Snake Lady Tattoos: From Myth to Your Skin

Snake ladies have been around for centuries, and we’re still fascinated with their beauty and danger. We know they exist as towering Greek statues, paintings on Japanese woodblock carvings, medieval paintings in France and throughout Europe, words and paintings in ancient Chinese texts, and of course, as beautiful tattoos. The four snake ladies we’re going to take a look at today are Medusa, Nure-Onna, Bái Sùzhēn, and Mélusine, though more cultures have their own as well. For many modern feminists, snake lady tattoos have become a common motif, which is not surprising given their subject matter. These mythological snake ladies all have their own beauty, and danger, and that danger is aimed towards those who would harm them.

Left to right, Mélusine by Julius Hübner, Nure-Onna artist unknown, Medusa by Luciano Garbati, and Bái Sùzhēn artist unknown

According to research by Max Plank, humans have an automatic fear of snakes, dating back to our cavemen ancestors for pretty obvious reasons. Stay away from things that bite you! But snakes in the myths of many cultures are not just evil creatures, they are also symbols of fertility, hence why we have so many snake “ladies” throughout history. Granted many snake ladies are also described as twisted and horrible monsters, but they are almost always wronged by men in some way, and are just trying to live their best lives, even if it means killing and/or eating the occasional man (relatable though, right?). Even the Christians jumped on the snake lady bandwagon when Michelangelo depicted Satan not as a man in his painting “Fall and Expulsion of Adam and Eve” in the Sistine Chapel in the 1500’s, but as a snake with the torso of a woman. So why do people keep getting these snake lady tattoos if they’re often depicted negatively?

Michelangelo’s Fall and Expulsion of Adam and Eve.

Let’s have a look at our first snake lady Medusa, and why people might get snake lady tattoos of her. Medusa is immediately recognizable and is seen in all kinds of pop culture. At a glance, Medusa looks like a terrifying monster, but her character is much more complicated than that. According to Ovin’s Metamorphoses, Medusa wasn’t always the monster that she’s usually seen as. Medusa, one of the three Gorgon sisters, and the only mortal one, was extremely beautiful. So beautiful in fact, that she caught the eye of the god of sea, earthquakes, and horses, Poseidon. Turns out Poseidon was a real scum bag and actually raped Medusa in the temple of Athena. When Athena found out what had happened in her temple, she got angry at the wrong person and cursed Medusa for desecrating her holy space. 

Medusa head by Ian Saunders
Medusa head by Frederico Rems
Full Medusa back piece by Zhuo Dan Ting

This curse turned Medusa’s hair into snakes, making her so horrible to look at that any who did would be instantly turned to stone. Medusa went from being written about like this, “Medusa once had charms; to gain her love. A rival crowd of envious lovers strove. They, who have seen her, own, they ne’er did trace. More moving features in a sweeter face. Yet above all, her length of hair, they own, in golden ringlets wav’d, and graceful shone.” To this, “In the middle is the Gorgon Medusa, an enormous monster about whom snaky locks twist their hissing mouths; her eyes stare malevolently, and under the base of her chin the tail-ends of serpents have tied knots.” So Medusa was forever transformed into a monster, one that could even get a hero some street cred if they were to slay her. Enter, Perseus. Perseus was the son of Danae, a mortal princess, and Zeus, mightiest of the gods. When Perseus grew up he was sent on a quest by King Polydectes, to bring him the head of Medusa. This was a trick though, as old King Poly really just wanted to sleep with Perseus’ mother, and was expecting Perseus to be killed by Medusa. But Perseus is the son of a god, so of course he’s not going to fight a monster empty handed and without a few tricks up his toga. He was given an invisibility cap from his uncle Hades, a pair of winged sandals from Hermes, a reflective bronze shield from Athena, and a new sword from Hephaestus. Our story of the poor cursed Medusa ends here, as Perseus was triumphant and snuck up on her while she was sleeping and chopped her head off. 

