Gap filler tattoos are exactly what they sound like, small tattoos that fill the gap between other pieces to make a sleeve or torso look more fluid.
Generally when someone says gap filler they’re referring to a more old school style, as the custom with old school tattoos is to collect lots of smaller tattoos that then form a larger piece when it’s all put together.
Some common gap fillers include centipedes, flowers, butterflies, spider webs, nails, snakes, frogs, etc. Almost anything can be a gap filler if it can be made small enough and can have some diversity in placement to fit those odd angles.
If you’re going for that bodysuit look you’ll probably end up with some gap fillers unless you pre-planned your whole body before you started getting tattoos, or worked with a style like Japanese where gap fillers are less common (though not unheard of).
The Battle Royale is an old school design that consists of an eagle, a snake, and a dragon, all battling it out to be number one (sometimes it is depicted as an eagle vs a snake, or even other animals fighting).
This design has been passed down for generations through tattooers and tattoo collectors, usually as quite a large design like a full back piece, chest, or stomach, but also as smaller work on arms and legs.
This most famous design was tattooed on D.C (Dave) Paul by Huck Spaulding and Paul Rogers, though there are a few older designs that are bit different. One was tattooed by George Burchett when he was working with Japanese artist Hori Uno in his shop in London, and the other by Percy Waters in Detroit. Ben Corday’s version is also quite popular.
The Battle Royale is an American traditional design that has clear roots in Japanese tattooing as well as American. It was designed to represent the eternal struggle of keeping balance, particularly between the East and West, but life in general as well. Everything in life requires balance and hardship. This is a battle that will never be won.
Most people choose to get this piece in full colour as the first wearers of the tattoo would have, but it also looks great without colour, or as a more neo-traditional piece.
Kintaro (literally translated as “golden boy”) is Japanese mythology’s equivalent to Hercules.
Despite being called golden boy he’s usually depicted as red-skinned. He is also always seen as quite a young boy, very muscular, squat, and usually either naked or covered by only a loincloth type material.
According to legend Kintaro was raised by an ogre in the mountains, and his feats of strength are just as well known in Japan as Hercules’ are in most Western countries. Kintaro defeated a bear and an eagle at the same time, uprooted a massive tree to form a bridge over a river, and most famously wrestled a giant koi fish into submission.
It is this last image of Kintaro wrestling the giant koi that is most often seen in tattoos. Utagawa Kuniyoshi most famously painted that specific image and made it popular for tattoo collectors.
Though Kintaro is a famous legendary figure, scholars believe he is at the very least based on a real person. The real Kintaro was most likely the son of Sakata Kurando, one of Emperor Suzaku’s bodyguards in the tenth century. Sakata’s wife Yaegiri was apparently a very beautiful woman, but when Sakata committed suicide after losing the Emperor’s favour, she took her son Kintaro to remote Mount Ashigara to raise him among animals, spirits, and mythological creatures. Here he gained powers of strength and was able to communicate with and control animals, and Yaegiri became a sorceress. Kintaro also eventually gained a powerful weapon, the very axe the god of thunder Raijin used.
Information found in the book “Japanese Tattoos: Meanings, Shapes and Motifs” by Yori Moriarty.