Mike Roberts is a tattoo artist working out of Grizzly Tattoo in Portland, Oregon. His style is mainly old school with a tendency towards darker imagery such as horror movie icons, weapons, and the undead, but you can catch him making more Japanese inspired pieces such as flowers and dragons as well.
Mike is the perfect artist to feature in October, as much of his work consists of the macabre; everything from wolves and spiders to medieval torture devices and undead warriors that give me strong Evil Dead and Army of Darkness vibes.
But don’t worry if you can’t make it to Mike in October, he’s tattooing spooky pieces all year round, doing both large scale pieces and one offs. Grizzly Tattoo is a must stop shop if you live in Portland or are passing through.
Roblake is an artist specializing in black work designs with mainly old school motifs. Working out of Dead Slow in Brighton, Roblake also sells merchandise such as prints and clothing here.
Roblake has a very distinctive style, taking inspiration from old school flash while adding his own flare that includes detailed line work and sometimes soft and delicate shading inside of tough looking pieces.
He is particularly well known for his knife designs, whether they be a sharp singular switchblade, a row of daggers, or a knife through a skull.
Along with tattooing, Roblake has an extensive tattoo collection, and also does some clothing modelling.
If you’re in Brighton or passing through, Roblake is a must see artist, or, if you can’t visit, check out his online store.
Pluviophile (n)- A lover of rain; someone who finds joy and peace of mind during rainy days.
As a pluviophile myself, I love anything related to rain and storms. The sight, sound, and smell of rain all make me feel happy and at peace. Some of my favourite art is inspired by storms and rain, and that includes tattoos.
As a tattoo, some common rain themes include rain clouds, storm clouds with lightning, umbrellas, and people in the rain.
Common styles include black work, American traditional, realism, dot work, and black and grey.
Duncan X is a old school artist whose inspiration comes from early photographs of old school tattoos. These photographs are of course all in black and white, so the tattoos appear black even if they were colourful. This led to Duncan tattooing in only black.
He is one of the most popular artists in London, and he works out of Old Habits Tattoo shop.
Duncan was born and raised in London in the 60’s and was introduced to tattoos through the punk scene. Artist Dennis Cockell taught him tattooing and helped him shape his unique style.
While Duncan uses mainly old school motifs for his source of inspiration, his style resembles medieval wood carvings and is distinctly working class.
To learn more about Duncan and see his own tattoos watch David Penn’s short film here.
June 2020 and the world (largely the Western world, particularly North America and England) has started to open to their eyes to the reality that the police are not “the good guys.” First some statistics from Canada and The United States before we get into the history of police.
In the US, police kill more than 1000 people a year. Black people are 3 times more likely to be killed than white people, and are 1.4 times more likely to be UNARMED during these killings. In Canada the numbers are harder to find, though police have killed close to 500 people that we know of since the year 2000, and the number has been climbing yearly.
Looking specifically at Toronto, an Indigenous person is 10 times more likely to be shot and killed by police than a white person. While Indigenous people are persecuted by police in Canada at a larger percentage than any other race, black people are also targets for police violence. Again looking at Toronto, 18 black men and one black boy were among the 52 people killed by police in Toronto alone from 2000-2017. Of those cases only 7 police officers faced charges and only 1 was found guilty.
As of 2015 the US makes up only 5% of the worlds population, but 21% of the world’s prisoners. Land of the free? Not even close. Black people in the US are incarcerated at more than 5 times the rate of white people. Black women do twice the amount of time in prison than white women for the same crimes. Click here to learn more about incarceration in the US.
Meanwhile in Canada, Indigenous people make up only 4.5 precent of the population, but make up 25% of the male prison population, and 35% of the female prison population.
Now let’s look at where police actually come from. Spoiler alert, they have never been there to “protect and serve.”
In the US, the institution of slavery and the control of minorities and immigrants are the two biggest reasons why police exist in America today. Slave Patrols and Night Watches were both created to control BIPOC. These date back to 1636, and possibly earlier. These were groups of men who would search for escaped slaves, and were meant to protect colonizers from the Native Americans they were murdering at an alarming rate. These groups built on oppression and racism later became official police in the US during the 1830’s and were/are still extremely violent, particularly towards minorities, including BIPOC and people from the LGBTQ community.
