David O’Connor is a traditional tattoo artist working out of Trophy Tattoo in Hamilton, Ontario. The shop caters specifically to those looking for American traditional tattoos, and all of the artists who work there do fantastic work.
Davids Instagram is full of classic flash and finished pieces that would have been seen on the walls of tattoo shops throughout the 1900’s and on the bodies of sailors.
When booking a tattoo with David you can choose from pre-drawn flash or bring your own idea to the table. David and the rest of the shop also take walk-ins.
The majority of his work is done in colour, with the traditional colours of black, red, and green, but if you’re looking for some black traditional work he’s got you covered as well.
Whether you’re looking for a small walk-in piece or a full back, David does it all, with style. If you’re in Hamilton or just passing through he is a must see artist for all your traditional needs.
The Battle Royale is an old school design that consists of an eagle, a snake, and a dragon, all battling it out to be number one (sometimes it is depicted as an eagle vs a snake, or even other animals fighting).
This design has been passed down for generations through tattooers and tattoo collectors, usually as quite a large design like a full back piece, chest, or stomach, but also as smaller work on arms and legs.
This most famous design was tattooed on D.C (Dave) Paul by Huck Spaulding and Paul Rogers, though there are a few older designs that are bit different. One was tattooed by George Burchett when he was working with Japanese artist Hori Uno in his shop in London, and the other by Percy Waters in Detroit. Ben Corday’s version is also quite popular.
The Battle Royale is an American traditional design that has clear roots in Japanese tattooing as well as American. It was designed to represent the eternal struggle of keeping balance, particularly between the East and West, but life in general as well. Everything in life requires balance and hardship. This is a battle that will never be won.
Most people choose to get this piece in full colour as the first wearers of the tattoo would have, but it also looks great without colour, or as a more neo-traditional piece.
Tony Torvis is the owner of Mortem Tattoo in Montréal, Canada. His work consists of traditional old school designs without colour, making his clients look like the brilliant black and white photographs of days long past.
Tony’s work is reminiscent of the great tattooers of the late 1800’s and early 1900’s but is still recognizable as a Tony Torvis piece.
Expect crisp clean lines and bold, powerful motifs such as dragons, snakes, lady heads, portraits, and flowers. There is original flash in the shop to choose from, or you can bring your own idea to him, or re-create an old piece of historical flash.
Tony’s Instagram page is full of both large and small scale work, from chest pieces to full backs, sleeves, and little filler pieces.
You’ll also notice from his Instagram page that the majority of clients are repeat customers. Tony’s tattoos are kind of like chips, you just can’t stop at one! Mortem tattoo is a must visit shop if you’re in the area, and there are other brilliant artists working there as well.
Percy Waters was a well-known American tattoo artist from the early 1900’s. Born in 1888, in Anniston, Alabama, he was (allegedly) first introduced to tattooing through the sideshows of traveling circuses that passed through his hometown. At the time he was learning the trade of molder, and tattooing locals became a hobby on the side.
He’s known to many as a Michigan artist, and not from a small town in Alabama, due to the fact that in 1917 he tattooed someone he shouldn’t have and got in trouble. He left Anniston and moved to Detroit, Michigan. He built up a successful tattoo business where he also sold supplies to other tattoo artists. In 1929 he even got a license for his tattoo machine design, which was an adjustable two-coil electromagnetic machine that hasn’t changed too much in modern tattoo machines. It had also taken almost 55 years (from 1875) for the tattoo machine to be adjusted after Edison’s machine. In 1939 he moved back to Anniston and ran what was most likely the biggest tattoo supply company in the world at the time until his death in 1952.
Percy was very modest and was known to call himself “just a good tattooer”; However, he was quite well known regardless of his humility, particularly in the sideshow world where he tattooed “tattoo attractions” such as; Bobby Smith, Red Van, Detroit Dutch, Shelley Kemp, Clyde Williams, and Mrs. Ted Hamilton among others.
His style stays true to early 20th century old school designs. With classics such as portraits of women, dragons, eagles, snakes, panthers, good luck symbols, ships, and more. His original designs are still redrawn often today, and many contemporary artists are heavily inspired by him in their own styles.
Some of the most well-known tattoos he did were Pharaohs’ Horses as a back piece, an image of a woman riding an eagle, and whole-body suits made up of patriotic American pieces coupled with images such as butterflies, flowers, dragons, snakes, and ladies.