Realistic Medusa half sleeve by Loren Miller
Black and grey Medusa head by Marisol Teran
Neo traditional Medusa head done by Claudio Erzi

For many people, Medusa is a relatable character, so it’s no surprise that when you search for snake lady tattoos, she’s going to be one of the first examples you see. Medusa was wronged by someone more powerful than her, but was then given the power in the form of a curse to keep people from hurting her (unless you’re Perseus). Medusa tattoos can be seen as a kind of armour, as Medusa turned people to stone with her gaze. If you rock a Medusa tattoo, she can handle glaring at that weirdo on the bus for you. 

Angry snake lady by Adam Ruff

Our second snake lady and corresponding snake lady tattoos, Nure-Onna, comes from Japan. The name Nure-Onna means, “wet woman.” As such, I’ll give you three guesses as to where she lives, and the first two don’t count. Quite simply, the water; coasts, rivers, and lakes. Really any body of natural water that can fit a giant snake lady. Traditionally she is native to Kyushu, Japan’s south-westernmost of the main island’s. But she can also be found as far north as Niigata and farther east in infamous Fukushima. Now unlike Medusa, Nure-Onna was never human, she’s pure creature, though not necessarily “evil.” She’s described as being large enough to flatten trees with her tail, strong enough to overpower men and eat them, and is quite a fast swimmer. In some legends she has arms like a human, and in others the only human thing about her is her head, plopped on top of a snakes body. Though all legends describe her face as quite snake-like, forked tongue and all. According to some legends, she really just wants to be left alone as she’s quite solitary and goal oriented. Usually coming ashore to wash her hair and eat. Her diet consists of both blood and entrails (delicious), but not specifically human blood and entrails, though don’t piss her off and test that. Now even though she’s way stronger than you or me, she doesn’t like to rely on brute strength when she is in the mood for some man meat. She’s smart and tricky. Nure-Onna uses magic to disguise herself as a distressed woman carrying a crying baby. She herself cries out for help from passing fishermen, sailors, or anyone unlucky enough to be passing by. If someone does stop to help her, she convinces them to take the baby, just for a moment, to let her rest. If she gets that far, the fake baby magically becomes extremely heavy, and she changes back into a snake lady, drains their blood, and eats their guts. 

Nure-Onna snake lady tattoos are another design that can be worn as a kind of armour, as we now know Nure-Onna is a force to be reckoned with! She’s also more creepy looking than Medusa, so for horror aficionados she’s a cool choice. For those who also enjoy Japanese tattooing, Nure-Onna can be paired with Japanese flowers, and background such as waves or clouds as she is a creature from the sea. 

Nure-Onna back piece by Lesha Sbitnev
Nure-Onna leg sleeve by Harriet Street
Nure-Onna rib piece by Giorgio Gun

Our third snake lady and her tattooed form is more of a romantic one than our first two. Bái Sùzhēn is a snake spirit from The Legend of the White Snake, one of Four Classic Folktales from China. These are old written works of historic and literary significance. Bái Sùzhēn was born as a magical sea snake that, after practicing Daoist magic, learned how to transform herself into a human. So, still a snake lady. This story takes place in beautiful Hangzhou, and begins with a boy named Xǔ Xiān, who accidentally purchases immortality pills that make him sick. He’s so sick that he throws up the pills into the lake. Bái Sùzhēn just happens to be swimming in the lake and swallows the immortality pills, but because she’s a spirit, she’s able to digest them. She is so happy and gracious that she immediately falls in love with Xǔ Xiān. 

