10 Indigenous Tattoo Artists to Support:

Today ( June 21st 2020) is National Indigenous People’s Day. Indigenous people have a rich history of body modification, including tattooing, which is still being practiced today.

Haida inspired pieces by Mikel at https://www.instagram.com/mikel_tattoosangha/?hl=en
Tipi/teepee by Vince at https://www.instagram.com/badboyvince3090/?hl=en

Before colonialism ravaged North America, tattooing and other traditional body modifications such as piercings were practiced widely by different people throughout what is now Canada and The United States.

Hand poked design by Nahaan at https://www.instagram.com/nahaan206/?hl=en
Hand poked and skin stitched by Quill at https://www.instagram.com/raunchykwe/?hl=en

These tattoos were meant to represent family, clan crests, social rank within a clan, their relationship to a specific territory, and even hunting and fishing rights.

Skin stitched blue berries done by Amy Malbeuf at https://www.instagram.com/amy.malbeuf/?hl=en
Hand poked trees by Jaime at https://www.instagram.com/intheforest.tattoo/?hl=en

Tattooing and piercing are just two ceremonial practices that were forbidden by colonists in an attempt to stamp out Indigenous culture, and today, many artists are bringing it back.

Hand poked and skin stitched flowers and fish by https://www.instagram.com/audie.m_/?hl=en

North American Indigenous designs are similar to those of the Maori people of New Zealand. Geometric patterns using black ink, produced generally by tapping or threading the ink into the skin using a natural rod or thread, also called “hand poked” or “skin stitched” tattoos.

Hand poked chin tattoo by https://www.instagram.com/kaniyewna.tsyeyatalu/?hl=en

Placement is also similar between the cultures, often placing important tattoos on faces and hands, among other body parts.

Hand poked chin tattoo by Dion Kaszas at https://www.instagram.com/dionkaszas/?hl=en

Indigenous tattoos traditionally take inspiration from nature, such as animals, plants, and the elements. But of course Indigenous tattooers can and do work in other styles.

American traditional pirate pieces by Cam Von Cook at https://www.instagram.com/camvoncooktat2/?hl=en

To learn more please check out

https://www.earthlinetattoo.com/home

https://www.nationalobserver.com/2018/08/23/these-five-indigenous-tattoo-artists-are-reawakening-cultural-practices

https://www.indigenoustattooing.com

Build your own blog using the link below!

Feel free to link more artists below, as well as any further readings on Indigenous tattooing and modifications.

10 Black Tattoo Artists to Support:

There is unfortunately still quite a bit of subtle (and not-so-subtle) racism in the tattoo industry. It’s often believed that customers with darker skin are harder to tattoo, but that’s certainly not the case. Especially as body modification is such an important part of all cultures and histories, not just white ones.

Tony at West 4 Tattoos in NYC. Specializing in fine line and micro tattoos.https://www.instagram.com/anthologytattoos/?hl=en
Another by Tony. From A Tribe Called Red album cover.
Kandace Layne in Atlanta. Specializing in line and dot work https://www.instagram.com/kandacelayne/
Chest done by Kandace.

Black ink is also not the only ink that has to be used on dark skin, contrary to what many believe. Darker skin can still feature bright and colourful pieces. you just have to know what you’re doing with that tattoo machine.

Jaz Paulino with a piece inspired by Frida Kahlo. https://www.instagram.com/gentle_jaz/
Berry’s by Jaz.
Coverup by Kat in California who does lots of realism and gothic work. https://www.instagram.com/kattatgirl/?hl=en
Unfinished black history leg piece by Kat. Featuring Rosa Parks and Malcolm X.

More tattoo artists should push themselves to learn how to tattoo different skin types, including darker skin, as the subculture of tattooing isn’t so “sub” anymore. It can be disheartening for black or tanned customers walking into a tattoo shop when all they see is flash painted on white paper, and portfolios filled with white skin, or only very dark tattoos on darker skin.