In Canada, the story is almost exactly the same. Canadians might like to think our country has less racism than the US but both our countries were built on it, and both are still suffering because of it. Like the US, Canadian police came from groups of people much like the Night Watches and Slave Patrols in the US. At the time Canada also had slaves, and was also in the middle of the mass genocide of Indigenous peoples. By the 1830’s these groups turned into official police forces, and though slavery was abolished in 1834 in Canada, black and Indigenous people were already associated with crime in the white eye. Meaning simply existing as a BIPOC put you at risk of police and white brutality in Canada just as much as the US.
Tattoos have long been an underground art form, being made illegal numerous times throughout history, and is still illegal in some countries today. While in the West and North America in particular, tattoos are becoming more and more mainstream, they are still most popular in alternative scenes, and particularly with people who generally lean farther left politically (of course there are exceptions). Therefore anti-establishment and anti-police tattoos have existed for a long time, and will continue to exist.
Anti-police tattoos are most often done in American traditional style, black work, or ignorant style.
To read more about the history of police oppression and violence in North American please click here, here, or here.
Nick Oaks is a tattooer working out of Bait & Schlang Tattoo in Montreal. His work is as classic as it gets. Filled with big bold dragons, lady heads, roses and skulls.
He takes inspiration from greats such as Sailor Jerry, Tony Polito, E.C. Kidd, and more.
Whether you’re looking for black traditional or bright and colourful, Nick can take care of it for you.
His Instagram is full of both small one off designs, and large scale work such as back pieces.
Nick has lots of flash to choose from, and lots of paintings for sale as well.If you’re in Montreal, or going to be, click the link above and check out his Instagram where he has his contact information.
The Sun Dancer tattoo is an easily recognizable American traditional design, first painted by Bert Grimm, a pioneer of American traditional tattooing who worked from around 1916-1970. An important part of Indigenous history and culture, the Sun Dance is a spiritual ceremony that was and is still very important to different groups, primarily to those of the plains cultures in America and Canada.
The ceremony is a gruelling but important one, primarily (though not entirely) performed by males. The dancer fasts, going without both food and drink for days at a time, while dancing around a sacred fire and traditional pole meant to represent the sun. Others drum and sing prayers while the dancer dances until exhausted.
As part of the ceremony, piercing and suspension is also common. This involves a leader piercing rods into the chest or back of the dancer, while they drag a bison head until the skin rips. Other variations involve horses pulling at the rods, or the dancer being suspended from the pole by the rods in their skin. This inspired modern suspension.
Often times the dancer would become delirious and hallucinate both from the physical and mental exertion, topped with dehydration and extreme hunger. Unfortunately the ceremony was banned in Canada in 1885 under the Indian Act, but the ban was dropped in 1951, though Indigenous people continue(d) to be treated unfairly. Today the Sun Dance is still performed by some communities.
One of the first examples of this ceremony being painted is Bert Grimm’s Sun Dancer flash and tattoo. The original painting depicts a girl dancing with her left knee raised, right hand holding a spear, with a shield depicting a bald eagle in her left hand. A red sun and traditional roses make up the background.
As the design was first made by a pioneer of American traditional tattooing, it is mainly tattooed today in the same style. Though people do take artistic liberties, sometimes including animals or other flowers, and even changing the subject of the tattoo. It is often done as a back tattoo, but can also be seen on arms and legs, usually as still large pieces, though through adaptation artists have created smaller pieces as well.
Tsuchigumo is a Japanese yōkai, or demon. It’s a creepy crawly beast that according to legend can grow to a monstrous size, big enough to eat a person with no problems.
Tsuchigumo literally means “ground spider”, and is found in mountains, forests, and caves.
In legends, these beasts live in silk tubes in trees and caves, from which they trap their human or animal prey. Think Aragog from Harry Potter or Shelob in the Lord of the Rings.
Like a lot of Japanese yōkai, particularly snake and spider ones, Tsuchigumo relies on tricks and deceit to catch their smarter prey.
For example, one legend tells of a Tsuchigumo using an illusion to torun itself into a beautiful woman, with an army behind her, to attach Japan. Warrior Yorimitsu met army on the battlefield with his own force, and first attacked the woman general. When she was struck by a sword she transformed back into a creature, while her army disappeared as it had all been an illusion. she ran away back to her cave where she was sliced open. This led to thousands of babies spilling from her swollen abdomen, but each one was killed by the Japanese warriors.
Many more tales feature Tsuchigumo using illusions to trick their prey, leading to many people being eaten by the giant spider-beast.
As a tattoo, Tsuchigumo is usually done in a traditional Japanese style, as it comes from Japanese folklore. Though it can also be done with a more American traditional twist, Neo-traditional, or realistic style. It pairs well with Japanese warriors, or as fillers with webs, skulls, or flowers.