Bái Sùzhēn by Ssab
Bái Sùzhēn by Weber Duan
Bái Sùzhēn by Jason Eisenberg

Bái Sùzhēn acquires a sidekick of sorts while traveling in human form. She sees a green snake being hurt by a man, and saves her by transforming her into a human as well. The green snake, now named, Xiǎo Qīng, swears to follow Bái Sùzhēn until the end of time. By huge coincidence, the two snake ladies come across Xǔ Xiān again, and shortly after their chance encounter, they get married. Years after their marriage, a jealous turtle spirit also turned human named Fa Hai, sabotages the marriage by telling Xǔ Xiān that his wife should try realgar wine during a festival. This wine repels spirits and and harmful creatures, and as soon as she drinks it, she is transformed back into a giant snake, giving her husband a heart attack that leads to his death. Loyal as ever, Xiǎo Qīng helps Bái Sùzhēn take Xǔ Xiān’s body to a sacred place to revive him. So happy to be revived he declares his love for his wife again, not caring that she’s a snake lady. Fa Hai of course finds out that his plan didn’t work, and he ends up, after various unsuccessful attempts to capture or kill the trio, manages to trap Bái Sùzhēn in the Leifeng Pagoda after her and Xǔ Xiān’s son Xǔ Mèngjiāo is born. Many years later, Xǔ Mèngjiāo passes the extremely difficult and competitive imperial exams with flying colours. He returns home with the title of top scholar, and is now a pious Confucian. He visits the Pagoda where his mother is trapped, to pay his respects. The heavens are so touched with his filial devotion that they finally free Bái Sùzhēn and allow the family to reunite. Another story featuring a bunch of men trying to bring a snake lady down.

Nude snake lady on the ribs by Clare Von Stitch

Snake lady tattoos aren’t just for those who love the gritty and gruesome stories, they can also be for romantics. Though Bái Sùzhēn is a snake lady, she’s also a true romantic, falling in love Disney style (ridiculously fast), and fighting for her family. If you’re wanting a snake lady tattoo with a bit of a romantic flair, but still has a strong fighting spirit, you can’t go wrong with her. 

American traditional snake lady head by Matt van Herten
Full bodied snake lady by Dawn Smith
Witchy snake lady head by Tyler Howard

Our fourth and final snake lady is another familiar one to all, though you may not know it. Her name is Mélusine, and while she is often described as a snake lady, she’s also sometimes more like a mermaid, but with two tails. If you’re starting to get an image in your mind, you might think of one of the most well-known coffee logos in the world. Starbucks uses the effigy of Mélusine on their cups, a smiling two tailed mermaid, or snake lady. In some myths she is described as a witch, but in many she’s more of a fairy. Mélusine was a French mythological creature coming out of the late 1300’s in France. She is the daughter of the fairy Pressyne and King Elynas of Albany. 

Mélusine done at La Rose de Jericho
Mélusine by Mel Mauthe
Mélusine by Pcla Ink

Now Mélusine was perfectly normal in appearance, despite being part fairy, except on Saturday’s. On these days she unwillingly transformed into, you guessed it, a snake lady, usually described with the two tails and a bit more fishy than strictly serpentine. One day Mélusine met a young man named Raymond in the forest nearby. As most fairytales go, they were married extremely quickly, in this instance, by morning. But Mélusine had one condition, Raymond was not to see her on Saturdays. The couple had many children, but each child was born with a different deformity, including mismatched eye colours, an ear larger than the other, only one eye, and even a son who was born with a lion’s foot growing out of his cheek and another with a great tooth. This was of course because of her fairy blood, but Raymond didn’t know that. One day Raymond’s brother visited, and made him suspicious of his wife’s lonely Saturday’s. So of course Raymond betrayed his wife’s trust and spied on her the next Saturday, and though he was horrified at seeing her in the bath with her two serpentine tails, he didn’t say anything. Until their one son with the great tooth attacked a monastery seemingly unprovoked, and killed one hundred monks. Raymond then accused Mélusine of passing on her serpentine blood to their children, and of course alerting her to the fact that he had betrayed her trust. So distraught, Mélusine turns into a 15 foot snake, circles the castle three times, wailing loudly, before flying away. She continued to visit her children, but only at night. 

Snake lady head done by Mark Cosgrove
Traditional snake lady head done by Capilli Tupou
Huge neo traditional stomach snake lady done by Timmy Howe

This story has something for everyone, as Mélusine is also a romantic, but her child is also a murderer, and she’s still a giant snake lady.  As a snake lady tattoo, we can see she often looks more like a mermaid then a snake, but 3/4 of these stories feature water as a common theme, so that’s not too surprising. Mélusine also makes a great snake lady tattoo if you’re a fan of Starbucks, but you don’t want that classic “death before decaf” piece! She’s a bit more subtle than that, and only true Starbucks fans (and anyone who reads this) will know who she is. 