Dark Mark by Brittany in Toronto. Specializing in line work. https://www.instagram.com/humblebeetattoo/
Delicate fingers by Brittany.
Miryam Lumpini in LA with a neo traditional scar coverup. https://www.instagram.com/miryamlumpini/
Cute neo traditional red panda by Miryam.

(June 2020) With the world finally rallying beside our black brothers and sisters it’s more important than ever to support black businesses, including tattoo artists.

Craig Foster at Skinwerks. Specializing in new school. https://www.instagram.com/skinwerks/?hl=en
New school pizza coming at you from Craig.
Tee J Poole. Specializing in surrealistic tattoos.https://www.instagram.com/teejpoole/?hl=en
J. Cole portrait by Tee J.

Feel free to leave more links to black tattoo artists below!

Healed plants by Doreen Garner in NYC Specializing in black work and fine line tattoos. https://www.instagram.com/flesh_and_fluid/?hl=en
Tiger by Doreen.
Melody Mitchell who does lots of black and grey and water colour pieces.https://www.instagram.com/melodytattoos/?hl=en
Mandala by Melody.

Build your own blog using the link below!

https://wordpress.com/alp/?aff=53531&cid=6423569

Artist of the Month: Rob Kelly

Rob Kelly is the owner of BLACKOUT Tattoo in Hong Kong. Rob has been tattooing since 2005, and has lived in Hong Kong since 1994. BLACKOUT Tattoo was founded in 2010 and features brilliant permanent artists as well as travelling guest artists.

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Realistic black and grey tiger.
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Realistic black and grey lion head.
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American traditional lady head butterfly.
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Black and grey Japanese Kitsune.

Rob tattoos in many styles including American traditional, Neo traditional, black work, Japanese, Chinese, black and grey, line work, realism, tribal, and more.

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American traditional butterfly.
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Water colour dragon.
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Tribal chest panel.

Rob has a book of flash you can choose from, or you can book a consultation with him and collaborate on something completely original for yourself.

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Blackwork half goat, half mermaid.
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Classic mom tattoo with a heart and dagger.
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Japanese lucky cat, Neko!

The shop abides by all health regulations, including using new ink and needles, so no need to worry about infections.

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Blackwork chrysanthemum.
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Chinese dragon in American traditional style.
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Bright red chrysanthemum.

Rob has incredible attention to detail and will make sure you leave the shop happy and with a badass tattoo! Check out his website and set up a consultation http://www.blackout-tattoo.com

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American traditional cherub and skull.
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Black and grey Harry Potter piece. Expecto patronum!
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Legend of Zelda sword.

Tattoo Bodysuits:

A bodysuit is the ultimate way for a tattoo collector to show their dedication to the craft. A bodysuit is most often done as one cohesive piece, usually in one style. But some people do start getting tattooed without the intention of having a bodysuit, then end up growing into it.

Adam Craft at The Tattooed Heart
Japanese bodysuit done by Adam Craft at The Tattooed Heart.
Frank Lewis Montreal
The late Rick Genest’s bodysuit done by Frank Lewis in Montreal Canada.
MATT JORDAN SHIP SHAPE TATTOO
Hyper realistic suit completed by Matt Jordan at Ship Shape Tattoo.
Samuel Christensen
Brilliant black work/tribal bodysuit done by Samuel Christensen.

Japanese is the most well known style for creating bodysuits. Done by one artist, tied together with background work such waves, clouds, and other nature themes.

back by Shige at Yellow Blaze in yokohama. Sleeves unknown
Back and legs done by Shige at Yellow Blaze in Yokohama.
Guy Le Tattooer
The recognizable line work of Guy Le Tattooer.
Nissaco
Black work and geometric bodysuit done by Nissaco in Osaka.
Tomas Tomas Seven Doors London
Black work/tribal bodysuit done by Tomas Tomas at Seven Doors Tattoo in London.

More recently black work is becoming more popular for full bodysuits. Either heavy black work or smaller pieces.

