Tim Burton’s 1988 film, Beetlejuice, is as fun today as it was over 30 years ago. Featuring a great cast with Winona Ryder, Alec Baldwin, Geena Davis, and the ghost with the most, Michael Keaton, Beetlejuice is a great spooky comedy for those who love the Halloween aesthetic, but not horror.
Along with being a hit cult movie, an animated show following Lydia and Beetlegeuse’s relationship was created, and ran for four seasons.
Beetlejuice was made on quite a moderate budget, but made $73 million at the box office, was the 10th highest grossing film of 1988, and even won an Oscar for best makeup.
The number “three” was very important in the film. To summon Beetlegeuse you must say his name three times, the Maitland’s say the word “home” three times to escape Beetlegeuse, they knock on the door three times to get into the afterlife, and when the family moves into the house, Delia wonders why there are only three sculptures.
As tattoos, fans continue to get Beetlegeuse portraits (both from the movie and cartoon), as well as tattoos of Barbara and Adam in their monster form, the sandworm, ghosts, the creepy house, and the Handbook for the Recently Deceased. The most popular styles appear to be old school, Neo-traditional, and black work, though realism and minimalism are also seen quite a bit.
John Carpenter’s “The Thing” is a favourite cult movie for many, despite its major flop when it first came out. The special effects are still what’s most loved and talked about with horror lovers today.
Special effects artist Rob Bottin was just 22 when he headed a team of 40 technicians, working on the film for seven weeks after previously working on The Fog with John Carpenter already.
One of the most famous scenes is the “chest chomp” where Dr. Copper tries to revive Norris by restarting his heart, with his arms in his chest. Bottin found a double arm amputee to film this scene so that they could attach prosthetics that could then be ripped off in a realistic a manner as possible.
Kurt Russell damn near blew himself up for real in that scene where he fights the “Palmer-Thing.” They used real dynamite in the filming of this scene and Kurt was unaware of how powerful the blast would be. John Carpenter kept the real shot in the film, so Kurt being thrown back and his surprise was genuine.
As a tattoo, various forms of metamorphosis are the most popular tattoos, particularly that creepy head. Fans of Kurt Russell have also immortalized his character. Realistic or old school styles also seem to be the most popular for those who want to have The Thing on them forever.
Guillermo del Toro is a Mexican filmmaker, author, and actor who has also worked in special effects makeup. While he has an extensive portfolio, his two most well-known films are Pan’s Labyrinth and The Shape of Water, both of which have won numerous awards.
Though he is well known for a specific style of darker film making, he has worked in various genres, from Pacific Rim, to Hellboy, Scary Stories to Tell in the Dark, and even cartoons like Trollhunters.
Guillermo is heavily influenced by horror such as Nosferatu, Frankenstein, and most notably, Creature From the Black Lagoon, which inspired The Shape of Water.
He is passionate about fairy tales and monsters, and the way he talks about them is quite beautiful. “In fairy tales, monsters exist to be a manifestation of something that we need to understand, not only a problem we need to overcome, but also they need to represent, much like angels represent the beautiful, pure, eternal side of the human spirit, monsters need to represent a more tangible, more mortal side of being human: aging, decay, darkness and so forth. And I believe that monsters originally, when we were cavemen and you know, sitting around a fire, we needed to explain the birth of the sun and the death of the moon and the phases of the moon and rain and thunder. And we invented creatures that made sense of the world: a serpent that ate the sun, a creature that ate the moon, a man in the moon living there, things like that. And as we became more and more sophisticated and created sort of a social structure, the real enigmas started not to be outside. The rain and the thunder were logical now. But the real enigmas became social. All those impulses that we were repressing: cannibalism, murder, these things needed an explanation. The sex drive, the need to hunt, the need to kill, these things then became personified in monsters. Werewolves, vampires, ogres, this and that. I feel that monsters are here in our world to help us understand it. They are an essential part of a fable.” -Guillermo del Toro
As tattoos, the most popular of his characters come from Pans Labyrinth and The Shape of Water (though people have of course gotten others as well). They are mainly done in a realistic style to portray the details that go into making them, but can also be seen as more old school or neo traditional designs.
According to Greek mythology, Medusa was born a beautiful woman, one of three sisters known as the Gorgons. When she was still human she was a priestess to the goddess Athena. Being a priestess she was sworn to celibacy.
So how did a beautiful maiden turn into the monster we’re all familiar with? Medusa was really a victim, and turning into a monster was not at all her fault, but the god of the sea, Poseidons. Poseidon met Medusa and was immediately infatuated. He tried over and over again to seduce Medusa, who refused each time. Finally Medusa sought refuge in Athena’s temple to get away from Poseidon. Poseidon didn’t care and went after her, following her into the temple of Athena, where he forced himself on her against her will.
To punish Medusa for having relations inside her temple, Athena turned Medusa into a monster. A woman with snakes for hair that could turn any who looked upon her directly into stone. Seeing herself as a hideous monster, Medusa fled, shunned by all, wandering alone. In her despair her character turned into the monster of her outward appearance.
Many warriors tried unsuccessfully to slay Medusa, but all were turned to stone, and her reputation grew with each kill. Until Perseus was sent to collect her head and bring it to the king Polydectes. Perseus was given quite a bit of help to complete this task, which the other warriors did not have. He was given a sword smithed by the god Hephaestus, Hades’ helmet of invisibility, winged sandals from Hermes, and a mirrored shield from Athena.
Perseus was able to slay Medusa by looking at her reflection in the mirrored shield so he could see her coming and not be turned to stone. He decapitated her, and in doing so freed her from Athena’s curse.
As a tattoo Medusa is often done in black and grey, neo traditional, realism, blackwork, and American traditional. She is most often tattooed as just her head, either visibly decapitated or portrait style.
Who is your favourite mythological Greek character?
Zhuo Dan Ting is the owner of Shanghai Tattoo as of January 2007 (located in Shanghai, China) where she tattoos people from all around the world. People seek out her art from far and wide, and are not disappointed with the results.
Zhuo Dan Ting has been an artist since an early age, where her father (an art teacher himself) and his friends would teach her new techniques. She went on to art school in Harbin after high school, but quickly moved onto something entirely different.
Ting found the subcultures of death metal and punk music, which is where she fell in love with tattoos. Ting started off tattooing her friends in Harbin’s underground music scene, where she quickly started making a name for herself in the tattoo world.
Ting does brilliant black and grey, photo realism, portrait art, and Asian styled pieces inspired by both Chinese and Japanese art. Along with making beautiful art, Ting was also the first woman in China to open her own tattoo shop, a big step for the Chinese tattoo community!
If you’re in Shanghai, Shanghai Tattoo is the place to go!