Rich Handford is a tattoo artist working out of Kapala Tattoo in Winnipeg, Manitoba. He has owned the shop since 2003 and has a great team working at the shop, and his own experience as a tattooer dates back to 1999.
Rich specializes in Japanese but also does great neo-traditional and occasional American traditional work. On his Instagram page you’ll find mainly colour work, but if you’re in the market for a piece without colour Rich can handle that for you as well.
Rich’s portfolio is full of mainly large scale work such as sleeves and back pieces, but if you’re looking for something smaller he can take care of it.
Moira Ramone is a tattoo artist working out of Bont & Blauw Tattoo in Rotterdam, Netherlands. Moira does old school and neo-traditional work with and without colour, with a particular love for all things horror and punk.
Moira’s Instagram page is filled with images such as punk rock girls with black boots and tattoos of their own, horror icons like Jason Voorhees and Christmas Devil Krampus, circus performers, and portraits (among others).
Moira makes a point to create a safe space for all people regardless of skin colour, gender identity or sexual orientation. Tattooing is quite an intimate experience so it’s always great to be able to receive your new art from someone who makes an effort to make all people comfortable.
Whether you’re looking for a small or large piece, Moira does it all. If you’re passing through you can get something smaller, or if you live in the area (or can get there easily) maybe you could start a full back or sleeve.
If you can’t make it all the way to the Netherlands for a tattoo, or just want to support Moira from a distance you can check out her store here and get yourself some clothing, books, stickers, candles, original paintings, or prints.
Francesco does classic old school tattoos that are bright and vibrant in colour, with bold black lines. Looking at Francesco’s work, you’ll only see black, red, and yellow/gold making up these beautiful pieces.
His portfolio includes both one shot smaller pieces, and large full back or front pieces. Among these gorgeous designs you’ll find classics such as the Rock of Ages, Sun Dance, devils and angels, lady heads, and animals such as snakes, eagles, and butterfly’s.
Whether you live in Rome or are passing through, Francesco is another must see artist.
Snake ladies have been around for centuries, and we’re still fascinated with their beauty and danger. We know they exist as towering Greek statues, paintings on Japanese woodblock carvings, medieval paintings in France and throughout Europe, words and paintings in ancient Chinese texts, and of course, as beautiful tattoos. The four snake ladies we’re going to take a look at today are Medusa, Nure-Onna, Bái Sùzhēn, and Mélusine, though more cultures have their own as well. For many modern feminists, snake lady tattoos have become a common motif, which is not surprising given their subject matter. These mythological snake ladies all have their own beauty, and danger, and that danger is aimed towards those who would harm them.
According to research by Max Plank, humans have an automatic fear of snakes, dating back to our cavemen ancestors for pretty obvious reasons. Stay away from things that bite you! But snakes in the myths of many cultures are not just evil creatures, they are also symbols of fertility, hence why we have so many snake “ladies” throughout history. Granted many snake ladies are also described as twisted and horrible monsters, but they are almost always wronged by men in some way, and are just trying to live their best lives, even if it means killing and/or eating the occasional man (relatable though, right?). Even the Christians jumped on the snake lady bandwagon when Michelangelo depicted Satan not as a man in his painting “Fall and Expulsion of Adam and Eve” in the Sistine Chapel in the 1500’s, but as a snake with the torso of a woman. So why do people keep getting these snake lady tattoos if they’re often depicted negatively?
Let’s have a look at our first snake lady Medusa, and why people might get snake lady tattoos of her. Medusa is immediately recognizable and is seen in all kinds of pop culture. At a glance, Medusa looks like a terrifying monster, but her character is much more complicated than that. According to Ovin’s Metamorphoses, Medusa wasn’t always the monster that she’s usually seen as. Medusa, one of the three Gorgon sisters, and the only mortal one, was extremely beautiful. So beautiful in fact, that she caught the eye of the god of sea, earthquakes, and horses, Poseidon. Turns out Poseidon was a real scum bag and actually raped Medusa in the temple of Athena. When Athena found out what had happened in her temple, she got angry at the wrong person and cursed Medusa for desecrating her holy space.
