Joey strives to make a welcoming environment for all who wish to get tattooed, regardless of body type, skin tone, gender, etc. They are a fierce defender of Queer folks and also do their part to call out anti-Semitism, particularly in sub cultures of tattooing and alternative music. You can read an interview that features Joey and other Jewish artists here.
When you check out Joey’s instagram (linked above) you can expect to see lots of flowers, (Jewish) lady heads, and Hebrew script intermingled with classic old school tattoo designs.
Now (August 2020) Joey also makes face masks with other local Toronto artists, and has flash, shirts, tote bags, and more available on their Etsy.
Be sure to check them out if you live in Toronto or are passing through!
For over 100 years, “The Tattooed Lady” was an attraction not to be missed at circuses, carnivals, and freak shows all around the world. While men also performed and showed off their tattooed bodies, women were what people wanted to see. Pick a time in history, or modern day, and sex and danger sells. Thus, tattooed women sold tickets wherever they went, and attracted tourists and locals alike.
Some of the most famous tattooed ladies of the 1800’s and 1900’s also had fabricated back stories to make themselves seem more interesting. What’s more interesting (especially given the times); “woman tattooed by force after capture by ‘savages'”, or “woman gets tattooed by her common-law partner?” This was part of the fabrication and later true story of Nora Hildebrandt.
Nora Hildebrandt is known as the first professional tattooed lady. She was tattooed by her common-law partner, Martin Hildebrandt (some people refer to them as father and daughter but more evidence points to them being romantic partners rather than father and daughter). Martin Hildebrandt is a hard person to pin down due to the amount of traveling he did. But according to numerous reports it looks like he eventually settled in New York in the 1850’s. Nora Hildebrandt began performing at sideshows in 1882, with over 365 tattoos all over her body. This number helped her fake back story of being captured by “Indian savages” and forcibly tattooed one per day for a year (which she later admitted was false and just helped sell tickets). Nora most famously performed with Barnum and Bailey’s circus in the 1890’s as their main tattooed lady.
Artoria (Anne) Gibbons is another well known tattooed lady. She worked for over 30 years in circuses and sideshows in the early 1900’s including Barnum and Bailey’s, the Ringling Brothers, and others. She met Charles “Red” Gibbons, an already well known tattooer, and the two eventually married. After being married for 4-5 years, Red started tattooing Anne, and she became almost like a business card or canvas to showcase his work. She was apparently so beautiful, and the tattoos on her body so well done, that she stole the show wherever she went. In an interview in 1934, Anne said that she was often asked if she was born that way (seriously). From medieval times to the mid 1900’s many people believed in the “mark of impression,” that something the mother had done or seen would leave a physical mark on the baby. Doctors legitimately thought that her mother had watched too many movies while she was pregnant with Anne and that’s why she was covered in images.
A third well known tattooed lady was Betty Broadbent. She was born in the early 1900’s and at the age of 14 went to work for a wealthy family in Atlantic City as a nanny. It was there that she came across the heavily tattooed man, Jack Red Cloud on the famous Atlantic City Boardwalk. He was performing as a Tattooed Man and was happy to talk to her about tattoos and art. Betty started her body suit after being introduced to Jack’s friend, the famous Charlie Wagner. She spent her life savings tot ravel to New York City to and start being tattooed by Wagner. She was also tattooed by another New York artist named Joe Van Hart, and eventually collected pieces from Tony Rhineagear and Red Gibbons. The process took about two years and included 365 individual pieces, varying in theme. They covered her arms, legs, back, and chest. Pieces included historical figures such as Queen Victoria, religious figures such as the Virgin Mary and Baby Jesus. Though one of her most notable pieces is a huge eagle that spreads from shoulder to shoulder. When asked about it she reportedly said “it hurt something awful, but it was worth it.”She joined the circus in 1927, working with the Ringling Brothers and Barnum and Bailey’s. Betty was also one of the few well known Tattooed Ladies who didn’t use a fabricated story about her tattoos.
The last Tattooed Lady I looked at is Maud Wagner. Along with being a Tattooed Lady, Maud also performed aerial acrobatics and was an accomplished contortionist who travelled with multiple circuses. She was born in 1877 in Kansas. Maud met her husband, Gus Wagner at the Louisiana World’s fair in 1904, and learned how to do hand-poked tattoos from him. She would become America’s first known female tattooer, along with her work as a performer in the circus industry. The couple had a daughter, Lotteva, who learned the family trade at the age of 9 and continued tattooing throughout her life. Maud’s tattoos included patriotic art, and animals mainly.
It is often assumed that men dominated the tattoo world, but through research it’s clear to see that women have been just as important in shaping tattoo culture. Tattooed Ladies brought tattoos to the forefront of underground society, and helped make them “more acceptable.” Tattooed Ladies were able to make a name and living for themselves for over 100 years, from the late 1800’s to mid 1990’s through circuses and carnivals, and now are able to through websites and magazines.
