Japanese Blackwork Tattoos:

Japanese is undeniably one of the most popular tattoo styles, but heavy black pieces are changing the game.

Blackwork wave sleeve mixed with geometric patterns by Raimundo Ramìrez.
Spirited Away’s Yubaba done by Stephen Doan.

Japanese tattoos traditionally use lots of red and black, but also feature some yellows, orange, and shades of grey. Basically the same colour palette as original American traditional.

Blackwork tiger back done by Takizomoro.
Samurai Hannya done by Daniel Ra.

Blackwork is becoming a more and more popular style all the time, and can be done in many styles.

Blackwork leg sleeves done by Guy Le Tatooer.
Blackwork cloud sleeves with geometric patterns done by Gakkin.

Japanese blackwork often makes great use of negative space, making the subject pop, particularly when done on lighter skin tones.

Blackwork Bodhidharma by HoriNami.
Blackwork peony and snake sleeves by Lupo Horiōkami.

Some artists also mix styles such as Neo-traditional and geometric with their Japanese work. Both of these styles are often done as all black pieces, so it mixes well.

Blackwork namakubi by Damien J. Thorn.
Blackwork fish by Horihiro.

Which tattoo is your favourite?

Blackwork negative space sleeve by Oscar Hove.
3/4 sleeves and chest panels by Gotch.

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Artist of the Month: Max Rathbone (edited)

A number of people have brought to my attention that Max Rathbone has a large number of sexual assault and abuse allegations against him. Whether they are true or not is not for me to decide, but the number of women making claims against him is outstanding. Hence I have deleted photos of his work and will not be including him in future articles.

If you or someone you know has been abused by a tattoo artist, please say something. It’s an industry that unfortunately all too often allows men to prey on innocent people that are in a vulnerable position.

Artist of the month: Gakkin

Gakkin is a (mainly) blackwork and freehand artist working out of Amsterdam after first working in Kyoto.

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Blackwork raven across the back of the neck.
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Large octopus sleeve and chest piece.
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Bodysuit featuring birds, flowers, wind, and clouds.
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Huge snake torso piece.

His pieces are all large scale. Full sleeves, large torso pieces, back pieces, and bodysuits.

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Gruesome namakubi (severed head), with hair that flows into an almost cloudlike state.
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Massive crane back piece with clouds, waves, and koi.
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Negative space stomach hannya as part of a full bodysuit of mainly solid black.
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Red flowers on heavy black leg sleeve, with white spider web.

He collaborates often now with another Japanese blackwork artist, Nissaco. The two work well together, and their pieces flow seamlessly into each other.

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Bright flowers within a dark backdrop.
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Chrysanthemum with Japanese noh mask.
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Back of a bodysuit featuring negative space geometric designs.
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Beautiful blackwork moon and cloud back piece.

His work is largely inspired by nature. Everything from wind, water, flowers, mountains, the sun, and the moon, and animals.

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Large brushstroke style.
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Geometric, blackwork sleeve.
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Large chrysanthemum as part of a sleeve.

Gakkin also takes direct inspiration from ancient Japanese painters, adding his own interpretations.

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Waves and wind in these nature sleeves.
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Part of a bodysuit featuring wind and waves.
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Bright red flowers on heavy black.

Though he mainly works with black, he does also add splashes of red to draw the eye. In an interview with Tattoo Life, he said about working with black “I believe that black is the most important color in tattooing. Every ancient tattooing culture – Maori, Japanese, and Polynesian – considers it as such. It just works better than any other color on the skin.” (www.tattoolife.com)

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kuchisake-onna ghost, from stories dating back to the Edo period.
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Tsuchigumo, the Japanese spider demon.
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Collaboration piece done with Nissaco at the London tattoo convention 2017.

Which piece is your favourite?