Collaboration piece between Gerhard Wiesbeck and Little Swastika
Heavy black work torso and arm piece. A collaboration between Gerhard Wiesbeck and Little Swastika.
Jason Butcher immortal ink tattoo studio
Beautiful black and grey bodysuit done by Jason Butcher at immortal ink tattoo studio.
Paco Dietz Tattoo Artist, Oil Painter, Sculptor. Santa Clara, Ca
Colourful bio mechanical bodysuit done by Paco Dietz in Santa Clara, Ca.
Valerio Cancellier
Heavy black work done by Valerio Cancellier.

Similarly people get bodysuits of American traditional pieces. Hundreds of small pieces filling up a body to make it look more or less like one huge suit.

Cory Ferguson Good Point Tattoo Ontatio Canada
Geometric and dotwork done by Cory Ferguson at Good Point Tattoo in Ontario Canada.
Julian Siebert Corpsepainter Tattoo Munich:Germany
Arm, Back, and leg done by Julian Siebert at Corpsepainter Tattoo Munich, Germany.
PIERLUIGI DELIPERI
Black/geometric bodysuit done by Pierluigi Deliperi.

Black and grey, neo traditional, and realism styles are also being used for bodysuits now, making for eye popping artwork.

Duncan X
Black work torso and shoulders done by Duncan X in the UK.
Koji Ichimaru
Full body Japanese suit with lots of black done by Koji Ichimaru.
Rich Hadley UK
American traditional bodysuit done by Rich Hadley in the UK.

The word bodysuit may make you think of really a full body covered in tattoos, but it also refers to torso pieces that lead onto the arms, and/or legs.

Gakkin
Beautiful and heavy black work nature themed bodysuit done by Gakkin.
Lupo Horiokami Italy at mushin studio
Heavy black Japanese done by Lupo Horiokami Italy at mushin studio.
Rich Hardy UK
American traditional mostly black work torso and arms done by Rich Hardy in the UK.

Which bodysuit is your favourite?

Winnipeg Artist 11: J. Majury

J is the owner of First String Tattoo in Winnipeg, Manitoba. He works in a number of styles including black and grey, Polynesian, black work, realism, Japanese, and neo traditional.

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Fantastic coverup with deer skull, flowers and a book!
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Massive peacock. Look at those details in the tail feathers!
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Realistic black and grey Japanese Kitsune and skull.
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Big sugar skull inspired rib panel.

He does both large and small pieces, from sleeves and back pieces to tiny one shot pieces!

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Creepy crawly head tarantula.
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Some feathers and an awareness ribbon.
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Healed black and grey lighthouse.
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Viking themed frost giant on a bloody rampage!

You can check out his flash on his Instagram or in person and choose something cool, or talk ideas with him!

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A lovely loon covering up some old script.
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Neo traditional lady head.
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Japanese koi fish as a chest panel to lead onto a half sleeve.

As well as working in Winnipeg, J also guest spots in Saskatoon at Rites of Passage Tattoo.

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Neat drawn on Polynesian inspired piece.
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Polynesian elephant.
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Bright neo traditional owl!

If you’re looking to have some ink removed he can also do that for you as he does laser tattoo removal right out of the shop. If you’d rather have a piece covered up he does lots of that too.

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Brilliant brightly coloured sleeve with some skulls and flowers.
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Healed Where the Wild Things Are themed piece.
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Realistic black and grey snow leopard.

He has an incredible attention to detail and is sure to make you happy with any style you choose.

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Huge flower for a coverup.
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Fresh and healed. Sugar skull and a more nature themed skull.
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Healed shots of an octopus sleeve.

J is a must visit artist in Winnipeg or Saskatoon!

Artist of the month: Samuel Christensen

Samuel is a German artist who has been tattooing since 2008. He has tattooed in Australia, New Zealand, Malaysia, and Thailand. New Zealand was where he cemented his interest in Maori/Polynesian tattooing, which is what he mainly does now.

