Artist of the Month: Übler Friedrich

übler Friedrich is a Neo-traditional tattoo artist who works in Berlin, Giessen, and Vienna.

stag beetle on the hand

Knights helmet and flowers.

Incredibly detailed black and grey cat portrait with flowers.

Gorgeous candlestick piece.

He works mainly in colour, but also does brilliant blackwork and fantastic black and grey pieces.

Healed forearm pieces. Brilliant rose and a dagger through a heart.

Ruler of the sea, Poseidon!

Portrait/scenery piece featuring a waterscape scene.

Huge skull and octopus thigh piece.

His pieces are both realistic and traditional, making a perfect blend of the two.

Vicious looking spiked mace.

Mean looking hawk with skulls on the neck.

Badass Roman skull torso piece.

Arrows and knots on a thigh.

Übler is not shy about tattooing faces or heads, and gives people brilliant and visible pieces for the world to admire. He also does both small and large pieces, so don’t be shy about getting something big!

Healed knees! Painful looking chimp and a bat.

Bright blue octopus head piece.

Delicate bluebell face tattoo.

Absolutely terrifying demon on a forearm.

Currently (January 2019) his books are closed, but you can check out his Instagram @friedrichubler and send him an email when his books are open again!

Gorgeous flowers on Oli Sykes from Bring Me The Horizon.

Raven and castle thigh piece on the back of the leg.

Butterfly head piece.

Wicked bear head chest piece done in only two sessions.

Artist of the Month: Shige

Shige works out of Yellow Blaze Tattoo Studio in Yokohama, Japan.

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Beautiful back piece that leads into a sleeve as well as legs.
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Very bright sleeve.
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Full leg sleeve.
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Rib panel that attaches to a back piece.

He has been tattooing since 1995, after teaching himself the craft.

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Brilliant bodysuit.
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Full samurai back piece.
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3/4 sleeve with a Buddhist goddess, Benzaiten.
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Hannya torso piece.

He tattoos in the Japanese style, while adding some realism to his pieces, making a lot of his work neo-Japanese.

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Full sleeve that also contains some coverups.
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Hannya back piece.
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Hannya chest piece.
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Full body suit with lots of colour.

Shige does large pieces including full sleeves, leg sleeves, back pieces, chest, and body suits.

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Half hannya torso piece mixed with tribal in a collaborative piece.
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Almost full bodysuit with lots of natural imagery.
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Tiger on top of the head.
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Fudo Myoo on the back of the head.

Much of Shige’s work revolves around Buddhism, including demons and gods and goddesses.

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Bright full sleeve.
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Sleeve topped with a raven.
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Bright red hand piece of Agyou.

Shige is a must see artist in Japan.

Artist of the month: Gakkin

Gakkin is a (mainly) blackwork and freehand artist working out of Amsterdam after first working in Kyoto.

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Blackwork raven across the back of the neck.
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Large octopus sleeve and chest piece.
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Bodysuit featuring birds, flowers, wind, and clouds.
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Huge snake torso piece.

His pieces are all large scale. Full sleeves, large torso pieces, back pieces, and bodysuits.

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Gruesome namakubi (severed head), with hair that flows into an almost cloudlike state.
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Massive crane back piece with clouds, waves, and koi.
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Negative space stomach hannya as part of a full bodysuit of mainly solid black.
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Red flowers on heavy black leg sleeve, with white spider web.

He collaborates often now with another Japanese blackwork artist, Nissaco. The two work well together, and their pieces flow seamlessly into each other.

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Bright flowers within a dark backdrop.
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Chrysanthemum with Japanese noh mask.
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Back of a bodysuit featuring negative space geometric designs.
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Beautiful blackwork moon and cloud back piece.

His work is largely inspired by nature. Everything from wind, water, flowers, mountains, the sun, and the moon, and animals.

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Large brushstroke style.
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Geometric, blackwork sleeve.
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Large chrysanthemum as part of a sleeve.

Gakkin also takes direct inspiration from ancient Japanese painters, adding his own interpretations.

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Waves and wind in these nature sleeves.
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Part of a bodysuit featuring wind and waves.
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Bright red flowers on heavy black.

Though he mainly works with black, he does also add splashes of red to draw the eye. In an interview with Tattoo Life, he said about working with black “I believe that black is the most important color in tattooing. Every ancient tattooing culture – Maori, Japanese, and Polynesian – considers it as such. It just works better than any other color on the skin.” (www.tattoolife.com)

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kuchisake-onna ghost, from stories dating back to the Edo period.
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Tsuchigumo, the Japanese spider demon.
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Collaboration piece done with Nissaco at the London tattoo convention 2017.

