Moon Cheon is a tattoo artist working out of Kodzunak in Seoul, South Korea. Cheon, tattoos traditional Korean motifs in various styles.
Most of Cheon’s work is done freehand in a more loose style that closely resembles an ancient Chinese style of painting called “Xieyi” or “写意.” This is mostly used for landscape paintings, and Cheon follows this style by applying this technique to land and waterscape tattoos, often including free flowing rivers and flowers.
Cheon also does delicate black and grey tattoos of Korean and East Asian animals, mythical creatures, and Gods and Goddesses.
While much of his work is delicate and beautiful, he also doesn’t shy away from blood, gore, and violence, in the form of severed heads, and Japanese ghosts and demons (yōkai and yūrei).
If you live near Seoul or are passing through, Moon Cheon is a must-see artist.
Gakkin is a (mainly) blackwork and freehand artist working out of Amsterdam after first working in Kyoto.
His pieces are all large scale. Full sleeves, large torso pieces, back pieces, and bodysuits.
He collaborates often now with another Japanese blackwork artist, Nissaco. The two work well together, and their pieces flow seamlessly into each other.
His work is largely inspired by nature. Everything from wind, water, flowers, mountains, the sun, and the moon, and animals.
Gakkin also takes direct inspiration from ancient Japanese painters, adding his own interpretations.
Though he mainly works with black, he does also add splashes of red to draw the eye. In an interview with Tattoo Life, he said about working with black “I believe that black is the most important color in tattooing. Every ancient tattooing culture – Maori, Japanese, and Polynesian – considers it as such. It just works better than any other color on the skin.” (www.tattoolife.com)
The pharaoh’s horses are an American traditional design that dates back to the early 1900’s when it became a staple as a back and chest tattoo, along with other designs such as the Rock of Ages and The Last Supper.
One of the earliest examples of this design is by Gus Wagner who worked as a tattooer, and circus performer from the late 1800’s until his death in 1941.
The design of the pharaoh’s horses comes from biblical times, when horses were seen as a symbol of wealth, status, warfare, and power. Horses are specifically linked to pharaoh Ramses II who lived more than 3000 years ago. These horses of course portray a sense of power, but there is also an implied reference to Exodus 14 which reads thus. “The water flowed back and covered the chariots and horse-men the entire army of Pharaoh that had followed the Israelites into the sea. Not one of them survived.” This appears to be a warning of following a singular pursuit without regard to the consequences.
These tattoos are often done as large pieces on backs or chests, but can also be done as larger parts of a sleeve or leg piece. The horses are often accompanied by flowers, horseshoes, chains, and other traditional pieces such as eagles.
Baphomet today is regarded as a Satanic figure, but for a long time Baphomet was actually a word for the prophet Mohammed in Islam, and worshipping a Muslim god or prophet was seen as idolatry. The Knights of Templar were accused of worshipping Baphomet the false idol in Medieval France, and were tortured under King Philip.
Over the next 500 years, Baphomet changed from Mohammed the prophet, to a hermaphroditic stone figure borrowed from Egypt or the Gnostic Christian Ophites. This was after both scholars and mystics studied the Knights of Templar, writing that the Knights brought back ancient magical knowledge from the middle East and North Africa. The idol in question was called Baphomet in 1818, and were most likely just misidentified artifacts from other cultures and religions.
But the final Baphomet that we picture today was created in 1854 by occultist Eliphas Levi for his book “Dogme et Rituel de la Haute Magie” (“Dogmas and Rituals of High Magic“). Levi describes Baphomet in detail in his book.”The goat on the frontispiece carries the sign of the pentagram on the forehead, with one point at the top, a symbol of light, his two hands forming the sign of hermetism, the one pointing up to the white moon of Chesed, the other pointing down to the black one of Geburah. This sign expresses the perfect harmony of mercy with justice. His one arm is female, the other male like the ones of the androgyn of Khunrath, the attributes of which we had to unite with those of our goat because he is one and the same symbol. The flame of intelligence shining between his horns is the magic light of the universal balance, the image of the soul elevated above matter, as the flame, whilst being tied to matter, shines above it. The beast’s head expresses the horror of the sinner, whose materially acting, solely responsible part has to bear the punishment exclusively; because the soul is insensitive according to its nature and can only suffer when it materializes. The rod standing instead of genitals symbolizes eternal life, the body covered with scales the water, the semi-circle above it the atmosphere, the feathers following above the volatile. Humanity is represented by the two breasts and the androgyn arms of this sphinx of the occult sciences.”
As a tattoo, people often get the full bodied Baphomet, or a goats head, as goats are often also related to Satanism as well as witchcraft and paganism. Full bodied goats and goat heads are also popular in part thanks to the film The Witch, and the Satanic goat named Black philip. Generally these tattoos are done in blackwork or black and grey but also realism, neo traditional, and American traditional.
Jason Voorhees is the iconic villain from the Friday the 13th franchise. Jason is a silent, undead killing machine, and mamma’s boy. Jason haunts Camp Crystal Lake where he drowned as a child due to inattentive lifeguards. As a tattoo Jason is done in a realistic style portrait, American traditional style, neo traditional, black and grey, and new school/cartoon. He is usually seen wearing his hockey mask, sometimes paired with his machete or other weapons, or seen in Camp Crystal Lake.
Jason was born with facial deformities and a mental disability. His mother kept him away from other people, homeschooling him and looking after him herself, but when she was unable to find a babysitter she resorted to sending him to Camp Crystal Lake where she worked as the cook. Jason was bullied by the other kids and thrown into the lake where he drowned while the counsellors were having sex in the woods. Mad with grief, Pamela, Jason’s mother, murdered the counsellors she blamed for Jason’s death. Jason came back to life and waited for his mother to come back to him, for 20 years. Years later the camp tried to re open, but Pamela murdered all but one of the counsellors. The survivor, Alice, cut off her head, while Jason watched. Jason killed anyone who came back to the camp, mostly using the machete that killed his own mother.
Jason has a kill count of over 150 throughout the films he’s been in. Jason’s supernatural powers include immortality, regeneration, superhuman strength, enhanced speed, and durability.
Jason is a fan favorite in the horror genre, often paired with Freddy Kreuger, due in part to the film Freddy VS. Jason.
Dan Gagné is an artist working at Loveless Tattoo in Montréal, Canada. Dan’s tattoos are perfect for the month of October, and those who love Halloween and horror year round. His work is mainly American traditional and blackwork, and is heavily inspired by horror movies. His work often features monsters and other icons of classic horror movies and stories.