Blackwork100
Full bodysuit, including hands and feet. Lots of blackwork is incorporated into this Polynesian style suit.
Blackwork101
A front angle of the same suit.
B23
Dotwork style forearm piece.
Dotwork1
Dotwork/mandala full back piece and 1/4 sleeves.
Sudsee18
Polynesian neck piece makes for a bold design.
Sudsee48
Half sleeve including the chest, with traditional Polynesian folklore faces.

Samuel is drawn to the thick bold lines and black work of Polynesian tattoos, and the possibility of creating full bodysuits in this style. Along with Polynesian work, Samuel also does dotwork and blackwork pieces, including lots of mandalas and henna inspired pieces.

B11
Bold hand designs with some blast over work above.
B29
Full sleeve, heavy on the black!
B30
3/4 sleeve, right up onto the shoulder.
Blackwork12
Polynesian sleeve with some dotwork mixed in.
Sudsee3
Full leg sleeve.

Most of Samuel’s work is large, half or full sleeves, back pieces, and even full bodysuits. Though he will do some smaller designs, mainly mandalas.

B20
3/4 sleeve in Polynesian style.
B41
Half sleeve with some dotwork up top and into the chest.
B48
Full leg sleeve, top fresh bottom healed.
Mandala9
Stand alone mandala.
Sudsee43
Incomplete 3/4 sleeve including the armpit.

Samuel works out of his studio in Ravensburg, Germany.

B21
Intricate finger designs.
B55
Mandala dotwork sleeve.
B57
Geometric back piece.
Mandala100
Mandala sleeve.
Sudsee46
Beautiful blackwork/dotwork back piece.

Tattoo History 7: China’s Hainan Province’s Tattooed Li Women

The Li people live in Hainan Province, China’s most southern point. Tattoos in Hainan can be traced as far back as 3000 years ago. Hainan is often referred to as “The Tail of the Dragon”, as it is the most southern point of China, though also used to be called one of the eyeballs of China (along with Taiwan when it was a part of China) as it is an island province.

Li face tattoo 1980
Li woman’s face tattoo, taken in the 1980’s.

According to one German ethnologist (branch of anthropology that compares and analyzes the characteristics of different peoples and the relationship between them), Hans Stübel, the origin of their tattooing came from a story about a descendant of the original Li. This descendant of Li had a daughter whose mother died early in the child’s life. When this happened, a colourful native bird called the hoopoe fed the child with grains to keep her alive. In remembrance of this, the Li women tattoo themselves to look more like the birds, both in their colour and the patterns of their wings.

Li geometric tattoos of a Basaadung Li woman from 1930
More geometric face tattoos, specifically of a Basaadung Li woman from the 1930’s.

Others still believe that the women tattooed themselves in order to be recognized in the afterlife.

A more practical reason that these women tattooed themselves, particularly on their faces, is the fact that their villages would be attacked often by many of their neighbors. In order to appear unattractive to the invading men, the Li women tattooed quite intricate designs on their faces and down their necks. Making themselves appear less attractive protected them from violence and rape.

Li married and un married women with leg and hand tattoos from 1930
Married and unmarried women, all with leg tattoos, and some with hand tattoos. Taken in the 1930’s.

Later on in history though, these women saw the tattoos as an enhancement to their beauty. When a girl turned 13 or 14, an older woman would tattoo her, first on the nape of her neck, then her face and throat over the course of 5-7 days. Then, over the next 3 years, she would continue to be tattooed along her arms and legs. The only thing that interrupted this would be the death of a family member. Once a woman married, her hand would also be tattooed, marking her as a married woman.

Li old woman
More beautiful geometric face tattoos, taken in the 1980’s.

Like many ancient cultures, the Li used a bamboo rod, with rattan needles to hand tap the designs into the skin. The patterns used did vary from tribe to tribe, but all used motifs taken from nature, such as plants, animals, and totemic symbols passed down through generations.

Li progress tattoo
Geometric face tattoo in progress. The old tattooing the young.

Information taken from:

-Carrie E. Reed. “Tattoo in Early China.” Journal of the American Oriental Society, vol. 120, no. 3, 2000, pp. 360–376.Liu, H. (1939).