American traditional snake lady head done by Frank Ball Jr
Black and grey realism meets red neo traditional snake lady by Jared Bent
Colourful neo traditional snake lady done by Jamie Santos

While these snake ladies might seem like monsters, they’re really just women wronged by men, and stories of feminist power. So guys, don’t be assholes! And when in doubt, get yourself a snake lady tattoo. They look badass, and they might just protect you from unwanted advances if they’re scary enough. 

American traditional snake lady head done by Brad Andrew Snow
Neo traditional snake lady head done by Jason Reed Brownless
Snake lady back piece by Devx Ruiz
Black work snake lady done by Giulia Luconi
Realistic full sleeve of a snake lady with her pet done by Tophe Tattoo
Subdued colours in this neo traditional snake lady head done by Javier Franco

Which snake woman is your favourite?

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Artist of the Month: Duncan X

Duncan X is a old school artist whose inspiration comes from early photographs of old school tattoos. These photographs are of course all in black and white, so the tattoos appear black even if they were colourful. This led to Duncan tattooing in only black.

Bold anchor and rope.
Lock and chain.

He is one of the most popular artists in London, and he works out of Old Habits Tattoo shop.

Filler rib piece.
Lines and lines on a portrait tattoo.

Duncan was born and raised in London in the 60’s and was introduced to tattoos through the punk scene. Artist Dennis Cockell taught him tattooing and helped him shape his unique style.

Black work castle.
Full sleeve done by Duncan X.

While Duncan uses mainly old school motifs for his source of inspiration, his style resembles medieval wood carvings and is distinctly working class.

Foxes on feet.
An evil and beautiful looking crow.

To learn more about Duncan and see his own tattoos watch David Penn’s short film here.

Another back done by Duncan X.
Torso in progress.

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Japanese Blackwork Tattoos:

Japanese is undeniably one of the most popular tattoo styles, but heavy black pieces are changing the game.

Blackwork wave sleeve mixed with geometric patterns by Raimundo Ramìrez.
Spirited Away’s Yubaba done by Stephen Doan.

Japanese tattoos traditionally use lots of red and black, but also feature some yellows, orange, and shades of grey. Basically the same colour palette as original American traditional.

Blackwork tiger back done by Takizomoro.
Samurai Hannya done by Daniel Ra.

Blackwork is becoming a more and more popular style all the time, and can be done in many styles.

Blackwork leg sleeves done by Guy Le Tatooer.
Blackwork cloud sleeves with geometric patterns done by Gakkin.

Japanese blackwork often makes great use of negative space, making the subject pop, particularly when done on lighter skin tones.

Blackwork Bodhidharma by HoriNami.
Blackwork peony and snake sleeves by Lupo Horiōkami.

Some artists also mix styles such as Neo-traditional and geometric with their Japanese work. Both of these styles are often done as all black pieces, so it mixes well.

Blackwork namakubi by Damien J. Thorn.
Blackwork fish by Horihiro.

Which tattoo is your favourite?

Blackwork negative space sleeve by Oscar Hove.
3/4 sleeves and chest panels by Gotch.

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Tattoo History 10: George Burchett

Referred to as the “king of tattooists” by himself and others, George Burchett- (Davis) was one of the most famous tattoo artists of his age, particularly in the UK. Notably tattooing in London, marking both the social elite and the hard working class, and even members of the Royal family.

George working on a forearm piece. (photo colourized)
Burchett Devil by Quinn Jordan Campbell.

In Burchett’s “Memoirs of a Tattooist” he states that “I have tattooed the subjects of six sovereigns, starting with portraits of Queen Victoria. The tradition has been maintained and still seemed to be strong when I prepared the designs for the coronation of 1953.” He also reminisces about tattooing The Duke of Saxe-Coburg-Gotha, one of Queen Victoria’s favorite nephews, Prince Christian Victor, a grandson of Queen Victoria, and King GeorgeV. Along with English royalty he also tattooed King Alfonso XIII of Spain, and King Frederick IX of Denmark.

