Mike Roberts is a tattoo artist working out of Grizzly Tattoo in Portland, Oregon. His style is mainly old school with a tendency towards darker imagery such as horror movie icons, weapons, and the undead, but you can catch him making more Japanese inspired pieces such as flowers and dragons as well.
Mike is the perfect artist to feature in October, as much of his work consists of the macabre; everything from wolves and spiders to medieval torture devices and undead warriors that give me strong Evil Dead and Army of Darkness vibes.
But don’t worry if you can’t make it to Mike in October, he’s tattooing spooky pieces all year round, doing both large scale pieces and one offs. Grizzly Tattoo is a must stop shop if you live in Portland or are passing through.
Roblake is an artist specializing in black work designs with mainly old school motifs. Working out of Dead Slow in Brighton, Roblake also sells merchandise such as prints and clothing here.
Roblake has a very distinctive style, taking inspiration from old school flash while adding his own flare that includes detailed line work and sometimes soft and delicate shading inside of tough looking pieces.
He is particularly well known for his knife designs, whether they be a sharp singular switchblade, a row of daggers, or a knife through a skull.
Along with tattooing, Roblake has an extensive tattoo collection, and also does some clothing modelling.
If you’re in Brighton or passing through, Roblake is a must see artist, or, if you can’t visit, check out his online store.
Nick Oaks is a tattooer working out of Bait & Schlang Tattoo in Montreal. His work is as classic as it gets. Filled with big bold dragons, lady heads, roses and skulls.
He takes inspiration from greats such as Sailor Jerry, Tony Polito, E.C. Kidd, and more.
Whether you’re looking for black traditional or bright and colourful, Nick can take care of it for you.
His Instagram is full of both small one off designs, and large scale work such as back pieces.
Nick has lots of flash to choose from, and lots of paintings for sale as well.If you’re in Montreal, or going to be, click the link above and check out his Instagram where he has his contact information.
Referred to as the “king of tattooists” by himself and others, George Burchett- (Davis) was one of the most famous tattoo artists of his age, particularly in the UK. Notably tattooing in London, marking both the social elite and the hard working class, and even members of the Royal family.
In Burchett’s “Memoirs of a Tattooist” he states that “I have tattooed the subjects of six sovereigns, starting with portraits of Queen Victoria. The tradition has been maintained and still seemed to be strong when I prepared the designs for the coronation of 1953.” He also reminisces about tattooing The Duke of Saxe-Coburg-Gotha, one of Queen Victoria’s favorite nephews, Prince Christian Victor, a grandson of Queen Victoria, and King GeorgeV. Along with English royalty he also tattooed King Alfonso XIII of Spain, and King Frederick IX of Denmark.
Burchett was born in Brighton in 1872, and had a very early introduction to tattooing. He practiced tattooing on his five year old brother, Charles, who apparently traded candy for some scratched designs in his skin. George also tattooed his classmates until he was expelled for doing so at the age of twelve.
After being expelled, George joined the Royal Navy and sailed as a deckhand all over the British Empire, including stops in the West Indies, the Mediterranean, Africa, India, and East Asia. This was also where he fell farther in love with tattooing, as he was able to see marvellous styles and designs from all over the world. He was able to develop his own skill and style by tattooing other sailors.
Life at sea proved to not be for George, so he left the navy while on leave in Israel, and set up his first shop in Jerusalem. This only lasted a short time as he feared being caught by authorities for deserting the navy. This led to him boarding a Spanish merchant ship. He was able to avoid persecution for twelve years, but missed England. It was at this point that he dropped the “Davis” in his last name to make it harder to catch him, and set up shop in London, but this time as a cobbler. Though he did continue to tattoo on the side whenever the opportunity arose. During this time he was fortunate enough to meet two other legendary artists, Tom Riley and Sutherland MacDonald. MacDonald took George under his wing and taught him more about techniques and designs of tattooing.
During his time as a cobbler/tattooer he grew more and more popular with the working class as a top tattoo artist, working mainly on sailors, dock workers, and transients that happened through London from all around the world. In 1900 George was able to start tattooing full time and give up cobbling. He opened a proper shop on Mile End Road where he could easily catch soldiers on their way to the front lines in World War One.
As his shop grew in clientele, so did his reputation, leading him to tattoo more wealthy Londoners, and even royals. Though Riley and MacDonald tattooed more royals than he.
Another of his more famous clients was “The Great Omi,” (Horace Ridler) who was a well known circus performer. George was paid several thousand dollars to tattoo a full body suit that turned The Great Omi into a human zebra.
George is also one of (if not the) first artists to use tattooing as a cosmetic procedure, tattooing women lips and eyebrows (though he also tattooed many flowers and lovers initials on his female clientele).