-“Hainan: The Island and the People.” The China Journal 29(5-6): 236-246; 302-314.

-McCabe, M. [and Q.Y. Wang] (2008). “Tattooed Women of Yunnan, China.” Skin and Ink Magazine (11): 64-74.

-Stϋbel, H. (1937). Die Li Stämme der Insel Hainan: Ein Betrag zur Volkskunde Sϋdchinas. Berlin: Klinkhardt & Bierman.
 

Artist of the Month: Nissaco

Nissaco is a tattoo artist based in Shinsaibashi Osaka at an unnamed private studio that goes by the name room_23_26 on Instagram.

Nissaco 1
Smaller scale pieces. Healed waves and fresh geometrical shell design.

Nissaco does mainly large scale pieces such as full sleeves, back pieces, and even body suits. His style is black geometrical work and it is extremely detailed.

Nissaco 2
Big and painful back of the leg going right over the knee ditch with some popping red in the mandala and linework designs.
Nissaco 3
Full back piece right over the butt and legs leading into a great sleeve on the left arm. Some great use of negative space in the back.
Nissaco 4
Fantastic sleeve with bird skull and eye mixed with geometrical designs.

His work is hard sought after with visitors going to see him from all around the world. Along with having clients from around the world, he also travels, going to various tattoo conventions. Most recent he will be at the 13th London Tattoo convention in September 2017.

Nissaco 5
Filler neck/throat piece that fits great with the adjacent neck pieces.
Nissaco 7
Matching geometric sleeves.
Nissaco 8
Full back and legs with a lot of heavy blackwork for filler.
Nissaco 9
Full front is a tender area going right onto the nipples, with brilliant line work and heavy blacks.
Nissaco 12
Brilliant full torso, sleeve, and two leg sleeves with geometric designs and a hidden face.
Nissaco 13
Half body suit full of heavy blacks in large scale geometrics.
Nissaco 15
Fantastic intricate healed geometric design.

Along with being geometrical in design, Nissaco’s work also often features classic Japanese elements such as dragons, waves, flowers, snakes, koi fish, and hannya masks. These pieces are almost entirely black, but occasionally feature a small amount of red to make them really pop.

Nissaco 6
Full front, sleeve, and half leg sleeve. Featuring a brilliant Japanese dragon, and flowers such as chrysanthemums and cherry blossoms.
Nissaco 10
Great geometric koi fish with some colour thrown in.
Nissaco 11
Heavy blacks and lots of negative space with this angry hannya.
Nissaco 14
Another hannya coming off of a sleeve and onto the back.

Nissaco is a must see artist in Osaka, Japan, but book well in advance as his books fill up fast!

White Ink Tattoos

White ink tattoos is a style that is much talked about in the tattoo community. Such a light colour will always fade quite a lot, but the discreteness of this style is also what makes it popular. Some people are also fond of them for the fact that when they are noticed, they look more like a scar than a tattoo, without having to go get scarification done. If done properly, white ink tattoos can look fantastic, and last a reasonably long time. Some people choose to get white ink pieces mixed with light amounts of yellow or brown in order to make them last longer, while others let them run their course and fade naturally. That being said, most of these pieces should last a lifetime, if not being particularly noticeable.

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Great half mandala by artist Ryan One.
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Small arrows done by Stephanie A. Rogers.

Watson Atkinson is one of the most sought out white ink tattoo artists. His work Below shows what attention to detail he has.

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Floral half sleeve by Watson Atkinson.
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Amazingly detailed geometric and floral sleeve by Watson Atkinson.
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White face tattoo by Watson Atkinson. This will look great when fully healed.

White ink tattoos are often done on top of black pieces to really make them pop.

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Fantastic mandala ditch piece by Easy Sacha.
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Done by Esther Garcia. This piece really pops.
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Geometric tribal piece by Wayne Fredrickson.
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And last but not least, a great rib piece by the talented Madame Chan

What’s your view on white ink tattoos?