while it’s trying to heal.
At Star Crossed Tattoo I was tattooed by their resident apprentice and local Hong Konger, Cathy (as of July 2019). Cathy tattoos in an American traditional style with an HK twist. I got some script and a good luck piece from Sailor Jerry’s Hong Kong flash that Cathy updated a bit and made her own. If you’re going to get a Chinese character tattoo, make sure you can read it, or get it from an artist who fluently reads and writes the language (that goes for getting a tattoo in any language you don’t actually speak). And this goes both ways, I have also seen people in China with English words tattooed on them that make absolutely no sense. Don’t be that person. The script I got reads jiāyóu, which literally means “add oil”, but is used to say “you got this” or, “keep fighting”. Cathy’s work is often inspired by punk music, and she has many punk rock pin-up ladies you can choose from to get tattooed on you. She mixes old school motifs with a bit of a Neo-traditional colour scheme. Meaning my Sailor Jerry piece has some popping blue and green in there in addition to the black, red, and yellow. Cathy is extremely friendly and Star Crossed has an open and inviting atmosphere. I highly recommend checking it out.
The next shop I visited was The Company. I was tattooed by black work artist James Lau, another Hong Konger, born and raised. James tattoos in a heavy black work style, using thick, bold lines and dark shading to create stunning original pieces. James is known for tattooing finger and palm pieces that really last. James is also a very friendly guy, joking and inviting as soon as the door of the shop opens. The Company has a similar open-floor plan to Star Crossed, so the whole place is very free and open feeling. The Company is also a must visit shop in Hong Kong.