George Burchett was undeniable a classic American traditional artist, though like many historical and modern tattooers, drew influence from African and Asian art that he had the good fortune to see during his travels at sea.
He tried to retire at the age of 70 in 1942, but because of World War Two, tattoos were at an all time high demand, essentially forcing him and his two sons to tattoo the immense amount of soldiers and sailors walking through the door.
Because he never retired, George worked until Good Friday of 1953 when he died suddenly at the age of 81. His work is still highly influential today with people still getting his designs, or variations of them, tattooed in large numbers.
The Sun Dancer tattoo is an easily recognizable American traditional design, first painted by Bert Grimm, a pioneer of American traditional tattooing who worked from around 1916-1970. An important part of Indigenous history and culture, the Sun Dance is a spiritual ceremony that was and is still very important to different groups, primarily to those of the plains cultures in America and Canada.
The ceremony is a gruelling but important one, primarily (though not entirely) performed by males. The dancer fasts, going without both food and drink for days at a time, while dancing around a sacred fire and traditional pole meant to represent the sun. Others drum and sing prayers while the dancer dances until exhausted.
As part of the ceremony, piercing and suspension is also common. This involves a leader piercing rods into the chest or back of the dancer, while they drag a bison head until the skin rips. Other variations involve horses pulling at the rods, or the dancer being suspended from the pole by the rods in their skin. This inspired modern suspension.
Often times the dancer would become delirious and hallucinate both from the physical and mental exertion, topped with dehydration and extreme hunger. Unfortunately the ceremony was banned in Canada in 1885 under the Indian Act, but the ban was dropped in 1951, though Indigenous people continue(d) to be treated unfairly. Today the Sun Dance is still performed by some communities.
One of the first examples of this ceremony being painted is Bert Grimm’s Sun Dancer flash and tattoo. The original painting depicts a girl dancing with her left knee raised, right hand holding a spear, with a shield depicting a bald eagle in her left hand. A red sun and traditional roses make up the background.
As the design was first made by a pioneer of American traditional tattooing, it is mainly tattooed today in the same style. Though people do take artistic liberties, sometimes including animals or other flowers, and even changing the subject of the tattoo. It is often done as a back tattoo, but can also be seen on arms and legs, usually as still large pieces, though through adaptation artists have created smaller pieces as well.
So you’re travelling to China, or maybe living there short term like myself, and you want to get a tattoo. This might be a more different experience than you’re used to in Western countries, and it’s good to do your research.
I’m living in Shenzhen, but travelled to Shanghai for a week, where I was tattooed by Kai at Sick Rose Tattoo.
Before getting to Shanghai, I found Sick Rose on Instagram so I could check their quality of work, and I was very happy with what I saw. All of the artists there are professional and do quality work! The shop mainly deals with old school style pieces. Strong bold lines and bright colours that will last a lifetime.
I messaged the shop before arriving and talked to Kai to make sure I could do a walk in. Sometimes you may want to actually schedule an appointment if you have a specific day in mind, but if like me you need to keep your schedule open, then make sure the shop takes walk ins.
If you don’t speak Chinese then it’s also important that the artist you go to can speak some English. Everyone at Sick Rose speaks English and they are all very friendly. Kai was very professional and a soft spoken guy.
I had my ribs tattooed, which took around three hours, and he made it as good an experience as possible, considering the painful placement. I also had one of the shop cats sleeping on me for most of my experience, which was a good distraction. Back in the West cats wouldn’t be allowed into shops, but here in China you come to expect the unexpected. The shop did follow all other health protocols, such as using new needles and ink, and wearing gloves the whole time. This is important to check as I know many shops in China don’t follow Western health standards as closely. Since Sick Rose followed everything else by the book I was able to overlook the shop cats since I had followed them for so long and seen the healed results, with no issues. On day four now and my own piece is healing nicely.
I highly recommend Sick Rose and Kai if you are in Shanghai! Always be sure to thoroughly research a shop before going, especially when visiting another country. Happy tattoo collecting!
A bodysuit is the ultimate way for a tattoo collector to show their dedication to the craft. A bodysuit is most often done as one cohesive piece, usually in one style. But some people do start getting tattooed without the intention of having a bodysuit, then end up growing into it.
Japanese is the most well known style for creating bodysuits. Done by one artist, tied together with background work such waves, clouds, and other nature themes.
More recently black work is becoming more popular for full bodysuits. Either heavy black work or smaller pieces.
Similarly people get bodysuits of American traditional pieces. Hundreds of small pieces filling up a body to make it look more or less like one huge suit.
Black and grey, neo traditional, and realism styles are also being used for bodysuits now, making for eye popping artwork.
The word bodysuit may make you think of really a full body covered in tattoos, but it also refers to torso pieces that lead onto the arms, and/or legs.