A number of people have brought to my attention that Max Rathbone has a large number of sexual assault and abuse allegations against him. Whether they are true or not is not for me to decide, but the number of women making claims against him is outstanding. Hence I have deleted photos of his work and will not be including him in future articles.
If you or someone you know has been abused by a tattoo artist, please say something. It’s an industry that unfortunately all too often allows men to prey on innocent people that are in a vulnerable position.
übler Friedrich is a Neo-traditional tattoo artist who works in Berlin, Giessen, and Vienna.
He works mainly in colour, but also does brilliant blackwork and fantastic black and grey pieces.
His pieces are both realistic and traditional, making a perfect blend of the two.
Übler is not shy about tattooing faces or heads, and gives people brilliant and visible pieces for the world to admire. He also does both small and large pieces, so don’t be shy about getting something big!
Currently (January 2019) his books are closed, but you can check out his Instagram @friedrichubler and send him an email when his books are open again!
Brando Chiesa is a “pastel gore” artist based out of Florence, Italy.
Brando’s work features a whole lot of pink, yet still manages to be terrifying.
He mixes graphic imagery, mainly from anime shows and movies, with pastel colours. Along with anime (some hentai) and manga, Brando also takes inspiration from Japanese mythology and folklore.
His designs are mainly either sexy or terrifying. Featuring lots of anime women in tight clothing, and creatures and monsters you wouldn’t want to meet in real life.
Brando does do some darker colour work but the vast majority of it is pastel. His darker work has more of a neo traditional look to it, while the pastel pieces are a bit of a mix of neo traditional and hyperrealism.
Brando is a must see artist for your anime/manga needs!
Baphomet today is regarded as a Satanic figure, but for a long time Baphomet was actually a word for the prophet Mohammed in Islam, and worshipping a Muslim god or prophet was seen as idolatry. The Knights of Templar were accused of worshipping Baphomet the false idol in Medieval France, and were tortured under King Philip.
Over the next 500 years, Baphomet changed from Mohammed the prophet, to a hermaphroditic stone figure borrowed from Egypt or the Gnostic Christian Ophites. This was after both scholars and mystics studied the Knights of Templar, writing that the Knights brought back ancient magical knowledge from the middle East and North Africa. The idol in question was called Baphomet in 1818, and were most likely just misidentified artifacts from other cultures and religions.
But the final Baphomet that we picture today was created in 1854 by occultist Eliphas Levi for his book “Dogme et Rituel de la Haute Magie” (“Dogmas and Rituals of High Magic“). Levi describes Baphomet in detail in his book.”The goat on the frontispiece carries the sign of the pentagram on the forehead, with one point at the top, a symbol of light, his two hands forming the sign of hermetism, the one pointing up to the white moon of Chesed, the other pointing down to the black one of Geburah. This sign expresses the perfect harmony of mercy with justice. His one arm is female, the other male like the ones of the androgyn of Khunrath, the attributes of which we had to unite with those of our goat because he is one and the same symbol. The flame of intelligence shining between his horns is the magic light of the universal balance, the image of the soul elevated above matter, as the flame, whilst being tied to matter, shines above it. The beast’s head expresses the horror of the sinner, whose materially acting, solely responsible part has to bear the punishment exclusively; because the soul is insensitive according to its nature and can only suffer when it materializes. The rod standing instead of genitals symbolizes eternal life, the body covered with scales the water, the semi-circle above it the atmosphere, the feathers following above the volatile. Humanity is represented by the two breasts and the androgyn arms of this sphinx of the occult sciences.”
As a tattoo, people often get the full bodied Baphomet, or a goats head, as goats are often also related to Satanism as well as witchcraft and paganism. Full bodied goats and goat heads are also popular in part thanks to the film The Witch, and the Satanic goat named Black philip. Generally these tattoos are done in blackwork or black and grey but also realism, neo traditional, and American traditional.
Anubis is the ancient Egyptian god/guardian of the dead. The name Anubis actually comes from the Greek, but the earliest Egyptian names for him include Anpu, or Inpu. Both have the same root word which means “royal child”, and “inp” which means “to decay”.
He is generally depicted as a black, jackal-dog-man hybrid, with the body of a man and head of a jackal/dog. The colour black was chosen for its symbolism of both decaying bodies, and the soil along the Nile river.
Anubis is first seen as the son of Ra and Hesat, before he is brought into the story of Osiris, and said to be his son.
Anubis is the earliest god depicted on tomb walls, usually presiding over the mummification process, or weighing of the soul. This is the process in which a persons soul is weighed against the feather of truth.
Anubis is both judge and guide of the dead. Making him an authoritative figure, as well as a protector. This makes him one of the most important gods in Egyptian history.
Later in history he was partially adopted into Greek mythology, associating him with Hermes.
As a tattoo, Anubis is often done in blackwork, black and grey, neo traditional, water colour, and realism styles.
Yōkai are supernatural monsters/ghosts/demons from Japanese folklore. The word itself is made up from the kanji for “bewitching, attractive, and calamity” and “spectre, apparition, mystery, and suspicious.” There are hundreds and hundreds of yōkai, from fairly harmless tricksters, to monsters that prey on human flesh. Being an animal that many are already afraid of, of course there are also spider yōkai.
As a tattoo these creatures are usually done in Japanese style, but can also be neo traditional, American traditional, black and grey, or blackwork.
There are three main types of spider yōkai:
-Ushi Oni: Which is actually classified as an ox demon. This demon is often depicted with the head of an ox and the body of a spider, and is usually near bodies of water. These creatures are always carnivorous and dangerous to humans. They are not always spiders, but this is one of the more popular depictions. The Ushi Oni is described as cruel and vicious, breathing toxic poison, and sometimes inflicting curses or spreading disease.
-Tsuchigumo: A giant spider who can live a very long time, and grow to monstrous sizes. When they get old enough they can transform themselves into other yōkai, even taking the form of humans in order to lure and kill people. These creatures live in forests and mountains, mainly preying on travelers. One famous tale tells of this creature transforming into a beautiful woman who leads an army of yōkai against Japan. A man named Yorimitsu is the first to meet the beast on the battlefield and strikes her, making the army disappear. The Japanese army then follows her back to her cave where she morphs back into a giant spider. Yorimitsu slices her open, unleashing thousands of human sized baby spiders. The Japanese army kills every last one and returns victorious.
Jorōgumo: This creature was known as the “whore spider” but is now better known as “entangling bride”. She lives both as a beautiful yōkai in human form and as a giant spider. This spider gains the ability to transform after it has lived for 400 years. She uses her human form to lure unsuspecting men to her lair before eating them. They live in caves, forests, or abandoned houses. This creature is often seen as part spider, part woman, generally the body of a spider and head of a woman.
All versions of this beast are terrifying, and all make a bold tattoo. Which is your favorite?
Foo, or Fu Dogs as they are known as in the West are Chinese lion guardians called Shi. These creatures are both guardians and good luck charms. When placed outside buildings they are meant to protect those inside from negative energy and to stop those with intent to harm from entering. These ancient symbols have been around since the Han Dynasty (206 BC- 220 AD).
As a tattoo this creature is also meant to be protective. Keeping the wearer safe from harm. This creature is also tattooed to be a representation of the wearer’s strength, courage, and heroism.
Foo dogs are firstly a Chinese tattoo, but are also associated with Japanese tattoo’s and can be incorporated into Japanese pieces. They are often also done as black and grey pieces, American traditional, and realism pieces.
Foo dogs are often placed on hands, with the head fitting perfectly, lining up with the knuckles.
Foo Dog’s make a brilliant and powerful tattoo for those seeking protection and good fortune.