The Sun Dancer tattoo is an easily recognizable American traditional design, first painted by Bert Grimm, a pioneer of American traditional tattooing who worked from around 1916-1970. An important part of Indigenous history and culture, the Sun Dance is a spiritual ceremony that was and is still very important to different groups, primarily to those of the plains cultures in America and Canada.
The ceremony is a gruelling but important one, primarily (though not entirely) performed by males. The dancer fasts, going without both food and drink for days at a time, while dancing around a sacred fire and traditional pole meant to represent the sun. Others drum and sing prayers while the dancer dances until exhausted.
As part of the ceremony, piercing and suspension is also common. This involves a leader piercing rods into the chest or back of the dancer, while they drag a bison head until the skin rips. Other variations involve horses pulling at the rods, or the dancer being suspended from the pole by the rods in their skin. This inspired modern suspension.
Often times the dancer would become delirious and hallucinate both from the physical and mental exertion, topped with dehydration and extreme hunger. Unfortunately the ceremony was banned in Canada in 1885 under the Indian Act, but the ban was dropped in 1951, though Indigenous people continue(d) to be treated unfairly. Today the Sun Dance is still performed by some communities.
One of the first examples of this ceremony being painted is Bert Grimm’s Sun Dancer flash and tattoo. The original painting depicts a girl dancing with her left knee raised, right hand holding a spear, with a shield depicting a bald eagle in her left hand. A red sun and traditional roses make up the background.
As the design was first made by a pioneer of American traditional tattooing, it is mainly tattooed today in the same style. Though people do take artistic liberties, sometimes including animals or other flowers, and even changing the subject of the tattoo. It is often done as a back tattoo, but can also be seen on arms and legs, usually as still large pieces, though through adaptation artists have created smaller pieces as well.
Mathew is a tattooer at Rebel Waltz Tattoos in Winnipeg, Manitoba. Mathew does crisp American traditional tattoos the way they were meant to be made. Bold as hell!
If you take a look through Mathew’s work, either online or in person, you’ll see he really does the classics. His Instagram is full of eagles, pinups, sailors and pirates, skulls, snakes, and more.
If you’re looking for a bit of a Japanese twist to an American style, Mathew is also your guy. He’s done both dragon heads and full bodied dragons, and Japanese flowers.
Mathew mentored under Don Ritson, the owner of Rebel Waltz, and you can certainly see Don’s influence in Mathews work. Both artists stick to a very traditional colour palette of mainly black, red, some green, and small amounts of yellow to make pieces pop.
Check out his work on Instagram @mathew.machado where you’ll find his email for making appointments. You can also watch Rebel Waltz’ Instagram to see when Mathew and the other artists there are doing walk-ins.
Hong Kong is probably the most interesting city I’ve ever been to. It’s by far the most multicultural, and it’s full of rich and interesting history.
Hong Kong also has a fantastic art scene with artists from around the world finding their style and inspiration in and among Hong Kong’s towering skyscrapers and narrow, winding streets filled with irreplaceable noodle shops, the all-important umbrella repair store, and a thriving tattoo scene.
Arguably some of the best artists in the world reside in Hong Kong, at some of the best and most interesting tattoo shops I have been to yet. This past month I received three different tattoos from two different artists at two different shops in Hong Kong.
If you’re getting a tattoo in Hong Kong there’s a good chance you don’t live there and are either just passing through or visiting for a short time. I currently live in mainland China and though it’s only a short train ride into Hong Kong, it is a hassle, and it’s not called the world’s most expensive city for nothing. These two factors combined mean I have only spent around a total of eight days or so in the city, even though I’m so close.
If you are a visitor to the city like myself, then you’ll want to find your artist and get ahold of them well before your visit. I mainly use Instagram to find artists I want to go to, and a quick search on the old gram of “hktattoo” will yield seemingly endless results.
Alternatively you can google tattoo artists or shops in Hong Kong and you’ll have similar results. There are a number of artists and shops that will appear first in your searches such as Star Crossed, The Company, Freedom Tattoo, MoFo Tattoo, and Blackout, to name a few. For my own tattoos I chose Star Crossed and The Company.
If you prefer to find your shop one of the old school ways you can also wander through the streets and find ones to walk into, but there’s no guarantee artists will be available as Hong Kong is a bustling place. If you want to find yours by walking then your best bet is taking the metro into Kowloon or Central and starting from there.
Once you find your shop and artist send them an Instagram message or email if they prefer and find out if you need a consultation or if you can start talking designs and prices straight away. If you are coming from outside of Hong Kong there is a good chance you’ll have to pay your deposit through PayPal, and this is common practice. I did so for my tattoo on Japan and Hong Kong, both.