She tattoos in a hybrid style of old school and new school. Her old school techniques consist of thick bold lines and the classic colour scheme, with an added almost cartoon-ish look.
Lots of her work features cartoon characters from popular Disney movies and shows like Mickey and Minnie, Moana, Mulan, and more. Her Instagram is also full of old school classics like swallows, reapers, skulls, pinups, and lady heads.
Much of the work she does can be done as smaller pieces if you’re a tourist in the area, and she also puts together fantastic larger pieces such as full sleeves.
If you’re traveling in the area be sure to send her an email and get yourself an appointment, or if you live nearby add a few new pieces to your collection.
Moon Cheon is a tattoo artist working out of Kodzunak in Seoul, South Korea. Cheon, tattoos traditional Korean motifs in various styles.
Most of Cheon’s work is done freehand in a more loose style that closely resembles an ancient Chinese style of painting called “Xieyi” or “写意.” This is mostly used for landscape paintings, and Cheon follows this style by applying this technique to land and waterscape tattoos, often including free flowing rivers and flowers.
Cheon also does delicate black and grey tattoos of Korean and East Asian animals, mythical creatures, and Gods and Goddesses.
While much of his work is delicate and beautiful, he also doesn’t shy away from blood, gore, and violence, in the form of severed heads, and Japanese ghosts and demons (yōkai and yūrei).
If you live near Seoul or are passing through, Moon Cheon is a must-see artist.
Francesco does classic old school tattoos that are bright and vibrant in colour, with bold black lines. Looking at Francesco’s work, you’ll only see black, red, and yellow/gold making up these beautiful pieces.
His portfolio includes both one shot smaller pieces, and large full back or front pieces. Among these gorgeous designs you’ll find classics such as the Rock of Ages, Sun Dance, devils and angels, lady heads, and animals such as snakes, eagles, and butterfly’s.
Whether you live in Rome or are passing through, Francesco is another must see artist.
Hong Kong, a fascinating city with an equally fascinating history and culture. Tattoos are becoming more and more popular as they enter into the mainstream, making it hard to walk around the downtown area without spotting a tattoo either on a tourist or a local. But for a long time tattoos were seen as something only for criminals, mainly the triads (the Chinese mafia that also operates in Hong Kong and Taiwan among other places).
While tattoos of course existed in the area long before the 1940’s, the first official tattoo shop wasn’t opened until 1946 by the famous James Ho (father of Jimmy Ho). James Ho was a Shanghainese marine engineer in the navy in 1940 and was sailing on a ship in the Indian Ocean when it was hit by a Japanese torpedo. James was lucky and survived by clinging to wreckage and was picked up by an American warship and brought to Calcutta where he first came in contact with tattoos; hand poked tattoos to be specific. James brought his new passion home to Shanghai where he made a machine from bike chains and other spare parts. He fled Shanghai towards the end of WW11 because of political conflict and went to Hong Kong, where he opened the first shop; Rose Tattoo Studio. James had seen mainly old school tattoos on sailors, so that’s what he brought back both to Shanghai and Hong Kong, and why old school Hong Kong tattoos follow similar tropes of hearts, flags, pin-ups and more, all with thick bold lines and vibrant colours. The shop did very well, mainly working on those in the Navy during the Korean and Vietnam wars. Along with these American designs, tattooers in Asia were adding imagery such as dragons, koi, and tigers, among other culturally significant iconography.
To keep up with the high demand, James took on four apprentices; Ricky Lo, Pinky Yun, Benny Tsoi, and Swallow, and later eventually his own son, Jimmy. Jimmy started officially working for his father at the age of 14 after already tattooing clients after hours from around the age of 12. His mother didn’t want him working there but he insisted, and when he showed his father James the earnings, he was finally gifted two tattoo machines of his own. Pinky eventually moved to the US in the 70’s and became very popular after first working with Ricky at “Ricky and Pinky Tattoo”, Benny has a shop still in Hong Kong run by an apprentice (his daughter also tattoos and runs her own shop), and Jimmy’s shop is also still being run by an apprentice in Hong Kong.
When business declined for all tattooers in Hong Kong after the Korean and Vietnam wars, tattooers were working more and more with triads. Only a “大佬” or, “boss” could get tattooed then, and some of the main designs included dragons on the arms or back, or eagles on the chest. Now triads are tattooed less and less, similar to the yakuza in Japan. But when they do opt to get tattoos they are more likely to get them in mainland China where they are significantly cheaper.