This curse turned Medusa’s hair into snakes, making her so horrible to look at that any who did would be instantly turned to stone. Medusa went from being written about like this, “Medusa once had charms; to gain her love. A rival crowd of envious lovers strove. They, who have seen her, own, they ne’er did trace. More moving features in a sweeter face. Yet above all, her length of hair, they own, in golden ringlets wav’d, and graceful shone.” To this, “In the middle is the Gorgon Medusa, an enormous monster about whom snaky locks twist their hissing mouths; her eyes stare malevolently, and under the base of her chin the tail-ends of serpents have tied knots.” So Medusa was forever transformed into a monster, one that could even get a hero some street cred if they were to slay her. Enter, Perseus. Perseus was the son of Danae, a mortal princess, and Zeus, mightiest of the gods. When Perseus grew up he was sent on a quest by King Polydectes, to bring him the head of Medusa. This was a trick though, as old King Poly really just wanted to sleep with Perseus’ mother, and was expecting Perseus to be killed by Medusa. But Perseus is the son of a god, so of course he’s not going to fight a monster empty handed and without a few tricks up his toga. He was given an invisibility cap from his uncle Hades, a pair of winged sandals from Hermes, a reflective bronze shield from Athena, and a new sword from Hephaestus. Our story of the poor cursed Medusa ends here, as Perseus was triumphant and snuck up on her while she was sleeping and chopped her head off.
For many people, Medusa is a relatable character, so it’s no surprise that when you search for snake lady tattoos, she’s going to be one of the first examples you see. Medusa was wronged by someone more powerful than her, but was then given the power in the form of a curse to keep people from hurting her (unless you’re Perseus). Medusa tattoos can be seen as a kind of armour, as Medusa turned people to stone with her gaze. If you rock a Medusa tattoo, she can handle glaring at that weirdo on the bus for you.
Our second snake lady and corresponding snake lady tattoos, Nure-Onna, comes from Japan. The name Nure-Onna means, “wet woman.” As such, I’ll give you three guesses as to where she lives, and the first two don’t count. Quite simply, the water; coasts, rivers, and lakes. Really any body of natural water that can fit a giant snake lady. Traditionally she is native to Kyushu, Japan’s south-westernmost of the main island’s. But she can also be found as far north as Niigata and farther east in infamous Fukushima. Now unlike Medusa, Nure-Onna was never human, she’s pure creature, though not necessarily “evil.” She’s described as being large enough to flatten trees with her tail, strong enough to overpower men and eat them, and is quite a fast swimmer. In some legends she has arms like a human, and in others the only human thing about her is her head, plopped on top of a snakes body. Though all legends describe her face as quite snake-like, forked tongue and all. According to some legends, she really just wants to be left alone as she’s quite solitary and goal oriented. Usually coming ashore to wash her hair and eat. Her diet consists of both blood and entrails (delicious), but not specifically human blood and entrails, though don’t piss her off and test that. Now even though she’s way stronger than you or me, she doesn’t like to rely on brute strength when she is in the mood for some man meat. She’s smart and tricky. Nure-Onna uses magic to disguise herself as a distressed woman carrying a crying baby. She herself cries out for help from passing fishermen, sailors, or anyone unlucky enough to be passing by. If someone does stop to help her, she convinces them to take the baby, just for a moment, to let her rest. If she gets that far, the fake baby magically becomes extremely heavy, and she changes back into a snake lady, drains their blood, and eats their guts.
Nure-Onna snake lady tattoos are another design that can be worn as a kind of armour, as we now know Nure-Onna is a force to be reckoned with! She’s also more creepy looking than Medusa, so for horror aficionados she’s a cool choice. For those who also enjoy Japanese tattooing, Nure-Onna can be paired with Japanese flowers, and background such as waves or clouds as she is a creature from the sea.
Our third snake lady and her tattooed form is more of a romantic one than our first two. Bái Sùzhēn is a snake spirit from The Legend of the White Snake, one of Four Classic Folktales from China. These are old written works of historic and literary significance. Bái Sùzhēn was born as a magical sea snake that, after practicing Daoist magic, learned how to transform herself into a human. So, still a snake lady. This story takes place in beautiful Hangzhou, and begins with a boy named Xǔ Xiān, who accidentally purchases immortality pills that make him sick. He’s so sick that he throws up the pills into the lake. Bái Sùzhēn just happens to be swimming in the lake and swallows the immortality pills, but because she’s a spirit, she’s able to digest them. She is so happy and gracious that she immediately falls in love with Xǔ Xiān.