Burchett was born in Brighton in 1872, and had a very early introduction to tattooing. He practiced tattooing on his five year old brother, Charles, who apparently traded candy for some scratched designs in his skin. George also tattooed his classmates until he was expelled for doing so at the age of twelve.

Burchett doing a full back. Found thanks to vintage tattoo archive, linked at the end of article.
Burchett tiger head done by Mike C Davies.

After being expelled, George joined the Royal Navy and sailed as a deckhand all over the British Empire, including stops in the West Indies, the Mediterranean, Africa, India, and East Asia. This was also where he fell farther in love with tattooing, as he was able to see marvellous styles and designs from all over the world. He was able to develop his own skill and style by tattooing other sailors.

Life at sea proved to not be for George, so he left the navy while on leave in Israel, and set up his first shop in Jerusalem. This only lasted a short time as he feared being caught by authorities for deserting the navy. This led to him boarding a Spanish merchant ship. He was able to avoid persecution for twelve years, but missed England. It was at this point that he dropped the “Davis” in his last name to make it harder to catch him, and set up shop in London, but this time as a cobbler. Though he did continue to tattoo on the side whenever the opportunity arose. During this time he was fortunate enough to meet two other legendary artists, Tom Riley and Sutherland MacDonald. MacDonald took George under his wing and taught him more about techniques and designs of tattooing.

Burchett black trad design by Coque Sin Amo.
George’s shop. Found on vintage tattoo archive.

During his time as a cobbler/tattooer he grew more and more popular with the working class as a top tattoo artist, working mainly on sailors, dock workers, and transients that happened through London from all around the world. In 1900 George was able to start tattooing full time and give up cobbling. He opened a proper shop on Mile End Road where he could easily catch soldiers on their way to the front lines in World War One.

As his shop grew in clientele, so did his reputation, leading him to tattoo more wealthy Londoners, and even royals. Though Riley and MacDonald tattooed more royals than he.

King Frederick IX of Denmark, dragon on the chest tattooed by Burchett in London.
George tattooing “The Great Omi.”

Another of his more famous clients was “The Great Omi,” (Horace Ridler) who was a well known circus performer. George was paid several thousand dollars to tattoo a full body suit that turned The Great Omi into a human zebra.

George is also one of (if not the) first artists to use tattooing as a cosmetic procedure, tattooing women lips and eyebrows (though he also tattooed many flowers and lovers initials on his female clientele).

George tattooing a woman’s eyebrows.
Colourized photo of Burchett tattooing a woman’s leg.

George Burchett was undeniable a classic American traditional artist, though like many historical and modern tattooers, drew influence from African and Asian art that he had the good fortune to see during his travels at sea.

He tried to retire at the age of 70 in 1942, but because of World War Two, tattoos were at an all time high demand, essentially forcing him and his two sons to tattoo the immense amount of soldiers and sailors walking through the door.

Another shot of “The Great Omi.”
Burchett battle piece done by Nick Roses.

Because he never retired, George worked until Good Friday of 1953 when he died suddenly at the age of 81. His work is still highly influential today with people still getting his designs, or variations of them, tattooed in large numbers.

To read more on Burchett’s life and legacy check out the links below: https://www.tattoolife.com/tattoo-portraits-george-burchett-king-tattooists/

https://www.tattooarchive.com/history/burchett_george_charles.php

As well as the books “King of Tattooists: The Life and Work of George Burchett” and “Memoirs of a Tattooist

Check out https://www.instagram.com/vintagetattoophotoarchive/ for more vintage tattoo photos

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Artist of the Month: Max Rathbone (edited)

A number of people have brought to my attention that Max Rathbone has a large number of sexual assault and abuse allegations against him. Whether they are true or not is not for me to decide, but the number of women making claims against him is outstanding. Hence I have deleted photos of his work and will not be including him in future articles.

If you or someone you know has been abused by a tattoo artist, please say something. It’s an industry that unfortunately all too often allows men to prey on innocent people that are in a vulnerable position.