Apart from gangsters, the most common people getting tattooed from the 70’s-90’s were construction workers and truck drivers. These developed their own kind of style which consisted of only an outline without any shading, often because they would run out of money. As long as you could tell what the design was supposed to be, it was good enough.
Hong Kong style is also compared to Japanese, particularly for full bodied work with backgrounds such as waves and clouds. This is largely due to Japanese tattooers visiting Hong Kong, and vice versa. For example, James’ son, Jimmy Ho was visited numerous times by Horiyoshi in the 1990’s. Jimmy then borrowed Japanese ideas of tattooing but made them his own.
Today, artists such as Marcus Yuen and Samantha Fung, both working out of 59 tattoo alongside other great artists, and Dave Ryo Lau working out of The Company Tattoo, are all keeping Hong Kong style tattoos alive by continuing to tattoo in the unique style. Marcus in particular works hard to keep Hong Kong style tattoos alive by also sharing information about the old legends, and many historic pictures on his Instagram account.
Referred to as the “king of tattooists” by himself and others, George Burchett- (Davis) was one of the most famous tattoo artists of his age, particularly in the UK. Notably tattooing in London, marking both the social elite and the hard working class, and even members of the Royal family.
In Burchett’s “Memoirs of a Tattooist” he states that “I have tattooed the subjects of six sovereigns, starting with portraits of Queen Victoria. The tradition has been maintained and still seemed to be strong when I prepared the designs for the coronation of 1953.” He also reminisces about tattooing The Duke of Saxe-Coburg-Gotha, one of Queen Victoria’s favorite nephews, Prince Christian Victor, a grandson of Queen Victoria, and King GeorgeV. Along with English royalty he also tattooed King Alfonso XIII of Spain, and King Frederick IX of Denmark.
Burchett was born in Brighton in 1872, and had a very early introduction to tattooing. He practiced tattooing on his five year old brother, Charles, who apparently traded candy for some scratched designs in his skin. George also tattooed his classmates until he was expelled for doing so at the age of twelve.
After being expelled, George joined the Royal Navy and sailed as a deckhand all over the British Empire, including stops in the West Indies, the Mediterranean, Africa, India, and East Asia. This was also where he fell farther in love with tattooing, as he was able to see marvellous styles and designs from all over the world. He was able to develop his own skill and style by tattooing other sailors.
Life at sea proved to not be for George, so he left the navy while on leave in Israel, and set up his first shop in Jerusalem. This only lasted a short time as he feared being caught by authorities for deserting the navy. This led to him boarding a Spanish merchant ship. He was able to avoid persecution for twelve years, but missed England. It was at this point that he dropped the “Davis” in his last name to make it harder to catch him, and set up shop in London, but this time as a cobbler. Though he did continue to tattoo on the side whenever the opportunity arose. During this time he was fortunate enough to meet two other legendary artists, Tom Riley and Sutherland MacDonald. MacDonald took George under his wing and taught him more about techniques and designs of tattooing.
During his time as a cobbler/tattooer he grew more and more popular with the working class as a top tattoo artist, working mainly on sailors, dock workers, and transients that happened through London from all around the world. In 1900 George was able to start tattooing full time and give up cobbling. He opened a proper shop on Mile End Road where he could easily catch soldiers on their way to the front lines in World War One.
As his shop grew in clientele, so did his reputation, leading him to tattoo more wealthy Londoners, and even royals. Though Riley and MacDonald tattooed more royals than he.
Another of his more famous clients was “The Great Omi,” (Horace Ridler) who was a well known circus performer. George was paid several thousand dollars to tattoo a full body suit that turned The Great Omi into a human zebra.
George is also one of (if not the) first artists to use tattooing as a cosmetic procedure, tattooing women lips and eyebrows (though he also tattooed many flowers and lovers initials on his female clientele).
George Burchett was undeniable a classic American traditional artist, though like many historical and modern tattooers, drew influence from African and Asian art that he had the good fortune to see during his travels at sea.
He tried to retire at the age of 70 in 1942, but because of World War Two, tattoos were at an all time high demand, essentially forcing him and his two sons to tattoo the immense amount of soldiers and sailors walking through the door.
Because he never retired, George worked until Good Friday of 1953 when he died suddenly at the age of 81. His work is still highly influential today with people still getting his designs, or variations of them, tattooed in large numbers.