Bái Sùzhēn acquires a sidekick of sorts while traveling in human form. She sees a green snake being hurt by a man, and saves her by transforming her into a human as well. The green snake, now named, Xiǎo Qīng, swears to follow Bái Sùzhēn until the end of time. By huge coincidence, the two snake ladies come across Xǔ Xiān again, and shortly after their chance encounter, they get married. Years after their marriage, a jealous turtle spirit also turned human named Fa Hai, sabotages the marriage by telling Xǔ Xiān that his wife should try realgar wine during a festival. This wine repels spirits and and harmful creatures, and as soon as she drinks it, she is transformed back into a giant snake, giving her husband a heart attack that leads to his death. Loyal as ever, Xiǎo Qīng helps Bái Sùzhēn take Xǔ Xiān’s body to a sacred place to revive him. So happy to be revived he declares his love for his wife again, not caring that she’s a snake lady. Fa Hai of course finds out that his plan didn’t work, and he ends up, after various unsuccessful attempts to capture or kill the trio, manages to trap Bái Sùzhēn in the Leifeng Pagoda after her and Xǔ Xiān’s son Xǔ Mèngjiāo is born. Many years later, Xǔ Mèngjiāo passes the extremely difficult and competitive imperial exams with flying colours. He returns home with the title of top scholar, and is now a pious Confucian. He visits the Pagoda where his mother is trapped, to pay his respects. The heavens are so touched with his filial devotion that they finally free Bái Sùzhēn and allow the family to reunite. Another story featuring a bunch of men trying to bring a snake lady down.
Snake lady tattoos aren’t just for those who love the gritty and gruesome stories, they can also be for romantics. Though Bái Sùzhēn is a snake lady, she’s also a true romantic, falling in love Disney style (ridiculously fast), and fighting for her family. If you’re wanting a snake lady tattoo with a bit of a romantic flair, but still has a strong fighting spirit, you can’t go wrong with her.
Our fourth and final snake lady is another familiar one to all, though you may not know it. Her name is Mélusine, and while she is often described as a snake lady, she’s also sometimes more like a mermaid, but with two tails. If you’re starting to get an image in your mind, you might think of one of the most well-known coffee logos in the world. Starbucks uses the effigy of Mélusine on their cups, a smiling two tailed mermaid, or snake lady. In some myths she is described as a witch, but in many she’s more of a fairy. Mélusine was a French mythological creature coming out of the late 1300’s in France. She is the daughter of the fairy Pressyne and King Elynas of Albany.
Now Mélusine was perfectly normal in appearance, despite being part fairy, except on Saturday’s. On these days she unwillingly transformed into, you guessed it, a snake lady, usually described with the two tails and a bit more fishy than strictly serpentine. One day Mélusine met a young man named Raymond in the forest nearby. As most fairytales go, they were married extremely quickly, in this instance, by morning. But Mélusine had one condition, Raymond was not to see her on Saturdays. The couple had many children, but each child was born with a different deformity, including mismatched eye colours, an ear larger than the other, only one eye, and even a son who was born with a lion’s foot growing out of his cheek and another with a great tooth. This was of course because of her fairy blood, but Raymond didn’t know that. One day Raymond’s brother visited, and made him suspicious of his wife’s lonely Saturday’s. So of course Raymond betrayed his wife’s trust and spied on her the next Saturday, and though he was horrified at seeing her in the bath with her two serpentine tails, he didn’t say anything. Until their one son with the great tooth attacked a monastery seemingly unprovoked, and killed one hundred monks. Raymond then accused Mélusine of passing on her serpentine blood to their children, and of course alerting her to the fact that he had betrayed her trust. So distraught, Mélusine turns into a 15 foot snake, circles the castle three times, wailing loudly, before flying away. She continued to visit her children, but only at night.
This story has something for everyone, as Mélusine is also a romantic, but her child is also a murderer, and she’s still a giant snake lady. As a snake lady tattoo, we can see she often looks more like a mermaid then a snake, but 3/4 of these stories feature water as a common theme, so that’s not too surprising. Mélusine also makes a great snake lady tattoo if you’re a fan of Starbucks, but you don’t want that classic “death before decaf” piece! She’s a bit more subtle than that, and only true Starbucks fans (and anyone who reads this) will know who she is.
