According to Greek mythology, Medusa was born a beautiful woman, one of three sisters known as the Gorgons. When she was still human she was a priestess to the goddess Athena. Being a priestess she was sworn to celibacy.
So how did a beautiful maiden turn into the monster we’re all familiar with? Medusa was really a victim, and turning into a monster was not at all her fault, but the god of the sea, Poseidons. Poseidon met Medusa and was immediately infatuated. He tried over and over again to seduce Medusa, who refused each time. Finally Medusa sought refuge in Athena’s temple to get away from Poseidon. Poseidon didn’t care and went after her, following her into the temple of Athena, where he forced himself on her against her will.
To punish Medusa for having relations inside her temple, Athena turned Medusa into a monster. A woman with snakes for hair that could turn any who looked upon her directly into stone. Seeing herself as a hideous monster, Medusa fled, shunned by all, wandering alone. In her despair her character turned into the monster of her outward appearance.
Many warriors tried unsuccessfully to slay Medusa, but all were turned to stone, and her reputation grew with each kill. Until Perseus was sent to collect her head and bring it to the king Polydectes. Perseus was given quite a bit of help to complete this task, which the other warriors did not have. He was given a sword smithed by the god Hephaestus, Hades’ helmet of invisibility, winged sandals from Hermes, and a mirrored shield from Athena.
Perseus was able to slay Medusa by looking at her reflection in the mirrored shield so he could see her coming and not be turned to stone. He decapitated her, and in doing so freed her from Athena’s curse.
As a tattoo Medusa is often done in black and grey, neo traditional, realism, blackwork, and American traditional. She is most often tattooed as just her head, either visibly decapitated or portrait style.
Who is your favourite mythological Greek character?
Brando Chiesa is a “pastel gore” artist based out of Florence, Italy.
Brando’s work features a whole lot of pink, yet still manages to be terrifying.
He mixes graphic imagery, mainly from anime shows and movies, with pastel colours. Along with anime (some hentai) and manga, Brando also takes inspiration from Japanese mythology and folklore.
His designs are mainly either sexy or terrifying. Featuring lots of anime women in tight clothing, and creatures and monsters you wouldn’t want to meet in real life.
Brando does do some darker colour work but the vast majority of it is pastel. His darker work has more of a neo traditional look to it, while the pastel pieces are a bit of a mix of neo traditional and hyperrealism.
Brando is a must see artist for your anime/manga needs!
Gakkin is a (mainly) blackwork and freehand artist working out of Amsterdam after first working in Kyoto.
His pieces are all large scale. Full sleeves, large torso pieces, back pieces, and bodysuits.
He collaborates often now with another Japanese blackwork artist, Nissaco. The two work well together, and their pieces flow seamlessly into each other.
His work is largely inspired by nature. Everything from wind, water, flowers, mountains, the sun, and the moon, and animals.
Gakkin also takes direct inspiration from ancient Japanese painters, adding his own interpretations.
Though he mainly works with black, he does also add splashes of red to draw the eye. In an interview with Tattoo Life, he said about working with black “I believe that black is the most important color in tattooing. Every ancient tattooing culture – Maori, Japanese, and Polynesian – considers it as such. It just works better than any other color on the skin.” (www.tattoolife.com)
The geisha, or, “person of accomplishment” date back to 1751 in the mid-Tokugawa period in Japan. Geisha’s were originally men, but eventually became women.
Geisha’s were trained artists skilled in tea ceremony, flower arranging, and as singers, dancers, storytellers, servers, and conversationalists. These women were all literate and were familiar with poetry and tales of warriors in order to entertain their patrons. Geisha’s were not prostitutes, but worked in the pleasure districts, also called “the floating world” and while not they were not sex workers, some did become concubines or mistresses for men who would buy their contracts from their masters.
Geisha’s are known for their musical prowess, particularly with an instrument called samisen, which today is also used in kabuki plays and has an inherently “Japanese” sound. As for appearance, while working a geisha would wear a kimono tied from the back, which is another difference between a geisha and a prostitute as a prostitute would have her kimono tied in the front. A thick white foundation of makeup is applied to the face, neck, and upper chest, with a line around the hairline creating a mask like appearance. Other makeup includes black around the eyes and eyebrows with bright red lips.
Geisha’s still exist today, though due in part to the rigorous training in order to become one, are much less frequent. Today, geisha’s mainly entertain politicians at parties.
As a tattoo a geisha will generally be done in Japanese traditional style, neo Japanese, American traditional, neo traditional, black and grey, or realism.
Geisha’s are an important part of Japanese history and make a fantastic design!