Hand of Glory Tattoos:

The Hand of Glory was a particularly grotesque tool used by criminals, particularly thieves, to aid in robberies. The legend dates back to the 15th century, and there are numerous accounts of people using them throughout history.

American traditional Hand of Glory done by Cassie Lynn O’Neal at Floating World Tattoos.
A lit Hand of Glory with an eye and a snake done by Oskar Gurbada.

The name reportedly comes from the French, “main de glorie”, which in turn got its name from the magical mandrake root.

A more realistic and black and grey Hand of Glory done by Alex Pea at Drop of Ink in Pennsylvania.
A very magical Hand of Glory done by Pa Dundon, done at Sands of Time Tattoo in Ireland.

According to legend, mandrakes grow under gallows from the seed of a hanged man, and they were believed to shine like lamps at night, also in roughly the shape of a hand.

Another American traditional Hand of Glory with wings done by Emil Dz at Philadelphia Eddies Tattoo.
Hand of Glory radiating light for this wearer, done by Sam at Westside Tattoo in Brisbane.

The process of making a hand of glory is quite particular, and adds to the macabre nature of the thing. Sabine Baring-Gould wrote in his book, Curious Myths of the Middle Ages: “The Hand of Glory .. is the hand of a man who has been hung, and it is prepared in the following manner: Wrap the hand in a piece of winding-sheet, drawing it tight, so as to squeeze out the little blood which may remain; then place it in an earthenware vessel with saltpeter, salt, and long pepper, all carefully and thoroughly powdered. Let it remain a fortnight in this pickle till it is well dried, then expose it to the sun in the dog-days, till it is completely parched, or, if the sun be not powerful enough, dry it in an oven heated with vervain and fern. Next make a candle with the fat of a hung man, virgin-wax, and Lapland sesame.” (1873)

A more colourful and stylized American traditional Hand of Glory done by Jon Harper at Black Friars Tattoo.

The people who used hands of glory had different beliefs. Some believed it could give light only to them, leaving others in darkness, some believed it could make them invisible, many thought it could burn forever and could only be put out if the user so desired, others believed and hoped it could render any nearby person motionless or put occupants of a residence to sleep. All tales of the hand of glory seem to show the belief that the hand could open any nearby lock, making it an even more useful tool for those wishing to take something that does not belong to them.

A bleeding American traditional Hand of Glory done by JP Farias at Atlantico Tattoo.

Open, lock, 
To the Dead Man’s knock! 
Fly, bolt, and bar, and band! 
Nor move, nor swerve, 
Joint, muscle, or nerve,  
At the spell of the Dead Man’s hand!  
Sleep, all who sleep! — Wake, all who wake!  
But be as the dead for the Dead Man’s sake! 

Now lock, nor bolt, nor bar avails, 
Nor stout oak panel thick-studded with nails. 
Heavy and harsh the hinges creak,  
Though they had been oil’d in the course of the week.  
The door opens wide as wide may be,  
And there they stand,  
That murderous band,  
Lit by the light of the Glorious Hand,  
By one! — by two! — by three! By Thomas Ingoldsby

Black and grey Hand of Glory with an eye done by Lindsay K at Urge Studios in Victoria, Canada.

And of course fans of Harry Potter will be familiar with the Hand of Glory from Mr. Borgin and Burkes’ store when young Mr. Malfoy takes a fancy to it. “Ah, the Hand of Glory!” said Mr. Borgin, abandoning Mr. Malfoy’s list and scurrying over to Draco. “Insert a candle and it gives light only to the holder! Best friend of thieves and plunderers! Your son has fine taste, sir.” 

A solid linework Hand of Glory with burned out candles and an eye done by Nevada Buckley at Firefly Tattoo Collective.

Which gruesome hand is your favourite and why? Let me know in the comments and remember to check out any of the artists if you liked their work.

