Samuel is a German artist who has been tattooing since 2008. He has tattooed in Australia, New Zealand, Malaysia, and Thailand. New Zealand was where he cemented his interest in Maori/Polynesian tattooing, which is what he mainly does now.
Samuel is drawn to the thick bold lines and black work of Polynesian tattoos, and the possibility of creating full bodysuits in this style. Along with Polynesian work, Samuel also does dotwork and blackwork pieces, including lots of mandalas and henna inspired pieces.
Most of Samuel’s work is large, half or full sleeves, back pieces, and even full bodysuits. Though he will do some smaller designs, mainly mandalas.
Samuel works out of his studio in Ravensburg, Germany.
Gakkin is a (mainly) blackwork and freehand artist working out of Amsterdam after first working in Kyoto.
His pieces are all large scale. Full sleeves, large torso pieces, back pieces, and bodysuits.
He collaborates often now with another Japanese blackwork artist, Nissaco. The two work well together, and their pieces flow seamlessly into each other.
His work is largely inspired by nature. Everything from wind, water, flowers, mountains, the sun, and the moon, and animals.
Gakkin also takes direct inspiration from ancient Japanese painters, adding his own interpretations.
Though he mainly works with black, he does also add splashes of red to draw the eye. In an interview with Tattoo Life, he said about working with black “I believe that black is the most important color in tattooing. Every ancient tattooing culture – Maori, Japanese, and Polynesian – considers it as such. It just works better than any other color on the skin.” (www.tattoolife.com)
Zhuo Dan Ting is the owner of Shanghai Tattoo as of January 2007 (located in Shanghai, China) where she tattoos people from all around the world. People seek out her art from far and wide, and are not disappointed with the results.
Zhuo Dan Ting has been an artist since an early age, where her father (an art teacher himself) and his friends would teach her new techniques. She went on to art school in Harbin after high school, but quickly moved onto something entirely different.
Ting found the subcultures of death metal and punk music, which is where she fell in love with tattoos. Ting started off tattooing her friends in Harbin’s underground music scene, where she quickly started making a name for herself in the tattoo world.
Ting does brilliant black and grey, photo realism, portrait art, and Asian styled pieces inspired by both Chinese and Japanese art. Along with making beautiful art, Ting was also the first woman in China to open her own tattoo shop, a big step for the Chinese tattoo community!
If you’re in Shanghai, Shanghai Tattoo is the place to go!
Shawn Beatty is a tattoo artist working out of Soul Survivors Body Art in Winnipeg, Manitoba. Shawn is a talented artist who works in several styles; including American traditional, black and grey, realism, blackwork, new school, neo traditional, and some Japanese.
Shawn Beatty is a must see artist if you’re in Winnipeg!
James Mckenna is an artist at Foothills Tattoo Byford – Western Australia. James is a painter as well as a tattoo artist, with a focus on surreal and horror themed pieces, mixing American traditional and neo traditional styles.
The majority of James’ work features skulls, often hidden within designs. Other work includes lady heads, animals, and demons.
James is a must see artist if you’re travelling through Western Australia.
Nissaco is a tattoo artist based in Shinsaibashi Osaka at an unnamed private studio that goes by the name room_23_26 on Instagram.
Nissaco does mainly large scale pieces such as full sleeves, back pieces, and even body suits. His style is black geometrical work and it is extremely detailed.
His work is hard sought after with visitors going to see him from all around the world. Along with having clients from around the world, he also travels, going to various tattoo conventions. Most recent he will be at the 13th London Tattoo convention in September 2017.
Along with being geometrical in design, Nissaco’s work also often features classic Japanese elements such as dragons, waves, flowers, snakes, koi fish, and hannya masks. These pieces are almost entirely black, but occasionally feature a small amount of red to make them really pop.
Nissaco is a must see artist in Osaka, Japan, but book well in advance as his books fill up fast!
Horiyoshi the third (Nakano Yoshihito) is a tattoo artist from the Yokohama area of Japan. He is a legend to many in the tattoo world, as well as an intelligent, thoughtful, and charming man.
His interest in the art of tattoos first started when he was 11 years old after seeing a tattooed man at the public bath, and developed further when as a high school student he found a book with illustrations and engravings of tattooed men.
At age 22 he got his first tattoo, a full back piece, from the great Horiyoshi II. He later became a pupil under Horiyoshi II at age 25, as he needed to learn more about the art in order to become a tattoo artist.
Horiyoshi III is not only an amazing artist, but has a full body suit done in traditional Japanese style, which took 12-13 years to complete. His tattooing is also large scale pieces, often full body suits, back pieces, or leg or arm sleeves.
Irezumi, or traditional Japanese tattoos are often associated with the yakuza (Japanese mafia), because members used to have intricate body suits to show their status. Horiyoshi III used to tattoo many yakuza members, back when tattooing was much less common than it is now, but says about 10% of his clients are still yakuza members. Yakuza members have actually started lasering off their tattoos, or hiding them more, as well as not encouraging new members to get visible pieces, because it is such an easy way to identify someone. Instead, Japan is slowly moving towards tattoos being more accepted and about the art again.
Horiyoshi III originally learned tattooing with the tebori method, or “tebori you no nomi”, which means “the hand digging tool”. This is a tool that is shaped like a stick, with needle points at the end, which is then dipped into ink, and jabbed repeatedly into the skin. It is a much slower way of tattooing than the modern machine now, but can still create intricate and detailed pieces of art. Horiyoshi III is also skilled with the tattoo machine, which he learned how to use later in life.
Horiyoshi III says there are four steps to the perfect tattoo. The drawing, outlining, shading, and finally colour. He then compares these steps to life. He says outlining is like planning your life, clarifying your ideas. That tattooing can be compared to life because every needle stroke counts, just like every second counts. That every line must be done with care, that life must be cherished.