übler Friedrich is a Neo-traditional tattoo artist who works in Berlin, Giessen, and Vienna.
He works mainly in colour, but also does brilliant blackwork and fantastic black and grey pieces.
His pieces are both realistic and traditional, making a perfect blend of the two.
Übler is not shy about tattooing faces or heads, and gives people brilliant and visible pieces for the world to admire. He also does both small and large pieces, so don’t be shy about getting something big!
Currently (January 2019) his books are closed, but you can check out his Instagram @friedrichubler and send him an email when his books are open again!
Gakkin is a (mainly) blackwork and freehand artist working out of Amsterdam after first working in Kyoto.
His pieces are all large scale. Full sleeves, large torso pieces, back pieces, and bodysuits.
He collaborates often now with another Japanese blackwork artist, Nissaco. The two work well together, and their pieces flow seamlessly into each other.
His work is largely inspired by nature. Everything from wind, water, flowers, mountains, the sun, and the moon, and animals.
Gakkin also takes direct inspiration from ancient Japanese painters, adding his own interpretations.
Though he mainly works with black, he does also add splashes of red to draw the eye. In an interview with Tattoo Life, he said about working with black “I believe that black is the most important color in tattooing. Every ancient tattooing culture – Maori, Japanese, and Polynesian – considers it as such. It just works better than any other color on the skin.” (www.tattoolife.com)
Daniel Anibal is a talented tattoo artist working out of Atlantico Tattoo and Sagrado Corazón Tattoo, in Spain. His work is mainly colorful traditional tattoos, but he also does brilliant black and grey work, and some Japanese. His work is bold, bright, and graphic, and often takes influences from Japanese style, mixing it with American traditional.
Horiyoshi the third (Nakano Yoshihito) is a tattoo artist from the Yokohama area of Japan. He is a legend to many in the tattoo world, as well as an intelligent, thoughtful, and charming man.
His interest in the art of tattoos first started when he was 11 years old after seeing a tattooed man at the public bath, and developed further when as a high school student he found a book with illustrations and engravings of tattooed men.
At age 22 he got his first tattoo, a full back piece, from the great Horiyoshi II. He later became a pupil under Horiyoshi II at age 25, as he needed to learn more about the art in order to become a tattoo artist.
Horiyoshi III is not only an amazing artist, but has a full body suit done in traditional Japanese style, which took 12-13 years to complete. His tattooing is also large scale pieces, often full body suits, back pieces, or leg or arm sleeves.
Irezumi, or traditional Japanese tattoos are often associated with the yakuza (Japanese mafia), because members used to have intricate body suits to show their status. Horiyoshi III used to tattoo many yakuza members, back when tattooing was much less common than it is now, but says about 10% of his clients are still yakuza members. Yakuza members have actually started lasering off their tattoos, or hiding them more, as well as not encouraging new members to get visible pieces, because it is such an easy way to identify someone. Instead, Japan is slowly moving towards tattoos being more accepted and about the art again.
Horiyoshi III originally learned tattooing with the tebori method, or “tebori you no nomi”, which means “the hand digging tool”. This is a tool that is shaped like a stick, with needle points at the end, which is then dipped into ink, and jabbed repeatedly into the skin. It is a much slower way of tattooing than the modern machine now, but can still create intricate and detailed pieces of art. Horiyoshi III is also skilled with the tattoo machine, which he learned how to use later in life.
Horiyoshi III says there are four steps to the perfect tattoo. The drawing, outlining, shading, and finally colour. He then compares these steps to life. He says outlining is like planning your life, clarifying your ideas. That tattooing can be compared to life because every needle stroke counts, just like every second counts. That every line must be done with care, that life must be cherished.