Artist of the Month: Jacob Doney

Jacob Doney is the owner of Envision Tattoo Studio in Grand Terrace, California.

bold dagger and rose with popping reds and yellow against a strong black
painful scorpion on the noggin

Jacob tattoos in American traditional style with popping colours and lines that are bold as hell.

pin-up girl
two way burning candle

Though his main style is American traditional, he will make tattoos with a more Neo-traditional look as well. That being said, his themes are strongly American traditional, taking inspiration from old school motifs and keeping the true spirit of a traditional tattoo alive.

brilliant back piece featuring Jesus Christ

Jacob does both large and small pieces; everything from gap fillers to massive back pieces.

classic American eagle

His line work is crisp and clean and his colours are mainly classic traditional, black, red, green, and yellow.

mean looking snake head

If you want to reach Jacob you can find his instagram @jacobdoneytattoo

black and grey nautical chest piece

Make sure to reach out well in advance if you’re going to be in California and get yourself something cool!

bold anchor on the hand

Artist of the Month: Kelly Smith

Kelly Smith works out of Cry Baby Tattoo in Sheffield, England. Kelly mainly does American traditional pieces, but also works in black work and Japanese styles.

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Bloody panther head and a deadly looking snake.
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Some gorgeous pink peony’s paired with solid black filler in a forearm half sleeve.
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Some old school flowers for a bold neck piece.
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Badass scorpion ready to sting for this side neck piece.
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Japanese kitsune, or fox spirit.

Kelly’s work is bright and bold as hell, mixing the traditional themes of Americana and Japan with the bright colours of a Neo-traditional style.

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Some classic clasped hands and trad flowers on the collar bone.
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Traditional geisha wearing a beautiful kimono.
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Anchor featuring Neck Deep lyrics.
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Good luck horseshoe and some mountains done in blackwork style.
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Badass Sailor Jerry inspired piece.

If you’re looking for a banging one off then Kelly is the one to see, but don’t be shy about getting a big piece! A back or torso design will be a brilliant addition to your collection.

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Toad getting that zen life.
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Lots of green in this gorgeous back piece featuring Eve and Lucifer with that dratted apple.
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A painful spot for a mean looking eagle.
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Wicked snake head with some bright colours.
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Very painful looking old school piece featuring a tiger and a snake battling it out.

If you happen to find yourself in the Sheffield area Kelly is one to visit. I know I will!

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Blackwork lady and rose.
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Namakubi hand banger. Gorgeous blue tones in that bloody head.
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Another peony, featuring a cute old school butterfly.
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More pink peony’s and solid black. These pieces are great for some heavy contrast.
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Sick traditional dragon looking ready to get into some mischief.

You can find Kelly on Instagram at @kellysmithtattoos

Winnipeg Artist 12: Joel Mijker

Joel is an artist working out of Rebel Waltz Tattoo in Winnipeg, Manitoba.

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Classic cry baby.
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Big panther and a snake locked in battle.
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Deconstructed anchor and a bit of a seascape/sunset.
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Fingers crossed.
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Swallows and a heart for mom.
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Spooky demon.

Joel does classic American traditional tattoos. He has plenty of flash to choose from, or you can bring an idea to him.

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Good luck horseshoe. This design used to usually be done with the horseshoe facing upright, to keep the luck in. But now people seem to get it upside down more and more, seeming to be a sign of making your own luck.
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Nice vacation in a bottle with this one.
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Geisha with a beautiful kimono and umbrella.
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Blackwork stomach with geometric flowers and peony. Lots of lines!
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Black rose and Bert Grimm crying heart.
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Mean looking spider and crying eye.

Joel does both colour pieces as well as blackwork.

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Blackwork peony in more of a Japanese style.
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Twisty dragon, an American take on a Japanese design.
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Geometric vase and wrap around snake.
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Traditional Aboriginal lady head.
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Fortune teller lady head and Bert Grimm tiger head.

You can search him up on Instagram and see when he is doing walk-ins, or contact him and set up an appointment.

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Sleazy Mickey.
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Blackwork snake.
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Tough boxer and rose in blackwork style.
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Butterfly for a gap filler.
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Crowned Jesus blackwork piece.

Joel sticks to the classics, and does it well. He has crisp bold lines and solid shading, all within a readable trad piece.  He is a must visit artist if you’re in Winnipeg.