While these snake ladies might seem like monsters, they’re really just women wronged by men, and stories of feminist power. So guys, don’t be assholes! And when in doubt, get yourself a snake lady tattoo. They look badass, and they might just protect you from unwanted advances if they’re scary enough.
Duncan X is a old school artist whose inspiration comes from early photographs of old school tattoos. These photographs are of course all in black and white, so the tattoos appear black even if they were colourful. This led to Duncan tattooing in only black.
He is one of the most popular artists in London, and he works out of Old Habits Tattoo shop.
Duncan was born and raised in London in the 60’s and was introduced to tattoos through the punk scene. Artist Dennis Cockell taught him tattooing and helped him shape his unique style.
While Duncan uses mainly old school motifs for his source of inspiration, his style resembles medieval wood carvings and is distinctly working class.
To learn more about Duncan and see his own tattoos watch David Penn’s short film here.
Referred to as the “king of tattooists” by himself and others, George Burchett- (Davis) was one of the most famous tattoo artists of his age, particularly in the UK. Notably tattooing in London, marking both the social elite and the hard working class, and even members of the Royal family.
In Burchett’s “Memoirs of a Tattooist” he states that “I have tattooed the subjects of six sovereigns, starting with portraits of Queen Victoria. The tradition has been maintained and still seemed to be strong when I prepared the designs for the coronation of 1953.” He also reminisces about tattooing The Duke of Saxe-Coburg-Gotha, one of Queen Victoria’s favorite nephews, Prince Christian Victor, a grandson of Queen Victoria, and King GeorgeV. Along with English royalty he also tattooed King Alfonso XIII of Spain, and King Frederick IX of Denmark.
Burchett was born in Brighton in 1872, and had a very early introduction to tattooing. He practiced tattooing on his five year old brother, Charles, who apparently traded candy for some scratched designs in his skin. George also tattooed his classmates until he was expelled for doing so at the age of twelve.
After being expelled, George joined the Royal Navy and sailed as a deckhand all over the British Empire, including stops in the West Indies, the Mediterranean, Africa, India, and East Asia. This was also where he fell farther in love with tattooing, as he was able to see marvellous styles and designs from all over the world. He was able to develop his own skill and style by tattooing other sailors.
Life at sea proved to not be for George, so he left the navy while on leave in Israel, and set up his first shop in Jerusalem. This only lasted a short time as he feared being caught by authorities for deserting the navy. This led to him boarding a Spanish merchant ship. He was able to avoid persecution for twelve years, but missed England. It was at this point that he dropped the “Davis” in his last name to make it harder to catch him, and set up shop in London, but this time as a cobbler. Though he did continue to tattoo on the side whenever the opportunity arose. During this time he was fortunate enough to meet two other legendary artists, Tom Riley and Sutherland MacDonald. MacDonald took George under his wing and taught him more about techniques and designs of tattooing.
During his time as a cobbler/tattooer he grew more and more popular with the working class as a top tattoo artist, working mainly on sailors, dock workers, and transients that happened through London from all around the world. In 1900 George was able to start tattooing full time and give up cobbling. He opened a proper shop on Mile End Road where he could easily catch soldiers on their way to the front lines in World War One.
As his shop grew in clientele, so did his reputation, leading him to tattoo more wealthy Londoners, and even royals. Though Riley and MacDonald tattooed more royals than he.
Another of his more famous clients was “The Great Omi,” (Horace Ridler) who was a well known circus performer. George was paid several thousand dollars to tattoo a full body suit that turned The Great Omi into a human zebra.
George is also one of (if not the) first artists to use tattooing as a cosmetic procedure, tattooing women lips and eyebrows (though he also tattooed many flowers and lovers initials on his female clientele).
George Burchett was undeniable a classic American traditional artist, though like many historical and modern tattooers, drew influence from African and Asian art that he had the good fortune to see during his travels at sea.
He tried to retire at the age of 70 in 1942, but because of World War Two, tattoos were at an all time high demand, essentially forcing him and his two sons to tattoo the immense amount of soldiers and sailors walking through the door.
Because he never retired, George worked until Good Friday of 1953 when he died suddenly at the age of 81. His work is still highly influential today with people still getting his designs, or variations of them, tattooed in large numbers.