Tattoo day has come finally and you’re excited, and possibly nervous if it’s your first tattoo. If you are getting your first tattoo and it’s in Hong Kong I have a few tips for you. 1. If you are like myself and not used to blistering heat then you’re going to want to drink a fair amount of water before your tattoo, and bring a cold drink with you as even with AC some places in Hong Kong can be pretty hot. 2. Sanitation in parts of Asia, including Hong Kong, are a little different compared to Western cities, so you’ll want to make sure the shop has hygienic practices, and afterwards you’ll want to do a good job washing your tattoo with soap and hot water. 3. This one is again to do with the heat. If you’re a sweater then you’ll really want to make sure you clean your tattoo twice a day to make sure it’s not getting caked in sweat while it’s trying to heal.
At Star Crossed Tattoo I was tattooed by their resident apprentice and local Hong Konger, Cathy (as of July 2019). Cathy tattoos in an American traditional style with an HK twist. I got some script and a good luck piece from Sailor Jerry’s Hong Kong flash that Cathy updated a bit and made her own. If you’re going to get a Chinese character tattoo, make sure you can read it, or get it from an artist who fluently reads and writes the language (that goes for getting a tattoo in any language you don’t actually speak). And this goes both ways, I have also seen people in China with English words tattooed on them that make absolutely no sense. Don’t be that person. The script I got reads jiāyóu, which literally means “add oil”, but is used to say “you got this” or, “keep fighting”. Cathy’s work is often inspired by punk music, and she has many punk rock pin-up ladies you can choose from to get tattooed on you. She mixes old school motifs with a bit of a Neo-traditional colour scheme. Meaning my Sailor Jerry piece has some popping blue and green in there in addition to the black, red, and yellow. Cathy is extremely friendly and Star Crossed has an open and inviting atmosphere. I highly recommend checking it out.
The next shop I visited was The Company. I was tattooed by black work artist James Lau, another Hong Konger, born and raised. James tattoos in a heavy black work style, using thick, bold lines and dark shading to create stunning original pieces. James is known for tattooing finger and palm pieces that really last. James is also a very friendly guy, joking and inviting as soon as the door of the shop opens. The Company has a similar open-floor plan to Star Crossed, so the whole place is very free and open feeling. The Company is also a must visit shop in Hong Kong.
Jacob Doney is the owner of Envision Tattoo Studio in Grand Terrace, California.
Jacob tattoos in American traditional style with popping colours and lines that are bold as hell.
Though his main style is American traditional, he will make tattoos with a more Neo-traditional look as well. That being said, his themes are strongly American traditional, taking inspiration from old school motifs and keeping the true spirit of a traditional tattoo alive.
Jacob does both large and small pieces; everything from gap fillers to massive back pieces.
His line work is crisp and clean and his colours are mainly classic traditional, black, red, green, and yellow.
If you want to reach Jacob you can find his instagram @jacobdoneytattoo
Make sure to reach out well in advance if you’re going to be in California and get yourself something cool!
Lyle Tuttle was known as the father of modern tattooing, working in the industry from the late 1940’s until his death ( March 2019).
He got his first tattoo at the young age of 14 for the cheap price of $3.50 and was hooked immediately.
Lyle’s most well known tattoos on himself were done by the famous Bert Grimm back in 1957 and 1958 at the very shop he would then work at for a number of years, known affectionately as “The Pike”.
After working for Bert Grimm, and a couple of smaller shops, Lyle opened his own shop in San Fransisco in 1960. He worked at the shop for 29 years before an earthquake damaged it. After tattooing for years he officially retired in the 90’s, but did small pieces for friends and dedicated fans. He also taught courses on building proper tattoo machines and tattoo etiquette and hygiene.
Lyle was one of the most outspoken male tattoo artists who were pro tattooing women, and women becoming tattoo artists. When asked about what helped tattooing gain such rapid popularity he said “Women’s liberation! One hundred percent women’s liberation! That put tattooing back on the map. With women getting a new found freedom, they could get tattooed if they so desired. It increased and opened the market by 50% of the population — half of the human race! For three years, I tattooed almost nothing but women. Most women got tattooed for the entertainment value…circus side show attractions and so forth. Self-made freaks, that sort of stuff. The women made tattooing a softer and kinder art form.”
Lyle was also a huge advocate for the normalization of tattooing and is famous for saying “Tattoos aren’t meant for everybody, and they’re too goddamn good for some people.”
Another of my favourite quotes of his reads thus, “Tattoos are travel marks, stickers on your luggage. Tattoos are special, you have to go off and earn them. You can go into a jewelry store and buy a big diamond and slip it on your finger and walk out. It’s not like that when you go into a tattoo shop and pick a big tattoo and pay for it. Now you got to sit down and take it.”
This is something I strongly believe in. When people ask me why I get them if they hurt so much, I say it’s part of the experience. And if someone says “just use a numbing cream”, I say you have to earn that tattoo. If you can’t take it, don’t get one.
Lyle will be greatly missed by his friends, family, and those in the tattoo community. Do yourself a favour and get yourself a piece from his flash in the near future to keep his work alive.