Which piece is your favourite?

Winnipeg Artists 1: Carly Montgomery

Carly Montgomery is a Winnipeg tattoo artist who works out of First String Tattoo. Carly has fantastic attention to detail, doing both colour and black and grey work, as well as fantastic script.

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Fun lazy sloth with script
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Hedwig and Hogwarts for Harry Potter fans
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Partially finished Japanese koi leg piece
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Bright and colourful peacock
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Wrapping crow
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Deaths hand moth and tree

Carly has done a number of my own tattoos, including these.

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Black and grey chest piece. Anchor, rose, and heart.
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Calf knight, bat wings, and tree.
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Carl from Pixar’s UP.
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Harry Potter quote and Deathly Hallows mark.

Be sure to check Carly out if you’re going to be in Winnipeg!

Artist of the Month: Daniel Anibal

Daniel Anibal is a talented tattoo artist working out of Atlantico Tattoo and Sagrado Corazón Tattoo, in Spain. His work is mainly colorful traditional tattoos, but he also does brilliant black and grey work, and some Japanese. His work is bold, bright, and graphic, and often takes influences from Japanese style, mixing it with American traditional.

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Some original flash work by Daniel.

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Brilliant rose on the hand.
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Chest piece full of iconic traditional imagery.
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Full black and grey traditional sleeve brought together with dots and stars.
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Colourful dinosaur head. Blue paired with yellow and red pops brilliantly.
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Bold tropical parrot.
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Womans head and traditional flowers is a classic.
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Full sleeve with Japanese influenced clouds, and an American/Japanese dragon.
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Other side of the sleeve. Lightning looks great against clouds.
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Striking Medusa. Don’t look directly at her…
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Traditional jungle cat!
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Japanese flower and wave sleeve.

Check him out if you’re in the area!

Artist of the Month: Horiyoshi III

Horiyoshi the third (Nakano Yoshihito) is a tattoo artist from the Yokohama area of Japan. He is a legend to many in the tattoo world, as well as an intelligent, thoughtful, and charming man.

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Horiyoshi III with sword.

His interest in the art of tattoos first started when he was 11 years old after seeing a tattooed man at the public bath, and developed further when as a high school student he found a book with illustrations and engravings of tattooed men.

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A young Horiyoshi III showing off his tattoos.

At age 22 he got his first tattoo, a full back piece, from the great Horiyoshi II. He later became a pupil under Horiyoshi II at age 25, as he needed to learn more about the art in order to become a tattoo artist.

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Tattooing with a machine.

Horiyoshi III is not only an amazing artist, but has a full body suit done in traditional Japanese style, which took 12-13 years to complete. His tattooing is also large scale pieces, often full body suits, back pieces, or leg or arm sleeves.

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Body suits, finished, and unfinished.

Irezumi, or traditional Japanese tattoos are often associated with the yakuza (Japanese mafia), because members used to have intricate body suits to show their status. Horiyoshi III used to tattoo many yakuza members, back when tattooing was much less common than it is now, but says about 10% of his clients are still yakuza members. Yakuza members have actually started lasering off their tattoos, or hiding them more, as well as not encouraging new members to get visible pieces, because it is such an easy way to identify someone. Instead, Japan is slowly moving towards tattoos being more accepted and about the art again.

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Full torso irezumi.

Horiyoshi III originally learned tattooing with the tebori method, or “tebori you no nomi”, which means “the hand digging tool”. This is a tool that is shaped like a stick, with needle points at the end, which is then dipped into ink, and jabbed repeatedly into the skin. It is a much slower way of tattooing than the modern machine now, but can still create intricate and detailed pieces of art. Horiyoshi III is also skilled with the tattoo machine, which he learned how to use later in life.

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Tebori tool refined by Horiyoshi III.

Horiyoshi III says there are four steps to the perfect tattoo. The drawing, outlining, shading, and finally colour. He then compares these steps to life. He says outlining is like planning your life, clarifying your ideas. That tattooing can be compared to life because every needle stroke counts, just like every second counts. That every line must be done with care, that life must be cherished.

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Bright and colourful full body suits.
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Suits like these can take hundreds of hours, and years to complete.

What is your favorite Horiyoshi III tattoo?